The humanist interpretation of hieroglyphs in the allegorical studies of the Renaissance : : with a focus on the triumphal arch of Maximilian I / / by Karl Giehlow ; translated with an introduction & notes by Robin Raybould.

The Hieroglyphenkunde by Karl Giehlow published in 1915, described variously by critics as “a masterpiece”, “magnificent”, “monumental” and “incomparable”, is here translated into English for the first time. Giehlow’s work with an initial focus on the Hieroglyphica of Horapollo, the manuscript of wh...

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Bibliographic Details
Superior document:Brill's Texts and Sources in Intellectual History ; Volume 16
VerfasserIn:
TeilnehmendeR:
Place / Publishing House:Leiden, The Netherlands : : Koninklijke Brill,, 2015.
©2015
Year of Publication:2015
Language:English
Series:Brill's studies in intellectual history. Brill's texts and sources in intellectual history ; Volume 16.
Brill's studies in intellectual history ; Volume 240.
Physical Description:1 online resource (360 p.)
Notes:Bibliographic Level Mode of Issuance: Monograph
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Summary:The Hieroglyphenkunde by Karl Giehlow published in 1915, described variously by critics as “a masterpiece”, “magnificent”, “monumental” and “incomparable”, is here translated into English for the first time. Giehlow’s work with an initial focus on the Hieroglyphica of Horapollo, the manuscript of which was discovered by Giehlow, was a pioneering attempt to introduce the thesis that Egyptian hieroglyphics had a fundamental influence on the Italian literature of allegory and symbolism and beyond that on the evolution of all Renaissance art. The present edition includes the illustrations of Albrecht Dürer from the Pirckheimer translation of the Horapollo from the early fifteenth century.
Bibliography:Includes bibliographical references and index.
ISBN:9004281738
ISSN:0920-8607 ;
Hierarchical level:Monograph
Statement of Responsibility: by Karl Giehlow ; translated with an introduction & notes by Robin Raybould.