Divine images and human imaginations in Ancient Greece and Rome / / edited by Joannis Mylonopoulos.

• Superior document: Religions in the Graeco-Roman world, v. 170
• TeilnehmendeR: Mylonopoulos, Jannis.
• Place / Publishing House: Leiden ;, Boston : : Brill.; c2010.
• Year of Publication: 2010
• Language: English
• Series: Religions in the Graeco-Roman World 170.
• Physical Description: 1 online resource (xvi, 437 pages) : $b illustrations, map, plans.
• Notes: Paperback version published 2015.
• Other title: Preliminary material /; Introduction: DIVINE IMAGES VERSUS CULT IMAGES. AN ENDLESS STORY ABOUT THEORIES, METHODS, AND TERMINOLOGIES /; A PANTHEON WITHOUT ATTRIBUTES? GODDESSES AND GODS IN MINOAN AND MYCENAEAN ICONOGRAPHY /; ANICONISM AND THE NOTION OF THE “PRIMITIVE” IN GREEK ANTIQUITY /; FINDING THE GODS GREEK AND CYPRIOT VOTIVE KORAI REVISITED /; GODS AND STATUES—AN APPROACH TO ARCHAISTIC IMAGES IN THE FIFTH CENTURY BCE /; GREEK PRIESTS AND “CULT STATUES”: IN HOW FAR ARE THEY UNNECESSARY? /; THESEUS AND THE STONE THE ICONOGRAPHIC AND RITUAL CONTEXTS OF A GREEK VOTIVE RELIEF IN THE LOUVRE /; ODYSSEUS WITH A TRIDENT? THE USE OF ATTRIBUTES IN ANCIENT GREEK IMAGERY /; THE LIFE STORY OF A CULT STATUE AS AN ALLEGORY: KALLIMACHOS’ HERMES PERPHERAIOS /; ARCADIAN CULT IMAGES BETWEEN RELIGION AND POLITICS /; SYNNAOS THEOS IMAGES OF ROMAN EMPERORS IN GREEK TEMPLES /; SIMULACRA DEORUM VERSUS ORNAMENTA AEDIUM THE STATUS OF DIVINE IMAGES IN THE TEMPLES OF ROME /; THE DEDICATION OF CULT STATUES AT THE ALTAR. A ROMAN PICTORIAL FORMULA FOR THE INTRODUCTION OF NEW CULTS /; ORNAMENTA, MONUMENTA, EXEMPLA GREEK IMAGES OF GODS IN THE PUBLIC SPACES OF CONSTANTINOPLE /; BIBLIOGRAPHY /; INDEX OF PASSAGES CITED /; SUBJECT INDEX /; FIGURES /
• Bibliography: Includes bibliographical references (p. 303-359) and indexes.
• ISBN: 9047441656
• ISSN: 0927-7633
• Hierarchical level: Monograph
• Statement of Responsibility: edited by Joannis Mylonopoulos.

The polytheistic religious systems of ancient Greece and Rome reveal an imaginative attitude towards the construction of the divine. One of the most important instruments in this process was certainly the visualisation. Images of the gods transformed the divine world into a visually experienceable entity, comprehensible even without a theoretical or theological superstructure. For the illiterates, images were together with oral traditions and rituals the only possibility to approach the idea of the divine; for the intellectuals, images of the gods could be allegorically transcended symbols to reflect upon. Based on the art historical and textual evidence, this volume offers a fresh view on the historical, literary, and artistic significance of divine images as powerful visual media of religious and intellectual communication.