The portrait bust and French cultural politics in the eighteenth century / / by Ronit Milano.

• Superior document: Brill's Studies in Intellectual History, Volume 242
• VerfasserIn: Milano, Ronit,
• Place / Publishing House: Leiden, Netherlands ;, Boston, [Massachusetts] : : Brill,, 2015.; ©2015
• Year of Publication: 2015
• Language: English
• Series: Brill's studies in intellectual history ; v. 242.; Brill's studies in intellectual history. Brill's studies on art, art history, and intellectual history ; v. 8.
• Physical Description: 1 online resource (242 p.)
• Notes: Description based upon print version of record.

In The Portrait Bust and French Cultural Politics in the Eighteenth Century , Ronit Milano probes the rich and complex aesthetic and intellectual charge of a remarkably concise art form, and explores its role as a powerful agent of epistemological change during one of the most seismic moments in French history. The pre-Revolutionary portrait bust was inextricably tied to the formation of modern selfhood and to the construction of individual identity during the Enlightenment, while positioning both sitters and viewers as part of a collective of individuals who together formed French society. In analyzing the contribution of the portrait bust to the construction of interiority and the formulation of new gender roles and political ideals, this book touches upon a set of concerns that constitute the very core of our modernity.

Table of Contents

Preliminary Material -- Introduction -- 1 “He is a Philosopher”: Individual versus Collective Identity -- 2 Decent Exposure: Bosoms, Smiles, and Maternal Delight in Female Portraits -- 3 Between Innocence and Disillusion: Representations of Children and Childhood -- 4 Transitional Identities: Family Structure, the Social Order, and Alternative Masculinities at the Dawn of Modernity -- 5 The Face of the Monarchy: Court Propaganda and the Portrait Bust -- Conclusion -- Bibliography -- Index of Names.