Acta Conventus Neo-Latini Upsaliensis : proceedings of the Fourteenth International Congress of Neo-Latin Studies (Uppsala 2009). Volume one / / general editor, Astrid Steiner-Weber ; editors, Alejandro Coroleu ... [et al.].

• Superior document: Acta Conventus Neo-Latini, v. 14/1.
• Author: International Association for Neo-Latin Studies. International Congress
• TeilnehmendeR: Steiner-Weber, Astrid.; Coroleu, Alejandro.
• Place / Publishing House: Leiden ;, Boston : : Brill,, 2012.
• Year of Publication: 2012
• Edition: 1st ed.
• Language: English; French
• Series: Acta Conventus Neo-Latini 14.
• Physical Description: 1 online resource (1274 pages)
• Notes: On not being Buchanan: Arthur Johnston's Magnum opus.
• Other title: Preliminary Material Volume 1 --; Humanismo italiano, imprenta y educación en Cataluña (1480–1530) /; Modelli e forme del genere corografico tra Umanesimo e Rinascimento /; ‛The well-wrought verses of an unknown bard’: Renaissance Englishwomen’s Latin poetry of praise and lament /; Le tremblement de terre de Messine en Sicile et Reggio de Calabre (1908) et la poésie néo-latine /; Res magni taedii, gloriae nullius – zu Komposition, Funktion und Verwendung handschriftlicher Sentenzen- und Sprichwörtersammlungen /; The image of Attila in Hungarian historiography of the 17th and 18th centuries /; Francesco Albertini e l’Opusculum de mirabilibus urbis Romae: modelli e fonti /; Structural imitation and genre conventions in Neo-Latin bucolic poetry /; De viris illustribus and the self-conception of Italian humanism in the 15th century /; “Habent sua fata libelli”: The adventures and influence of Anna Maria van Schurman’s work in Scandinavia /; Medical astrology in Galeotto Marzio’s treatise dedicated to Lorenzo il Magnifico /; Useful phrases and scientific terms: Examples from Emanuel Swedenborg’s notebooks /; L’imagerie printanière dans les Epithalamia et les Lyrica de Jean Salmon Macrin. Le poète et ses modèles entre locus amoenus et saeculum aureum /; La Digressio sur le De anima III de Jean-François Pic de la Mirandole. Une contribution paradoxale à la tradition péripatéticienne /; Rezeption als Grenzfall: Innovation oder Plagiat? /; The Imitatio antiquorum: a key to discovering meanings. Sigismund III in Maciej Kazimierz Sarbiewski’s laudatory ode (Lyr II 22) /; Le poète vu par le peintre, le peintre vu par le poète à la cour de Léon X : réception et innovation /; Littérature et philologie dans les lettres philologiques de Niccolò Perotti /; Claudius Salmasius and the deadness of Neo-Latin /; Il principe e la fortuna: note sul De varietate fortunae di Tristano Caracciolo /; Agrippa the Lutheran, Luther the sceptic: A Paris theologian’s condemnation of Agrippa’s De incertitudine et vanitate scientiarum /; Reusing Horace /; Georgius Pictorius à la recherche d’un langage mythographique /; The constellated Axiochus and the mouvance of the printed text /; The two versions of Erasmus’s Apologia de In principio erat sermo and the role of Edward Lee /; De origine et rebus gestis Polonorum as the first Renaissance Polish chronicle /; Views on language history around 1700: reception and innovation /; Le mythe de la folie de Lucrèce : des biographies humanistes aux théories de l’inspiration /; The reality of paradox: fantasy, rhetoric, and Thomas More’s Utopia /; Defining a subgenre. Aspects of imitation and intertextuality in the correspondence of learned women in early modern times /
• Bibliography: Includes bibliographical references and index.
• ISBN: 1280698705; 9786613675668; 9004227431
• ISSN: 2212-6007
• Hierarchical level: Monograph
• Statement of Responsibility: general editor, Astrid Steiner-Weber ; editors, Alejandro Coroleu ... [et al.].

Since 1971, the International Congress for Neo-Latin Studies has been organised every three years in various cities in Europe and North America. In August 2009, Uppsala in Sweden was the venue of the fourteenth Neo-Latin conference, held by the International Association for Neo-Latin Studies. The proceedings of the Uppsala conference have been collected in this volume under the motto “Litteras et artes nobis traditas excolere – Reception and Innovation”. Ninety-nine individual and five plenary papers spanning the period from the Renaissance to the present offer a variety of themes covering a range of genres such as history, literature, philology, art history, and religion. The contributions will be of relevance not only for scholarly readers, but also for an interested non-professional audience.