Song of song s : a close reading / / by Gianni Barbiero ; translated by Michael Tait.

This book puts forward an interpretation of the Canticle which is alert to the literal sense of the poem. The author thus distances himself both from the allegorical interpretation and from an interpretation that is purely secular. According to the author, the Song offers a theological vision of hum...

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Place / Publishing House:Boston : : Brill,, 2011.
Year of Publication:2011
Language:English
Series:Vetus Testamentum, Supplements 144.
Physical Description:1 online resource (560 p.)
Notes:Description based upon print version of record.
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240 1 0 |a Cantico dei cantici.  |l English 
245 1 0 |a Song of song s  |b a close reading /  |c by Gianni Barbiero ; translated by Michael Tait. 
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546 |a English 
504 |a Includes bibliographical references (p. [509]-521) and indexes. 
505 0 0 |t Preliminary Material /  |r G. Barbiero --  |t Chapter One. Introduction /  |r G. Barbiero --  |t Chapter Two. Title (Song 1:1) /  |r G. Barbiero --  |t Chapter Three. Prologue (Song 1:2–2:7) /  |r G. Barbiero --  |t Chapter Four. Songs Of The Beloved Woman (Song 2:8–3:5) /  |r G. Barbiero --  |t Chapter Five. Choral Intermezzo (Song 3:6–11) /  |r G. Barbiero --  |t Chapter Six. Songs Of The Beloved Man (Song 4:1–5:1) /  |r G. Barbiero --  |t Chapter Seven. New Songs Of The Beloved Woman (Song 5:2–6:3) /  |r G. Barbiero --  |t Chapter Eight. New Songs Of The Beloved Man (Song 6:4–7:11) /  |r G. Barbiero --  |t Chapter Nine. Final Songs Of The Beloved Woman (Song 7:12–8:4) /  |r G. Barbiero --  |t Chapter Ten. Epilogue (Song 8:5–14) /  |r G. Barbiero --  |t Chapter Eleven. Eight Conclusive Theses /  |r G. Barbiero --  |t Bibliography /  |r G. Barbiero --  |t Index Of Authors /  |r G. Barbiero --  |t Index Of Hebrew Words /  |r G. Barbiero --  |t Index Of Ancient Sources /  |r G. Barbiero. 
520 |a This book puts forward an interpretation of the Canticle which is alert to the literal sense of the poem. The author thus distances himself both from the allegorical interpretation and from an interpretation that is purely secular. According to the author, the Song offers a theological vision of human love. Barbiero sees the Song as composed in the third century BC, in the Hellenistic epoch, but also as hugely dependent on the love poetry of the Ancient Near East, particularly that of Egypt. Above all, however, the Song was composed in dialogue with the other books of the Old Testament, especially in contrast with the negative view of sexuality which they represent. The study pays particular attention to the structure of the poem and of the individual cantos: for Barbiero, the Song is a closely unitary work and is only to be understood as a whole. 
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