Traditional monster imagery in manga, anime and Japanese cinema / Zilia Papp.
Traditional Monster Imagery in Manga, Anime and Japanese Cinema builds on the earlier volume Anime and its Roots in Early Japanese Monster Art , that aimed to position contemporary Japanese animation within a wider art historical context by tracing the development of monster representations in Edo-...
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Year of Publication: | 2011 |
Language: | English |
Series: | Brill eBook titles
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Physical Description: | 1 online resource (272 p.) |
Notes: | Description based upon print version of record. |
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082 | 0 | 0 | |a 741.5952 |
100 | 1 | |a Papp, Zilia. | |
245 | 1 | 0 | |a Traditional monster imagery in manga, anime and Japanese cinema |h [electronic resource] / |c Zilia Papp. |
260 | |a Folkestone, Kent, UK : |b Global Oriental, |c 2011. | ||
300 | |a 1 online resource (272 p.) | ||
336 | |a text |b txt | ||
337 | |a computer |b c | ||
338 | |a online resource |b cr | ||
490 | 0 | |a Brill eBook titles | |
500 | |a Description based upon print version of record. | ||
546 | |a English | ||
505 | 0 | 0 | |a Preliminary Material -- Introduction: Context and Contemporary Scene -- Geisha and Robot -- New Vienna School Approach -- Yōkai Art from Prehistory to Modernity -- Multitude of Monsters in Multimedia -- Yōkai in Cinema, 1968 – 2008 -- Monster Landscapes -- Bibliography -- Glossary of Terms -- Glossary of Persons -- Index. |
520 | |a Traditional Monster Imagery in Manga, Anime and Japanese Cinema builds on the earlier volume Anime and its Roots in Early Japanese Monster Art , that aimed to position contemporary Japanese animation within a wider art historical context by tracing the development of monster representations in Edo- and Meiji-period art works and post-war visual media. While the previous volume concentrated on modern media representations, this work focuses on how Western art historical concepts and methodology might be adapted when considering non-Western works, introducing traditional monster art in more detail, while also maintaining its links to post-war animation, sequential art and Japanese cinema. The book aims at a general readership interested in Japanese art and media as well as graduate students who might be searching for a research model within the fields of Animation Studies, Media Studies or Visual Communication Design. | ||
504 | |a Includes bibliographical references (p. [226]-233) and index. | ||
650 | 0 | |a Animated films |z Japan |x History and criticism. | |
650 | 0 | |a Art, Japanese |y 20th century. | |
650 | 0 | |a Comic books, strips, etc. |z Japan |x History and criticism. | |
650 | 0 | |a Monsters in art. | |
650 | 0 | |a Motion pictures |z Japan |x History. | |
776 | |z 1-906876-52-5 | ||
906 | |a BOOK | ||
ADM | |b 2023-02-28 11:51:16 Europe/Vienna |f System |c marc21 |a 2012-09-23 04:25:47 Europe/Vienna |g false | ||
AVE | |i Brill |P EBA Brill All |x https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&portfolio_pid=5343315580004498&Force_direct=true |Z 5343315580004498 |b Available |8 5343315580004498 |