Pious memories : : the wall-mounted memorial in the Burgundian Netherlands / / Douglas Brine.

Wall-mounted memorials (or ‘epitaphs’) enjoyed great popularity across the Burgundian Netherlands. Usually installed in churches above graves, they combine images with inscriptions and take the form of sculpted reliefs, brass plaques, or panel paintings. They preserved the memory of the dead and rem...

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Bibliographic Details
Superior document:Studies in Netherlandish Art and Cultural History, Volume 13
VerfasserIn:
Place / Publishing House:Leiden, Netherlands ;, Boston, [Massachusetts] : : Brill,, 2015.
©2015
Year of Publication:2015
Language:English
Series:Studies in Netherlandish art and cultural history ; Volume 13.
Physical Description:1 online resource (324 pages) :; illustrations (some color).
Notes:Outgrowth of the author's thesis (Courtauld Institute of Art, 2006) under the title: Piety and purgatory : wall-mounted memorials from the southern Netherlands, c. 1380-1520.
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264 1 |a Leiden, Netherlands ;  |a Boston, [Massachusetts] :  |b Brill,  |c 2015. 
264 4 |c ©2015 
300 |a 1 online resource (324 pages) :  |b illustrations (some color). 
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490 1 |a Studies in Netherlandish Art and Cultural History,  |x 1872-5532 ;  |v Volume 13 
500 |a Outgrowth of the author's thesis (Courtauld Institute of Art, 2006) under the title: Piety and purgatory : wall-mounted memorials from the southern Netherlands, c. 1380-1520. 
520 |a Wall-mounted memorials (or ‘epitaphs’) enjoyed great popularity across the Burgundian Netherlands. Usually installed in churches above graves, they combine images with inscriptions and take the form of sculpted reliefs, brass plaques, or panel paintings. They preserved the memory of the dead and reminded the living to pray for their souls. On occasions, renowned artists like Jan van Eyck and Rogier van der Weyden were closely involved in memorials’ creation. In Pious Memories Douglas Brine examines the wall-mounted memorial as a distinct category of funerary monument and shows it to be a significant, if overlooked, aspect of fifteenth-century Netherlandish art. The patronage, functions, and meanings of these objects are considered in the context of contemporary commemorative practices and the culture of memoria . For sample pages click on Google Books button. Brine received the 2015 Arthur Kingsley Porter Prize, for an earlier version of Chapter 5 of Pious Memories , his article, “Jan van Eyck, Canon Joris van der Paele, and the Art of Commemoration,” published in the September 2014 issue of The Art Bulletin . 
505 0 0 |t Preliminary Material --  |t 1 Introduction: The Wall-Mounted Memorial in the Burgundian Netherlands /  |r Given-Name Brine --  |t 2 Two Memorials to Two Seigneurs: Bauduin and Thierry de Hénin-Liétard /  |r Given-Name Brine --  |t 3 Commemorating the Canons of Saint-Omer /  |r Given-Name Brine --  |t 4 Commemorating the Canonesses of Nivelles /  |r Given-Name Brine --  |t 5 Jan van Eyck and the Virgin of Canon Joris van der Paele /  |r Given-Name Brine --  |t 6 Epilogue: The Wall-Mounted Memorial’s Sixteenth-Century Legacy /  |r Given-Name Brine --  |t Appendix --  |t Notes --  |t Bibliography --  |t Index. 
504 |a Includes bibliographical references and index. 
588 |a Description based on print version record. 
650 0 |a Art, Netherlandish  |x Themes, motives. 
650 0 |a Sepulchral monuments, Gothic  |z Benelux countries. 
650 0 |a Memorialization  |z Benelux countries  |x History  |y To 1500. 
650 0 |a Memorialization  |z Benelux countries  |x History  |y 16th century. 
650 0 |a Church decoration and ornament  |z Benelux countries  |x History  |y To 1500. 
650 0 |a Church decoration and ornament  |z Benelux countries  |x History  |y 16th century. 
776 |z 90-04-28832-5 
830 0 |a Studies in Netherlandish art and cultural history ;  |v Volume 13. 
906 |a BOOK 
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