Ad vivum? : : visual materials and the vocabulary of life-likeness in Europe before 1800 / / edited by Thomas Balfe, Joanna Woodall, Claus Zittel.
The term ad vivum and its cognates al vivo , au vif , nach dem Leben and naer het leven have been applied since the thirteenth century to depictions designated as from, to or after (the) life. This book explores the issues raised by this vocabulary and related terminology with reference to visual ma...
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Place / Publishing House: | Leiden ;, Boston : : Brill,, [2019] |
Year of Publication: | 2019 |
Language: | English |
Series: | Intersections
61. |
Physical Description: | 1 online resource (377 pages). |
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Ad vivum? : visual materials and the vocabulary of life-likeness in Europe before 1800 / edited by Thomas Balfe, Joanna Woodall, Claus Zittel. Leiden ; Boston : Brill, [2019] 1 online resource (377 pages). text txt rdacontent computer c rdamedia online resource cr rdacarrier Intersections : interdisciplinary studies in early modern culture, 1568-1181 ; volume 61 The term ad vivum and its cognates al vivo , au vif , nach dem Leben and naer het leven have been applied since the thirteenth century to depictions designated as from, to or after (the) life. This book explores the issues raised by this vocabulary and related terminology with reference to visual materials produced and used in Europe before 1800, including portraiture, botanical, zoological, medical and topographical images, images of novel and newly discovered phenomena, and likenesses created through direct contact with the object being depicted. The designation ad vivum was not restricted to depictions made directly after the living model, and was often used to advertise the claim of an image to be a faithful likeness or a bearer of reliable information. Viewed as an assertion of accuracy or truth, ad vivum raises a number of fundamental questions in the area of early modern epistemology – questions about the value and prestige of visual and/or physical contiguity between image and original, about the kinds of information which were thought important and dependably transmissible in material form, and about the roles of the artist in that transmission. The recent interest of historians of early modern art in how value and meaning are produced and reproduced by visual materials which do not conform to the definition of art as unique invention, and of historians of science and of art in the visualisation of knowledge, has placed the questions surrounding ad vivum at the centre of their common concerns. Contributors: Thomas Balfe, José Beltrán, Carla Benzan, Eleanor Chan, Robert Felfe, Mechthild Fend, Sachiko Kusukawa, Pieter Martens, Richard Mulholland, Noa Turel, Joanna Woodall, and Daan Van Heesch. Includes bibliographical references and index. Front Matter -- Copyright page -- Acknowledgements -- Illustrations -- Notes on the Editors -- Notes on the Contributors -- Introduction: From Living Presence to Lively Likeness – the Lives of ad vivum / Thomas Balfe and Joanna Woodall -- Naer het leven: between Image-Generating Techniques and Aesthetic Mediation / Robert Felfe -- Ad vivum Images and Knowledge of Nature in Early Modern Europe / Sachiko Kusukawa -- Paintworks au vif to Paintings from Life: Early Netherlandish Paintings in the Round and the Invention of Indexicality / Noa Turel -- Cities under Siege Portrayed ad vivum in Early Netherlandish Prints (1520–1565) / Pieter Martens -- ‘Jerusalem naert Leven’? Envisioning the Holy City in the Low Countries (1525–1575) / Daan van Heesch -- Coming to Life at the Sacro Monte of Varallo: the Sacred Image al vivo in Post-Tridentine Italy / Carla Benzan -- The Vital Breath: Mathematical Visualizations in England and the Netherlands around 1600 / Eleanor Chan -- Nature au naturel in Late-Seventeenth-Century France / José Beltrán -- Drawing the Cadaver ad vivum: Gérard de Lairesse’s Illustrations for Govard Bidloo’s Anatomia Humani Corporis / Mechthild Fend -- The Mechanism and Materials of Painting Colour ad vivum in the Eighteenth Century / Richard Mulholland -- Back Matter -- Index Nominum. Art Historiography Terminology. Latin language Terms and phrases. Historiography Europe History. Resemblance (Philosophy) Visual communication Europe History. Knowledge, Theory of Europe History. Balfe, Thomas, editor. Woodall, Joanna, editor. Zittel, Claus, editor. 90-04-32994-3 Intersections 61. |
language |
English |
format |
eBook |
author2 |
Balfe, Thomas, Woodall, Joanna, Zittel, Claus, |
author_facet |
Balfe, Thomas, Woodall, Joanna, Zittel, Claus, |
author2_variant |
t b tb j w jw c z cz |
author2_role |
TeilnehmendeR TeilnehmendeR TeilnehmendeR |
author_additional |
Thomas Balfe and Joanna Woodall -- Robert Felfe -- Sachiko Kusukawa -- Noa Turel -- Pieter Martens -- Daan van Heesch -- Carla Benzan -- Eleanor Chan -- José Beltrán -- Mechthild Fend -- Richard Mulholland -- |
title |
Ad vivum? : visual materials and the vocabulary of life-likeness in Europe before 1800 / |
spellingShingle |
Ad vivum? : visual materials and the vocabulary of life-likeness in Europe before 1800 / Intersections : interdisciplinary studies in early modern culture, Front Matter -- Copyright page -- Acknowledgements -- Illustrations -- Notes on the Editors -- Notes on the Contributors -- Introduction: From Living Presence to Lively Likeness – the Lives of ad vivum / Naer het leven: between Image-Generating Techniques and Aesthetic Mediation / Ad vivum Images and Knowledge of Nature in Early Modern Europe / Paintworks au vif to Paintings from Life: Early Netherlandish Paintings in the Round and the Invention of Indexicality / Cities under Siege Portrayed ad vivum in Early Netherlandish Prints (1520–1565) / ‘Jerusalem naert Leven’? Envisioning the Holy City in the Low Countries (1525–1575) / Coming to Life at the Sacro Monte of Varallo: the Sacred Image al vivo in Post-Tridentine Italy / The Vital Breath: Mathematical Visualizations in England and the Netherlands around 1600 / Nature au naturel in Late-Seventeenth-Century France / Drawing the Cadaver ad vivum: Gérard de Lairesse’s Illustrations for Govard Bidloo’s Anatomia Humani Corporis / The Mechanism and Materials of Painting Colour ad vivum in the Eighteenth Century / Back Matter -- Index Nominum. |
title_sub |
visual materials and the vocabulary of life-likeness in Europe before 1800 / |
title_full |
Ad vivum? : visual materials and the vocabulary of life-likeness in Europe before 1800 / edited by Thomas Balfe, Joanna Woodall, Claus Zittel. |
title_fullStr |
Ad vivum? : visual materials and the vocabulary of life-likeness in Europe before 1800 / edited by Thomas Balfe, Joanna Woodall, Claus Zittel. |
title_full_unstemmed |
Ad vivum? : visual materials and the vocabulary of life-likeness in Europe before 1800 / edited by Thomas Balfe, Joanna Woodall, Claus Zittel. |
title_auth |
Ad vivum? : visual materials and the vocabulary of life-likeness in Europe before 1800 / |
title_alt |
Front Matter -- Copyright page -- Acknowledgements -- Illustrations -- Notes on the Editors -- Notes on the Contributors -- Introduction: From Living Presence to Lively Likeness – the Lives of ad vivum / Naer het leven: between Image-Generating Techniques and Aesthetic Mediation / Ad vivum Images and Knowledge of Nature in Early Modern Europe / Paintworks au vif to Paintings from Life: Early Netherlandish Paintings in the Round and the Invention of Indexicality / Cities under Siege Portrayed ad vivum in Early Netherlandish Prints (1520–1565) / ‘Jerusalem naert Leven’? Envisioning the Holy City in the Low Countries (1525–1575) / Coming to Life at the Sacro Monte of Varallo: the Sacred Image al vivo in Post-Tridentine Italy / The Vital Breath: Mathematical Visualizations in England and the Netherlands around 1600 / Nature au naturel in Late-Seventeenth-Century France / Drawing the Cadaver ad vivum: Gérard de Lairesse’s Illustrations for Govard Bidloo’s Anatomia Humani Corporis / The Mechanism and Materials of Painting Colour ad vivum in the Eighteenth Century / Back Matter -- Index Nominum. |
title_new |
Ad vivum? : |
title_sort |
ad vivum? : visual materials and the vocabulary of life-likeness in europe before 1800 / |
series |
Intersections : interdisciplinary studies in early modern culture, |
series2 |
Intersections : interdisciplinary studies in early modern culture, |
publisher |
Brill, |
publishDate |
2019 |
physical |
1 online resource (377 pages). |
contents |
Front Matter -- Copyright page -- Acknowledgements -- Illustrations -- Notes on the Editors -- Notes on the Contributors -- Introduction: From Living Presence to Lively Likeness – the Lives of ad vivum / Naer het leven: between Image-Generating Techniques and Aesthetic Mediation / Ad vivum Images and Knowledge of Nature in Early Modern Europe / Paintworks au vif to Paintings from Life: Early Netherlandish Paintings in the Round and the Invention of Indexicality / Cities under Siege Portrayed ad vivum in Early Netherlandish Prints (1520–1565) / ‘Jerusalem naert Leven’? Envisioning the Holy City in the Low Countries (1525–1575) / Coming to Life at the Sacro Monte of Varallo: the Sacred Image al vivo in Post-Tridentine Italy / The Vital Breath: Mathematical Visualizations in England and the Netherlands around 1600 / Nature au naturel in Late-Seventeenth-Century France / Drawing the Cadaver ad vivum: Gérard de Lairesse’s Illustrations for Govard Bidloo’s Anatomia Humani Corporis / The Mechanism and Materials of Painting Colour ad vivum in the Eighteenth Century / Back Matter -- Index Nominum. |
isbn |
90-04-39399-4 90-04-32994-3 |
issn |
1568-1181 ; |
callnumber-first |
N - Fine Arts |
callnumber-subject |
N - Visual Arts |
callnumber-label |
N34 |
callnumber-sort |
N 234 A3 42019 |
geographic_facet |
Europe |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
700 - Arts |
dewey-ones |
701 - Philosophy of fine & decorative arts |
dewey-full |
701.4 |
dewey-sort |
3701.4 |
dewey-raw |
701.4 |
dewey-search |
701.4 |
work_keys_str_mv |
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Ad vivum? : visual materials and the vocabulary of life-likeness in Europe before 1800 / |
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