Receptions of antiquity, constructions of gender in European art, 1300-1600 / / edited by Marice Rose and Alison C. Poe.

Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600 presents scholarship in classical reception at its nexus with art history and gender studies. It considers the ways that artists, patrons, collectors, and viewers in late medieval and early modern Europe used ancient Greek a...

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Superior document:Metaforms: studies in the reception of classical antiquity, Volume 3
TeilnehmendeR:
Place / Publishing House:Leiden, The Netherlands ;, Boston, Massachusetts : : Koninklijke Brill,, 2015.
©2015
Year of Publication:2015
Edition:1st ed.
Language:English
Series:Metaforms ; Volume 3.
Physical Description:1 online resource (483 pages) :; illustrations.
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id 993582433504498
ctrlnum (CKB)3710000000417890
(MiAaPQ)EBC2076199
(OCoLC)911912958
(nllekb)BRILL9789004289697
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spelling Receptions of antiquity, constructions of gender in European art, 1300-1600 / edited by Marice Rose and Alison C. Poe.
1st ed.
Leiden, The Netherlands ; Boston, Massachusetts : Koninklijke Brill, 2015.
©2015
1 online resource (483 pages) : illustrations.
text rdacontent
computer rdamedia
online resource rdacarrier
Metaforms: studies in the reception of classical antiquity, 2212-9405 ; Volume 3
Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600 presents scholarship in classical reception at its nexus with art history and gender studies. It considers the ways that artists, patrons, collectors, and viewers in late medieval and early modern Europe used ancient Greek and Roman art, texts, myths, and history to interact with and shape notions of gender. The essays examine Giotto's Arena Chapel frescoes, Michelangelo's Medici Chapel personifications, Giulio Romano's decoration of the Palazzo del Te, and other famous and lesser-known sculptures, paintings, engravings, book illustrations, and domestic objects as well as displays of ancient art. Visual responses to antiquity in this era, the volume demonstrates, bore a complex and significant relationship to the construction of, and challenges to, contemporary gender norms.
Preliminary Material / Marice Rose and Alison C. Poe -- Introduction: Classical Reception, Gender Studies, and Art History / Marice Rose and Alison C. Poe -- 1: Cross-Dressing in the Arena Chapel: Giotto’s Virtue Fortitude Re-examined / Mary D. Edwards -- 2: The Liminal Feminine: Illuminating Europa in the Ovide Moralisé / K. Sarah-Jane Murray and Ashley A. Simone -- 3: A Giant Corrupt Body: The Gendering of Renaissance Roma / Genevieve S. Gessert -- 4: Luca Signorelli’s Veturia Persuading Coriolanus to Spare Rome and Viewers in the Palazzo Petrucci, Siena / Stephanie C. Leone -- 5: Queer Fragments: Sodoma, the Belvedere Torso, and Saint Catherine’s Head / Timothy B. Smith -- 6: The Trouble with Pasiphaë: Engendering a Myth at the Gonzaga Court / Maria F. Maurer -- 7: Vision, Voluptas, and the Poetics of Water in Lorenzo Lotto’s Venus and Cupid / April Oettinger -- 8: The Crone, the Witch, and the Library: The Intersection of Classical Fantasy with Christian Vice during the Italian Renaissance / Patricia Simons -- 9: Picturing Rape and Revenge in Ovid’s Myth of Philomela / Hetty E. Joyce -- 10: Figuring Florence: Gendered Bodies in Sixteenth-Century Personifications and Their Antique Models / Claudia Lazzaro -- 11: Conjugal Piety: Creusa in Barocci’s Aeneas’ Flight from Troy / Ian Verstegen -- 12: Ancient Idols, Lascivious Statues, and Sixteenth-Century Viewers in Roman Gardens / Katherine M. Bentz -- Index / Marice Rose and Alison C. Poe.
Includes bibliographical references and index.
Description based on print version record.
Sex role in art.
Civilization, Classical, in art.
Civilization, Western Classical influences.
Art and society Europe History To 1500.
Rose, Marice, editor.
Poe, Alison C., editor.
90-04-27874-5
Metaforms ; Volume 3.
language English
format eBook
author2 Rose, Marice,
Poe, Alison C.,
author_facet Rose, Marice,
Poe, Alison C.,
author2_variant m r mr
a c p ac acp
author2_role TeilnehmendeR
TeilnehmendeR
author_additional Marice Rose and Alison C. Poe --
Mary D. Edwards --
K. Sarah-Jane Murray and Ashley A. Simone --
Genevieve S. Gessert --
Stephanie C. Leone --
Timothy B. Smith --
Maria F. Maurer --
April Oettinger --
Patricia Simons --
Hetty E. Joyce --
Claudia Lazzaro --
Ian Verstegen --
Katherine M. Bentz --
Marice Rose and Alison C. Poe.
title Receptions of antiquity, constructions of gender in European art, 1300-1600 /
spellingShingle Receptions of antiquity, constructions of gender in European art, 1300-1600 /
Metaforms: studies in the reception of classical antiquity,
Preliminary Material /
Introduction: Classical Reception, Gender Studies, and Art History /
1: Cross-Dressing in the Arena Chapel: Giotto’s Virtue Fortitude Re-examined /
2: The Liminal Feminine: Illuminating Europa in the Ovide Moralisé /
3: A Giant Corrupt Body: The Gendering of Renaissance Roma /
4: Luca Signorelli’s Veturia Persuading Coriolanus to Spare Rome and Viewers in the Palazzo Petrucci, Siena /
5: Queer Fragments: Sodoma, the Belvedere Torso, and Saint Catherine’s Head /
6: The Trouble with Pasiphaë: Engendering a Myth at the Gonzaga Court /
7: Vision, Voluptas, and the Poetics of Water in Lorenzo Lotto’s Venus and Cupid /
8: The Crone, the Witch, and the Library: The Intersection of Classical Fantasy with Christian Vice during the Italian Renaissance /
9: Picturing Rape and Revenge in Ovid’s Myth of Philomela /
10: Figuring Florence: Gendered Bodies in Sixteenth-Century Personifications and Their Antique Models /
11: Conjugal Piety: Creusa in Barocci’s Aeneas’ Flight from Troy /
12: Ancient Idols, Lascivious Statues, and Sixteenth-Century Viewers in Roman Gardens /
Index /
title_full Receptions of antiquity, constructions of gender in European art, 1300-1600 / edited by Marice Rose and Alison C. Poe.
title_fullStr Receptions of antiquity, constructions of gender in European art, 1300-1600 / edited by Marice Rose and Alison C. Poe.
title_full_unstemmed Receptions of antiquity, constructions of gender in European art, 1300-1600 / edited by Marice Rose and Alison C. Poe.
title_auth Receptions of antiquity, constructions of gender in European art, 1300-1600 /
title_alt Preliminary Material /
Introduction: Classical Reception, Gender Studies, and Art History /
1: Cross-Dressing in the Arena Chapel: Giotto’s Virtue Fortitude Re-examined /
2: The Liminal Feminine: Illuminating Europa in the Ovide Moralisé /
3: A Giant Corrupt Body: The Gendering of Renaissance Roma /
4: Luca Signorelli’s Veturia Persuading Coriolanus to Spare Rome and Viewers in the Palazzo Petrucci, Siena /
5: Queer Fragments: Sodoma, the Belvedere Torso, and Saint Catherine’s Head /
6: The Trouble with Pasiphaë: Engendering a Myth at the Gonzaga Court /
7: Vision, Voluptas, and the Poetics of Water in Lorenzo Lotto’s Venus and Cupid /
8: The Crone, the Witch, and the Library: The Intersection of Classical Fantasy with Christian Vice during the Italian Renaissance /
9: Picturing Rape and Revenge in Ovid’s Myth of Philomela /
10: Figuring Florence: Gendered Bodies in Sixteenth-Century Personifications and Their Antique Models /
11: Conjugal Piety: Creusa in Barocci’s Aeneas’ Flight from Troy /
12: Ancient Idols, Lascivious Statues, and Sixteenth-Century Viewers in Roman Gardens /
Index /
title_new Receptions of antiquity, constructions of gender in European art, 1300-1600 /
title_sort receptions of antiquity, constructions of gender in european art, 1300-1600 /
series Metaforms: studies in the reception of classical antiquity,
series2 Metaforms: studies in the reception of classical antiquity,
publisher Koninklijke Brill,
publishDate 2015
physical 1 online resource (483 pages) : illustrations.
edition 1st ed.
contents Preliminary Material /
Introduction: Classical Reception, Gender Studies, and Art History /
1: Cross-Dressing in the Arena Chapel: Giotto’s Virtue Fortitude Re-examined /
2: The Liminal Feminine: Illuminating Europa in the Ovide Moralisé /
3: A Giant Corrupt Body: The Gendering of Renaissance Roma /
4: Luca Signorelli’s Veturia Persuading Coriolanus to Spare Rome and Viewers in the Palazzo Petrucci, Siena /
5: Queer Fragments: Sodoma, the Belvedere Torso, and Saint Catherine’s Head /
6: The Trouble with Pasiphaë: Engendering a Myth at the Gonzaga Court /
7: Vision, Voluptas, and the Poetics of Water in Lorenzo Lotto’s Venus and Cupid /
8: The Crone, the Witch, and the Library: The Intersection of Classical Fantasy with Christian Vice during the Italian Renaissance /
9: Picturing Rape and Revenge in Ovid’s Myth of Philomela /
10: Figuring Florence: Gendered Bodies in Sixteenth-Century Personifications and Their Antique Models /
11: Conjugal Piety: Creusa in Barocci’s Aeneas’ Flight from Troy /
12: Ancient Idols, Lascivious Statues, and Sixteenth-Century Viewers in Roman Gardens /
Index /
isbn 90-04-28969-0
90-04-27874-5
issn 2212-9405 ;
callnumber-first N - Fine Arts
callnumber-subject N - Visual Arts
callnumber-label N8241
callnumber-sort N 48241.5 R43 42015
geographic_facet Europe
era_facet To 1500.
illustrated Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 700 - Arts
dewey-ones 704 - Special topics in fine & decorative arts
dewey-full 704.9/49938
dewey-sort 3704.9 549938
dewey-raw 704.9/49938
dewey-search 704.9/49938
oclc_num 911912958
work_keys_str_mv AT rosemarice receptionsofantiquityconstructionsofgenderineuropeanart13001600
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hierarchy_parent_title Metaforms: studies in the reception of classical antiquity, Volume 3
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