Reassessing the roles of women as 'makers' of medieval art and architecture / / edited by Therese Martin.
These volumes propose a renewed way of framing the debate around the history of medieval art and architecture to highlight the multiple roles played by women. Today’s standard division of artist from patron is not seen in medieval inscriptions—on paintings, metalwork, embroideries, or buildings—wher...
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Superior document: | Visualising the Middle Ages ; v. 7 |
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Place / Publishing House: | Boston : : Brill,, 2012. |
Year of Publication: | 2012 |
Language: | English |
Series: | Visualising the Middle Ages
7. |
Physical Description: | 1 online resource (1184 p.) |
Notes: | Description based upon print version of record. |
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Reassessing the roles of women as 'makers' of medieval art and architecture / edited by Therese Martin. Boston : Brill, 2012. 1 online resource (1184 p.) text txt computer c online resource cr Visualising the Middle Ages ; v. 7 Description based upon print version of record. English Includes bibliographical references and index. Preliminary Material -- 1 Exceptions and Assumptions: Women in Medieval Art History / Therese Martin -- 2 The Non-Gendered Appeal of Vierge Ouvrante Sculpture: Audience, Patronage, and Purpose in Medieval Iberia / Melissa R. Katz -- 3 Mere Embroiderers? Women and Art in Early Medieval Ireland / Jenifer Ní Ghrádaigh -- 4 Erasures and Recoveries of Women’s Contributions to Gothic Architecture: The Case of Saint-Quentin, Local Nobility, and Eleanor of Vermandois / Ellen M. Shortell -- 5 The Roles of Women in Late Medieval Civic Pageantry in England / Nicola Coldstream -- 6 The Patronage Question under Review: Queen Blanche of Castile (1188–1252) and the Architecture of the Cistercian Abbeys at Royaumont, Maubuisson, and Le Lys / Alexandra Gajewski -- 7 Female Piety and the Building and Decorating of Churches, circa 500–1150 / Jane Tibbetts Schulenburg -- 8 ‘Planters of great civilitie’: Female Patrons of the Arts in Late Medieval Ireland / Rachel Moss -- 9 Reception, Gender, and Memory: Elisenda de Montcada and Her Dual-Effigy Tomb at Santa Maria de Pedralbes / Eileen McKiernan González -- 10 Women as Makers of Church Decoration: Illustrated Textiles at the Monasteries of Altenberg/Lahn, Rupertsberg, and Heiningen (13th–14th c.) / Stefanie Seeberg -- 11 Women in the Making: Early Medieval Signatures and Artists’ Portraits (9th–12th c.) / Pierre Alain Mariaux -- 12 Melisende of Jerusalem: Queen and Patron of Art and Architecture in the Crusader Kingdom / Jaroslav Folda -- 13 Women and the Architecture of al-Andalus (711–1492): A Historiographical Analysis / María Elena Díez Jorge -- 14 Portrayals of Women with Books: Female (Il)literacy in Medieval Jewish Culture / Katrin Kogman-Appel -- 15 Patterns of Patronage: Female Initiatives and Artistic Enterprises in England in the 13th and 14th Centuries / Loveday Lewes Gee -- 16 Concubines, Eunuchs, and Patronage in Early Islamic Córdoba / Glaire D. Anderson -- 17 The First Queens of Portugal and the Building of the Realm / Miriam Shadis -- 18 Subversive Obedience: Images of Spiritual Reform by and for Fifteenth-Century Nuns / Jane Carroll -- 19 Elite Women, Palaces, and Castles in Northern France (ca. 850–1100) / Annie Renoux -- 20 Redressing Images: Conflict in Context at Abbess Humbrina’s Scriptorium in Pontetetto (Lucca) / Loretta Vandi -- 21 Emma of Blois as Arbiter of Peace and the Politics of Patronage / Mickey Abel -- 22 Nimble-fingered Maidens in Scandinavia: Women as Artists and Patrons / Nancy L. Wicker -- 23 The Treasures and Foundations of Isabel, Beatriz, Elisenda, and Leonor: The Art Patronage of Four Iberian Queens in the Fourteenth Century / Ana Maria S.A. Rodrigues -- 24 Liturgy as Women’s Language: Two Noble Patrons Prepare for the End in Fifteenth-Century Spain / Felipe Pereda -- Bibliography -- Index of People -- Index of Places -- Index of Subjects. These volumes propose a renewed way of framing the debate around the history of medieval art and architecture to highlight the multiple roles played by women. Today’s standard division of artist from patron is not seen in medieval inscriptions—on paintings, metalwork, embroideries, or buildings—where the most common verb is 'made' ( fecit ). At times this denotes the individual whose hands produced the work, but it can equally refer to the person whose donation made the undertaking possible. Here twenty-four scholars examine secular and religious art from across medieval Europe to demonstrate that a range of studies is of interest not just for a particular time and place but because, from this range, overall conclusions can be drawn for the question of medieval art history as a whole. Contributors are Mickey Abel, Glaire D. Anderson, Jane L. Carroll, Nicola Coldstream, María Elena Díez Jorge, Jaroslav Folda, Alexandra Gajewski, Loveday Lewes Gee, Melissa R. Katz, Katrin Kogman-Appel, Pierre Alain Mariaux, Therese Martin, Eileen McKiernan González, Rachel Moss, Jenifer Ní Ghrádaigh, Felipe Pereda, Annie Renoux, Ana Maria S. A. Rodrigues, Jane Tibbetts Schulenburg, Stefanie Seeberg, Miriam Shadis, Ellen Shortell, Loretta Vandi, and Nancy L. Wicker. Art, Medieval. Architecture, Medieval. Women artists Europe History To 1500. Women art patrons Europe History To 1500. Art and society Europe History To 1500. Architecture and society Europe History To 1500. 90-04-18555-0 Martin, Therese. Visualising the Middle Ages 7. |
language |
English |
format |
eBook |
author2 |
Martin, Therese. |
author_facet |
Martin, Therese. |
author2_variant |
t m tm |
author2_role |
TeilnehmendeR |
author_sort |
Martin, Therese. |
author_additional |
Therese Martin -- Melissa R. Katz -- Jenifer Ní Ghrádaigh -- Ellen M. Shortell -- Nicola Coldstream -- Alexandra Gajewski -- Jane Tibbetts Schulenburg -- Rachel Moss -- Eileen McKiernan González -- Stefanie Seeberg -- Pierre Alain Mariaux -- Jaroslav Folda -- María Elena Díez Jorge -- Katrin Kogman-Appel -- Loveday Lewes Gee -- Glaire D. Anderson -- Miriam Shadis -- Jane Carroll -- Annie Renoux -- Loretta Vandi -- Mickey Abel -- Nancy L. Wicker -- Ana Maria S.A. Rodrigues -- Felipe Pereda -- |
title |
Reassessing the roles of women as 'makers' of medieval art and architecture / |
spellingShingle |
Reassessing the roles of women as 'makers' of medieval art and architecture / Visualising the Middle Ages ; Preliminary Material -- 1 Exceptions and Assumptions: Women in Medieval Art History / 2 The Non-Gendered Appeal of Vierge Ouvrante Sculpture: Audience, Patronage, and Purpose in Medieval Iberia / 3 Mere Embroiderers? Women and Art in Early Medieval Ireland / 4 Erasures and Recoveries of Women’s Contributions to Gothic Architecture: The Case of Saint-Quentin, Local Nobility, and Eleanor of Vermandois / 5 The Roles of Women in Late Medieval Civic Pageantry in England / 6 The Patronage Question under Review: Queen Blanche of Castile (1188–1252) and the Architecture of the Cistercian Abbeys at Royaumont, Maubuisson, and Le Lys / 7 Female Piety and the Building and Decorating of Churches, circa 500–1150 / 8 ‘Planters of great civilitie’: Female Patrons of the Arts in Late Medieval Ireland / 9 Reception, Gender, and Memory: Elisenda de Montcada and Her Dual-Effigy Tomb at Santa Maria de Pedralbes / 10 Women as Makers of Church Decoration: Illustrated Textiles at the Monasteries of Altenberg/Lahn, Rupertsberg, and Heiningen (13th–14th c.) / 11 Women in the Making: Early Medieval Signatures and Artists’ Portraits (9th–12th c.) / 12 Melisende of Jerusalem: Queen and Patron of Art and Architecture in the Crusader Kingdom / 13 Women and the Architecture of al-Andalus (711–1492): A Historiographical Analysis / 14 Portrayals of Women with Books: Female (Il)literacy in Medieval Jewish Culture / 15 Patterns of Patronage: Female Initiatives and Artistic Enterprises in England in the 13th and 14th Centuries / 16 Concubines, Eunuchs, and Patronage in Early Islamic Córdoba / 17 The First Queens of Portugal and the Building of the Realm / 18 Subversive Obedience: Images of Spiritual Reform by and for Fifteenth-Century Nuns / 19 Elite Women, Palaces, and Castles in Northern France (ca. 850–1100) / 20 Redressing Images: Conflict in Context at Abbess Humbrina’s Scriptorium in Pontetetto (Lucca) / 21 Emma of Blois as Arbiter of Peace and the Politics of Patronage / 22 Nimble-fingered Maidens in Scandinavia: Women as Artists and Patrons / 23 The Treasures and Foundations of Isabel, Beatriz, Elisenda, and Leonor: The Art Patronage of Four Iberian Queens in the Fourteenth Century / 24 Liturgy as Women’s Language: Two Noble Patrons Prepare for the End in Fifteenth-Century Spain / Bibliography -- Index of People -- Index of Places -- Index of Subjects. |
title_full |
Reassessing the roles of women as 'makers' of medieval art and architecture / edited by Therese Martin. |
title_fullStr |
Reassessing the roles of women as 'makers' of medieval art and architecture / edited by Therese Martin. |
title_full_unstemmed |
Reassessing the roles of women as 'makers' of medieval art and architecture / edited by Therese Martin. |
title_auth |
Reassessing the roles of women as 'makers' of medieval art and architecture / |
title_alt |
Preliminary Material -- 1 Exceptions and Assumptions: Women in Medieval Art History / 2 The Non-Gendered Appeal of Vierge Ouvrante Sculpture: Audience, Patronage, and Purpose in Medieval Iberia / 3 Mere Embroiderers? Women and Art in Early Medieval Ireland / 4 Erasures and Recoveries of Women’s Contributions to Gothic Architecture: The Case of Saint-Quentin, Local Nobility, and Eleanor of Vermandois / 5 The Roles of Women in Late Medieval Civic Pageantry in England / 6 The Patronage Question under Review: Queen Blanche of Castile (1188–1252) and the Architecture of the Cistercian Abbeys at Royaumont, Maubuisson, and Le Lys / 7 Female Piety and the Building and Decorating of Churches, circa 500–1150 / 8 ‘Planters of great civilitie’: Female Patrons of the Arts in Late Medieval Ireland / 9 Reception, Gender, and Memory: Elisenda de Montcada and Her Dual-Effigy Tomb at Santa Maria de Pedralbes / 10 Women as Makers of Church Decoration: Illustrated Textiles at the Monasteries of Altenberg/Lahn, Rupertsberg, and Heiningen (13th–14th c.) / 11 Women in the Making: Early Medieval Signatures and Artists’ Portraits (9th–12th c.) / 12 Melisende of Jerusalem: Queen and Patron of Art and Architecture in the Crusader Kingdom / 13 Women and the Architecture of al-Andalus (711–1492): A Historiographical Analysis / 14 Portrayals of Women with Books: Female (Il)literacy in Medieval Jewish Culture / 15 Patterns of Patronage: Female Initiatives and Artistic Enterprises in England in the 13th and 14th Centuries / 16 Concubines, Eunuchs, and Patronage in Early Islamic Córdoba / 17 The First Queens of Portugal and the Building of the Realm / 18 Subversive Obedience: Images of Spiritual Reform by and for Fifteenth-Century Nuns / 19 Elite Women, Palaces, and Castles in Northern France (ca. 850–1100) / 20 Redressing Images: Conflict in Context at Abbess Humbrina’s Scriptorium in Pontetetto (Lucca) / 21 Emma of Blois as Arbiter of Peace and the Politics of Patronage / 22 Nimble-fingered Maidens in Scandinavia: Women as Artists and Patrons / 23 The Treasures and Foundations of Isabel, Beatriz, Elisenda, and Leonor: The Art Patronage of Four Iberian Queens in the Fourteenth Century / 24 Liturgy as Women’s Language: Two Noble Patrons Prepare for the End in Fifteenth-Century Spain / Bibliography -- Index of People -- Index of Places -- Index of Subjects. |
title_new |
Reassessing the roles of women as 'makers' of medieval art and architecture / |
title_sort |
reassessing the roles of women as 'makers' of medieval art and architecture / |
series |
Visualising the Middle Ages ; |
series2 |
Visualising the Middle Ages ; |
publisher |
Brill, |
publishDate |
2012 |
physical |
1 online resource (1184 p.) |
contents |
Preliminary Material -- 1 Exceptions and Assumptions: Women in Medieval Art History / 2 The Non-Gendered Appeal of Vierge Ouvrante Sculpture: Audience, Patronage, and Purpose in Medieval Iberia / 3 Mere Embroiderers? Women and Art in Early Medieval Ireland / 4 Erasures and Recoveries of Women’s Contributions to Gothic Architecture: The Case of Saint-Quentin, Local Nobility, and Eleanor of Vermandois / 5 The Roles of Women in Late Medieval Civic Pageantry in England / 6 The Patronage Question under Review: Queen Blanche of Castile (1188–1252) and the Architecture of the Cistercian Abbeys at Royaumont, Maubuisson, and Le Lys / 7 Female Piety and the Building and Decorating of Churches, circa 500–1150 / 8 ‘Planters of great civilitie’: Female Patrons of the Arts in Late Medieval Ireland / 9 Reception, Gender, and Memory: Elisenda de Montcada and Her Dual-Effigy Tomb at Santa Maria de Pedralbes / 10 Women as Makers of Church Decoration: Illustrated Textiles at the Monasteries of Altenberg/Lahn, Rupertsberg, and Heiningen (13th–14th c.) / 11 Women in the Making: Early Medieval Signatures and Artists’ Portraits (9th–12th c.) / 12 Melisende of Jerusalem: Queen and Patron of Art and Architecture in the Crusader Kingdom / 13 Women and the Architecture of al-Andalus (711–1492): A Historiographical Analysis / 14 Portrayals of Women with Books: Female (Il)literacy in Medieval Jewish Culture / 15 Patterns of Patronage: Female Initiatives and Artistic Enterprises in England in the 13th and 14th Centuries / 16 Concubines, Eunuchs, and Patronage in Early Islamic Córdoba / 17 The First Queens of Portugal and the Building of the Realm / 18 Subversive Obedience: Images of Spiritual Reform by and for Fifteenth-Century Nuns / 19 Elite Women, Palaces, and Castles in Northern France (ca. 850–1100) / 20 Redressing Images: Conflict in Context at Abbess Humbrina’s Scriptorium in Pontetetto (Lucca) / 21 Emma of Blois as Arbiter of Peace and the Politics of Patronage / 22 Nimble-fingered Maidens in Scandinavia: Women as Artists and Patrons / 23 The Treasures and Foundations of Isabel, Beatriz, Elisenda, and Leonor: The Art Patronage of Four Iberian Queens in the Fourteenth Century / 24 Liturgy as Women’s Language: Two Noble Patrons Prepare for the End in Fifteenth-Century Spain / Bibliography -- Index of People -- Index of Places -- Index of Subjects. |
isbn |
1-280-68826-2 9786613665201 90-04-22832-2 90-04-18555-0 |
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Europe |
era_facet |
To 1500. |
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700 - Arts & recreation |
dewey-tens |
700 - Arts |
dewey-ones |
704 - Special topics in fine & decorative arts |
dewey-full |
704.0420902 704/.0420902 |
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3704.0420902 |
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704.0420902 704/.0420902 |
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704.0420902 704/.0420902 |
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Anderson -- </subfield><subfield code="t">17 The First Queens of Portugal and the Building of the Realm /</subfield><subfield code="r">Miriam Shadis -- </subfield><subfield code="t">18 Subversive Obedience: Images of Spiritual Reform by and for Fifteenth-Century Nuns /</subfield><subfield code="r">Jane Carroll -- </subfield><subfield code="t">19 Elite Women, Palaces, and Castles in Northern France (ca. 850–1100) /</subfield><subfield code="r">Annie Renoux -- </subfield><subfield code="t">20 Redressing Images: Conflict in Context at Abbess Humbrina’s Scriptorium in Pontetetto (Lucca) /</subfield><subfield code="r">Loretta Vandi -- </subfield><subfield code="t">21 Emma of Blois as Arbiter of Peace and the Politics of Patronage /</subfield><subfield code="r">Mickey Abel -- </subfield><subfield code="t">22 Nimble-fingered Maidens in Scandinavia: Women as Artists and Patrons /</subfield><subfield code="r">Nancy L. Wicker -- </subfield><subfield code="t">23 The Treasures and Foundations of Isabel, Beatriz, Elisenda, and Leonor: The Art Patronage of Four Iberian Queens in the Fourteenth Century /</subfield><subfield code="r">Ana Maria S.A. Rodrigues -- </subfield><subfield code="t">24 Liturgy as Women’s Language: Two Noble Patrons Prepare for the End in Fifteenth-Century Spain /</subfield><subfield code="r">Felipe Pereda -- </subfield><subfield code="t">Bibliography -- </subfield><subfield code="t">Index of People -- </subfield><subfield code="t">Index of Places -- </subfield><subfield code="t">Index of Subjects.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">These volumes propose a renewed way of framing the debate around the history of medieval art and architecture to highlight the multiple roles played by women. Today’s standard division of artist from patron is not seen in medieval inscriptions—on paintings, metalwork, embroideries, or buildings—where the most common verb is 'made' ( fecit ). At times this denotes the individual whose hands produced the work, but it can equally refer to the person whose donation made the undertaking possible. Here twenty-four scholars examine secular and religious art from across medieval Europe to demonstrate that a range of studies is of interest not just for a particular time and place but because, from this range, overall conclusions can be drawn for the question of medieval art history as a whole. Contributors are Mickey Abel, Glaire D. Anderson, Jane L. Carroll, Nicola Coldstream, María Elena Díez Jorge, Jaroslav Folda, Alexandra Gajewski, Loveday Lewes Gee, Melissa R. Katz, Katrin Kogman-Appel, Pierre Alain Mariaux, Therese Martin, Eileen McKiernan González, Rachel Moss, Jenifer Ní Ghrádaigh, Felipe Pereda, Annie Renoux, Ana Maria S. A. Rodrigues, Jane Tibbetts Schulenburg, Stefanie Seeberg, Miriam Shadis, Ellen Shortell, Loretta Vandi, and Nancy L. Wicker.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Art, Medieval.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Architecture, Medieval.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Women artists</subfield><subfield code="z">Europe</subfield><subfield code="x">History</subfield><subfield code="y">To 1500.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Women art patrons</subfield><subfield code="z">Europe</subfield><subfield code="x">History</subfield><subfield code="y">To 1500.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Art and society</subfield><subfield code="z">Europe</subfield><subfield code="x">History</subfield><subfield code="y">To 1500.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Architecture and society</subfield><subfield code="z">Europe</subfield><subfield code="x">History</subfield><subfield code="y">To 1500.</subfield></datafield><datafield tag="776" ind1=" " ind2=" "><subfield code="z">90-04-18555-0</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Martin, Therese.</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Visualising the Middle Ages</subfield><subfield code="v">7.</subfield></datafield><datafield tag="906" ind1=" " ind2=" "><subfield code="a">BOOK</subfield></datafield><datafield tag="ADM" ind1=" " ind2=" "><subfield code="b">2023-02-28 11:48:39 Europe/Vienna</subfield><subfield code="f">System</subfield><subfield code="c">marc21</subfield><subfield code="a">2012-07-29 11:03:20 Europe/Vienna</subfield><subfield code="g">false</subfield></datafield><datafield tag="AVE" ind1=" " ind2=" "><subfield code="i">Brill</subfield><subfield code="P">EBA Brill All</subfield><subfield code="x">https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&portfolio_pid=5343298000004498&Force_direct=true</subfield><subfield code="Z">5343298000004498</subfield><subfield code="b">Available</subfield><subfield code="8">5343298000004498</subfield></datafield></record></collection> |