Foreign currency volatility and the market for French modernist art / / by David M. Challis.
Foreign Currency Volatility and the Market for French Modernist Art examines how the collapse of the French franc in the decades following the First World War activated powerful 'push' and 'pull' economic forces that compelled French art collectors to monetise their collections w...
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| Superior document: | Studies in the history of collecting & art markets ; Volume 12 |
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| VerfasserIn: | |
| Place / Publishing House: | Leiden ;, Boston : : Brill,, [2021] ©2021 |
| Year of Publication: | 2021 |
| Language: | English |
| Series: | Studies in the history of collecting & art markets ;
Volume 12. |
| Physical Description: | 1 online resource. |
| Notes: | Based on the author's dissertation (Ph.D.)--University of Melbourne, 2018, under the title: Moving mountains : interwar collecting of French modernist art and the economics of translocation. |
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Table of Contents:
- Economic Disruption and the Monetisation of French Collections
- Samuel Courtauld as Private Collector and Public Donor
- Albert Barnes as Currency Opportunist and 'Visionary Art Educator'
- Kojiro Matsukata and the Economics of Rodin in Japan
- Institutional Inertia and the National Gallery of Victoria in Australia
- Assis Chateaubriand at the Museu de São Paulo and the Turn Toward Brazilian Modernism.