Mary Magdalene, Iconographic Studies from the Middle Ages to the Baroque

Mary Magdalene, Iconographic Studies from the Middle Ages to the Baroque / edited by Michelle A. Erhardt and Amy M. Morris.

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Mary Magdalene, Iconographic Studies from the Middle Ages to the Baroque examines the iconographic inventions in Magdalene imagery and the contextual factors that shaped her representation in visual art from the fourteenth to the seventeenth centuries. Unique to other saints in the medieval lexicon,...

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Bibliographic Details
TeilnehmendeR:
Erhardt, Michelle A.
Morris, Amy M.
Year of Publication:2012
Language:English
Series:Studies in Religion and the Arts 7.
Physical Description:1 online resource (489 p.)
Notes:Title from PDF title page (viewed on Dec. 3, 2012).
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Table of Contents:
  • Preliminary Material
  • Introduction / Michelle Erhardt and Amy Morris
  • 1 The Magdalene as Mirror: Trecento Franciscan Imagery in the Guidalotti-Rinuccini Chapel, Florence / Michelle A. Erhardt
  • 2 Mary Magdalene and Her Dear Sister: Innovation in the Late Medieval Mural Cycle of Santa Maddalena in Rencio (Bolzano) / Joanne W. Anderson
  • 3 The German Iconography of the Saint Magdalene Altarpiece: Documenting Its Context / Amy M. Morris
  • 4 The Printed Penitent: Magdalene Imagery and Prostitution Reform in Early Modern Italian Chapbooks and Broadsheets / Rachel Geschwind
  • 5 Tintoretto’s Holy Hermits at the Scuola Grande di San Rocco / Elizabeth Carroll Consavari
  • 6 Irony and Realism in the Iconography of Caravaggio’s Penitent Magdalene / Patrick Hunt
  • 7 The Gaze in the Garden: Mary Magdalene in Noli me tangere / Barbara Baert
  • 8 Michelangelo’s Noli me tangere for Vittoria Colonna, and the Changing Status of Women in Renaissance Italy / Lisa M. Rafanelli
  • 9 Woman, Why Weepest Thou? Rembrandt’s 1638 Noli me tangere as a Dutch Calvinist Visual Typology / Bobbi Dykema
  • 10 The Magdalene and ‘Madame’: Piety, Politics, and Personal Agenda in Louise of Savoy’s Vie de la Magdalene / Barbara J. Johnston
  • 11 Mary Magdalene Between Public Cult and Personal Devotion in Correggio’s Noli me tangere / Margaret A. Morse
  • 12 Reflections on a Glass Madeleine Pénitente / Jane Eade
  • 13 Exorcism in the Iconography of Mary Magdalene / Andrea Begel
  • 14 “Woman, Why Weepest Thou?” Mary Magdalene, the Virgin Mary and the Transformative Power of Holy Tears in Late Medieval Devotional Painting / Vibeke Olson
  • 15 Mary Magdalene and the Iconography of Domesticity / Annette LeZotte
  • 16 Marketing Mary Magdalene in Early Modern Northern European Prints and Paintings / Michelle Moseley-Christian
  • Bibliography
  • Index.

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