Baader-Meinhof returns : : history and cultural memory of German left-wing terrorism / / edited by Gerrit-Jan Berendse and Ingo Cornils.

This volume is dedicated to the study of artistic and historical documents that recall German left-wing terrorism in the 1970s. It is intended to contribute to a better understanding of this violent epoch in Germany’s recent past and the many ways it is remembered. The cultural memory of the RAF pas...

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Bibliographic Details
Superior document:German monitor ; no. 70
TeilnehmendeR:
Place / Publishing House:Amsterdam ;, New York, NY : : Rodopi,, 2008.
Year of Publication:2008
Language:English
German
Series:German Monitor 70.
Physical Description:1 online resource (328 pages) :; illustrations.
Notes:Volume consists primarily of papers presented at a 2005 conference on German left-wing terrorism held in Cardiff, September 2005, with later papers added.'
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Other title:Preliminary material /
Introduction: The Long Shadow of Terrorism /
Armed Innocence, or ‘Hitler’s Children’ Revisited /
Transgenerational Hauntings: Screening the Holocaust in Gerhard Richter’s October 18, 1977 Paintings /
Dead Holger /
Ulrike Marie Meinhof as Woman and Terrorist: Cultural Discourses of Violence and Virtue /
The RAF as Trauma and Pop Icon in Literature since the 1980s /
Engendering the Subject of Terror: Friedrich Christian Delius and Friedrich Dürrenmatt in the Mid-1980s /
Joined at the Hip? The Representation of the German Student Movement and Left-Wing Terrorism in Recent Literature /
Christian Geissler: Critical Companion of the Left /
Shakespeare’s Children in Dialogue: Erich Fried and Heiner Müller /
Terrorism and Theatre in Germany /
Reinscribing the German Autumn: Heinrich Breloer’s Todesspiel and the Two Clusters of German ‘Terrorist’ Films /
Marking Invisible Memory Visible: Communicative Memory and Taboo in Andres Veiel’s Black Box BRD /
Skyjacking: Cultural Memory and the Movies /
Imagining the RAF from an East German Perspective: Carow’s Vater, Mutter, Mörderkind and Dresen’s Raus aus der Haut /
The New Executioners’ Arrival: German Left-Wing Terrorism and the Memory of the Holocaust /
Stammheim Forever and the Ghosts of Guantánamo: Cultural Memory and the Politics of Incarceration /
Select Bibliography /
Notes of Contributors /
Photographic Credits /
Index /
Summary:This volume is dedicated to the study of artistic and historical documents that recall German left-wing terrorism in the 1970s. It is intended to contribute to a better understanding of this violent epoch in Germany’s recent past and the many ways it is remembered. The cultural memory of the RAF past is a useful device to disentangle the complex relationship between terror and the arts. This bond has become a particularly pressing matter in an era of a new, so-called global terrorism when the culture industry is obviously fascinated with terror. Fourteen scholars of visual cultures and contemporary literature offer in-depth investigations into the artistic process of engaging with West Germany’s era of political violence in the 1970s. The assessments are framed by two essays from historians: one looks back at the previously ignored anti-Semitic context of 1970s terrorism, the other offers a thought-provoking epilogue on the extension of the so-called Stammheim syndrome to the debate on the treatment of prisoners in Guantánamo Bay. The contributions on cultural memory argue that any future memory of German left-wing terrorism will need to acknowledge the inseparable bond between terror and the artistic response it produces.
Bibliography:Includes bibliographical references (p. 327-333) and index.
ISBN:1441691197
9042032154
Hierarchical level:Monograph
Statement of Responsibility: edited by Gerrit-Jan Berendse and Ingo Cornils.