Performance and performativity in contemporary Indian fiction in English / / by Maria-Sabina Draga Alexandru.
This book starts with a consideration of a 1997 issue of the New Yorker that celebrated fifty years of Indian independence, and goes on to explore the development of a pattern of performance and performativity in contemporary Indian fiction in English (Salman Rushdie, Arundhati Roy and Vikram Chandr...
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| Place / Publishing House: | Leiden, Netherlands ;, Boston, [Massachusetts] : : Brill Rodopi,, 2015. ©2015 |
| Year of Publication: | 2015 |
| Language: | English |
| Series: | Costerus New Series
210. |
| Physical Description: | 1 online resource (301 pages). |
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Table of Contents:
- Preliminary material / Editors Performance and Performativity in Contemporary Indian Fiction in English
- METAMORPHOSES OF THE SELF ON THE BORDER BETWEEN ‘EAST’ AND ‘WEST’ / Editors Performance and Performativity in Contemporary Indian Fiction in English
- WRITING IN ENGLISH: A PERFORMATIVE ACT IN CONTEMPORARY INDIAN FICTION / Editors Performance and Performativity in Contemporary Indian Fiction in English
- CHANGES AND CHALLENGES IN THE NOVEL FORM: FROM MYTH TO PERFORMANCE TO NOMADIC TEXTUALITY / Editors Performance and Performativity in Contemporary Indian Fiction in English
- INTERCULTURAL EPIC IN PERFORMANCE: PETER BROOK AND GIRISH KARNAD / Editors Performance and Performativity in Contemporary Indian Fiction in English
- REPERFORMED TRADITIONS: INDIAN THEATRE AND ITS CONTEMPORARY AVATARS / Editors Performance and Performativity in Contemporary Indian Fiction in English
- REPOSITIONING SCHEHERAZADE: FROM STORYTELLING TO PERFORMANCE IN SALMAN RUSHDIE’S MIDNIGHT’S CHILDREN / Editors Performance and Performativity in Contemporary Indian Fiction in English
- STORYING THE FATWA: FROM THE SATANIC VERSES TO HAROUN AND THE SEA OF STORIES / Editors Performance and Performativity in Contemporary Indian Fiction in English
- MIGRANT IDENTITY PERFORMANCE POLITICS IN SALMAN RUSHDIE’S THE SATANIC VERSES / Editors Performance and Performativity in Contemporary Indian Fiction in English
- WRITING THE UNSPOKEN: EXCLUSION AND ARUNDHATI ROY’S ÉCRITURE FÉMININE IN THE GOD OF SMALL THINGS / Editors Performance and Performativity in Contemporary Indian Fiction in English
- PERFORMANCES OF MARGINALITY IN ARUNDHATI ROY’S THE GOD OF SMALL THINGS / Editors Performance and Performativity in Contemporary Indian Fiction in English
- POSTMODERN SCHEHERAZADES BETWEEN STORYTELLING AND THE NOVEL FORM: VIKRAM CHANDRA’S RED EARTH AND POURING RAIN / Editors Performance and Performativity in Contemporary Indian Fiction in English
- PERFORMANCE, PERFORMATIVITY AND NOMADISM IN VIKRAM CHANDRA’S RED EARTH AND POURING RAIN / Editors Performance and Performativity in Contemporary Indian Fiction in English
- CONCLUSION / Editors Performance and Performativity in Contemporary Indian Fiction in English
- BIBLIOGRAPHY / Editors Performance and Performativity in Contemporary Indian Fiction in English
- INDEX / Editors Performance and Performativity in Contemporary Indian Fiction in English.