Moving sculptures : : southern Netherlandish alabasters from the 16th to 17th centuries in Central and Northern Europe / / by Aleksandra Lipinska.

The Low Countries are generally considered to be the land of painting. Consequently, sculpture, especially that of the 16th century, has been insufficiently explored. In Moving Sculptures Aleksandra Lipińska presents a little-known chapter of the history of Netherlandish sculpture: the serial produc...

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Bibliographic Details
Superior document:Studies in Netherlandish Art and Cultural History, Volume 11
VerfasserIn:
TeilnehmendeR:
Place / Publishing House:Leiden, Netherlands : : Brill,, 2015.
©2015
Year of Publication:2015
Edition:1st ed.
Language:English
Series:Studies in Netherlandish art and cultural history ; Volume 11.
Physical Description:1 online resource (407 p.)
Notes:Description based upon print version of record.
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245 1 0 |a Moving sculptures :  |b southern Netherlandish alabasters from the 16th to 17th centuries in Central and Northern Europe /  |c by Aleksandra Lipinska. 
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490 1 |a Studies in Netherlandish Art and Cultural History,  |x 1872-9932 ;  |v Volume 11 
500 |a Description based upon print version of record. 
546 |a English 
505 0 0 |a Preliminary Material -- Introduction -- 1 Alabaster as a Sculpture Material -- 2 Alabaster in Netherlandish Sculpture from the Late Gothic to the Early Baroque -- 3 Serial Production of Alabaster Sculpture in Mechelen -- 4 The Spread of Alabaster Sculpture from the Low Countries -- 5 Altarpieces -- 6 Tombs and Epitaphs -- 7 Exhibits of Real and ‘Imagined’ Collections -- 8 Alabaster Chambers -- Epilogue -- Documents -- Bibliography -- Notes -- Index of Persons -- Index of Geographic Names. 
520 |a The Low Countries are generally considered to be the land of painting. Consequently, sculpture, especially that of the 16th century, has been insufficiently explored. In Moving Sculptures Aleksandra Lipińska presents a little-known chapter of the history of Netherlandish sculpture: the serial production of small-scale alabaster reliefs, altarpieces and statuettes in the workshops of Mechelen and Antwerp between c. 1525 and 1650. She gives the reader an insight into the rules of this craft, the specificity of the material, and the marketing methods employed. But the innovative element of this study lies in the fact that Lipińska analyses the phenomenon from the perspective of its distant recipients in Central and Northern Europe on the basis of works largely unknown to the broader public. For sample pages click on Google Books button. 
504 |a Includes bibliographical references and indexes. 
588 |a Description based on print version record. 
650 0 |a Alabaster sculpture, Flemish  |z Belgium  |z Mechelin  |y 16th century. 
650 0 |a Alabaster sculpture, Flemish  |z Belgium  |z Mechelin  |y 17th century. 
650 0 |a Alabaster sculpture, Flemish  |z Belgium  |z Antwerp  |y 16th century. 
650 0 |a Alabaster sculpture, Flemish  |z Belgium  |z Antwerp  |y 17th century. 
650 0 |a Art patronage  |z Europe, Central  |x History  |y 16th century. 
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700 1 |a Taylor-Kucia, Jessica,  |e translator. 
700 1 |a Lipińska, Aleksandra.  |t Wewnętrzne światło.  |i Translation of: 
830 0 |a Studies in Netherlandish art and cultural history ;  |v Volume 11. 
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