Conquest and construction : : palace architecture in northern Cameroon / / by Mark Dike DeLancey.

In Conquest and Construction Mark Dike DeLancey investigates the palace architecture of northern Cameroon, a region that was conquered in the early nineteenth century by primarily semi-nomadic, pastoralist, Muslim, Fulɓe forces and incorporated as the largest emirate of the Sokoto Caliphate. Palace...

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Bibliographic Details
Superior document:African history ; v. 5
:
Place / Publishing House:Leiden ;, Boston : : Brill,, [2016]
Year of Publication:2016
Language:English
Series:African History 5.
Physical Description:1 online resource (314 pages) :; illustrations.
Notes:Bibliographic Level Mode of Issuance: Monograph
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264 1 |a Leiden ;  |a Boston :  |b Brill,  |c [2016] 
300 |a 1 online resource (314 pages) :  |b illustrations. 
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490 1 |a African history ;  |v v. 5 
500 |a Bibliographic Level Mode of Issuance: Monograph 
546 |a English 
504 |a Includes bibliographical references and index. 
588 |a Description based on online resource; title from digital title page (viewed on July 25, 2016). 
520 |a In Conquest and Construction Mark Dike DeLancey investigates the palace architecture of northern Cameroon, a region that was conquered in the early nineteenth century by primarily semi-nomadic, pastoralist, Muslim, Fulɓe forces and incorporated as the largest emirate of the Sokoto Caliphate. Palace architecture is considered first and foremost as political in nature, and therefore as responding not only to the needs and expectations of the conquerors, but also to those of the largely sedentary, agricultural, non-Muslim conquered peoples who constituted the majority population. In the process of reconciling the cultures of these various constituents, new architectural forms and local identities were constructed. 
505 0 0 |t Preliminary Material /  |r Mark Dike DeLancey --   |t Introduction /  |r Mark Dike DeLancey --   |t Architectural Form /  |r Mark Dike DeLancey --   |t Political Symbolism /  |r Mark Dike DeLancey --   |t Spatial Orientation /  |r Mark Dike DeLancey --   |t Ritual Movement /  |r Mark Dike DeLancey --   |t Secrecy /  |r Mark Dike DeLancey --   |t Conclusion /  |r Mark Dike DeLancey --   |t Bibliography /  |r Mark Dike DeLancey --   |t Index /  |r Mark Dike DeLancey. 
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