Scapeland : : writing the landscape from Diderot's Salons to the postmodern museum / / Gillian B. Pierce.
Scapeland: Writing the Landscape from Diderot’s Salons to the Postmodern Museum is a comparative, interdisciplinary study tracing theories of the sublime and a history of spectatorship from Diderot’s eighteenth-century French Salons , through art criticism by Baudelaire and Breton, to Jean-François...
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| Superior document: | Faux titre ; 383 |
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| Place / Publishing House: | Amsterdam ;, New York, NY : : Rodopi,, 2012. |
| Year of Publication: | 2012 |
| Language: | English |
| Series: | Faux Titre
383. |
| Physical Description: | 1 online resource (237 p.) |
| Notes: | Description based upon print version of record. |
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Table of Contents:
- Preliminary Material
- Acknowledgments
- Introduction
- Landscape and the Sublime, or The Art of Nature
- Les Limites de l’imitation: Diderot and the Salons
- Baudelaire’s Parisian Cityscape: Charles Meryon and Le Spleen de Paris
- Mapping the City as Dreamscape: André Breton and le point sublime
- “Scapeland”: The Sublime and Lyotard’s Les Immatériaux
- Conclusion
- Bibliography.