Shanghai filmmaking : : crossing borders, connecting to the globe, 1922-1938 / / Huang Xuelei.
In Shanghai Filmmaking , Huang Xuelei invites readers to go on an intimate, detailed, behind-the-scenes tour of the world of early Chinese cinema. She paints a nuanced picture of the Mingxing Motion Picture Company, the leading Chinese film studio in the 1920's and 1930's, and argues that...
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Superior document: | China Studies, Volume 29 |
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Place / Publishing House: | Leiden, Netherlands : : Brill,, 2014. ©2014 |
Year of Publication: | 2014 |
Edition: | 1st ed. |
Language: | English |
Series: | China studies (Leiden, Netherlands) ;
Volume 29. |
Physical Description: | 1 online resource (397 p.) |
Notes: | Description based upon print version of record. |
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Xuelei, Huang, author. Shanghai filmmaking : crossing borders, connecting to the globe, 1922-1938 / Huang Xuelei. 1st ed. Leiden, Netherlands : Brill, 2014. ©2014 1 online resource (397 p.) text txt computer c online resource cr China Studies, 1570-1344 ; Volume 29 Description based upon print version of record. English Preliminary Material -- Introduction: Shanghai Filmmaking: Border-crossing Practices -- 1 The Business -- 2 Players of the 1920's: Interconnecting, Mediating -- 3 Players of the 1930's: Contestation? Collaboration? -- 4 The Medium: Inside Glocal Mediascapes -- 5 The Narrative (I): Melodrama as a Social Form -- 6 The Narrative (II): Melodramas Fit for All -- 7 The Meaning: Toward a Sentimental Education -- Epilogue: Toward a Glocal Viewing Public -- Appendix 1: Filmography -- Appendix 2: Mingxing Personnel -- Bibliography -- Index. In Shanghai Filmmaking , Huang Xuelei invites readers to go on an intimate, detailed, behind-the-scenes tour of the world of early Chinese cinema. She paints a nuanced picture of the Mingxing Motion Picture Company, the leading Chinese film studio in the 1920's and 1930's, and argues that Shanghai filmmaking involved a series of border-crossing practices. Shanghai filmmaking developed in a matrix of global cultural production and distribution, and interacted closely with print culture and theatre. People from allegedly antagonistic political groupings worked closely with each other to bring a new form of visual culture and a new body of knowledge to an audience in and outside China. By exploring various border crossings, this book sheds new light on the power of popular cultural production during China’s modern transformation. Includes bibliographical references and index. Description based on print version record. Motion picture studios China Shanghai History. Mingxing Motion Picture Company History. 1-322-12821-9 90-04-27933-4 China studies (Leiden, Netherlands) ; Volume 29. |
language |
English |
format |
eBook |
author |
Xuelei, Huang, |
spellingShingle |
Xuelei, Huang, Shanghai filmmaking : crossing borders, connecting to the globe, 1922-1938 / China Studies, Preliminary Material -- Introduction: Shanghai Filmmaking: Border-crossing Practices -- 1 The Business -- 2 Players of the 1920's: Interconnecting, Mediating -- 3 Players of the 1930's: Contestation? Collaboration? -- 4 The Medium: Inside Glocal Mediascapes -- 5 The Narrative (I): Melodrama as a Social Form -- 6 The Narrative (II): Melodramas Fit for All -- 7 The Meaning: Toward a Sentimental Education -- Epilogue: Toward a Glocal Viewing Public -- Appendix 1: Filmography -- Appendix 2: Mingxing Personnel -- Bibliography -- Index. |
author_facet |
Xuelei, Huang, |
author_variant |
h x hx |
author_role |
VerfasserIn |
author_sort |
Xuelei, Huang, |
title |
Shanghai filmmaking : crossing borders, connecting to the globe, 1922-1938 / |
title_sub |
crossing borders, connecting to the globe, 1922-1938 / |
title_full |
Shanghai filmmaking : crossing borders, connecting to the globe, 1922-1938 / Huang Xuelei. |
title_fullStr |
Shanghai filmmaking : crossing borders, connecting to the globe, 1922-1938 / Huang Xuelei. |
title_full_unstemmed |
Shanghai filmmaking : crossing borders, connecting to the globe, 1922-1938 / Huang Xuelei. |
title_auth |
Shanghai filmmaking : crossing borders, connecting to the globe, 1922-1938 / |
title_new |
Shanghai filmmaking : |
title_sort |
shanghai filmmaking : crossing borders, connecting to the globe, 1922-1938 / |
series |
China Studies, |
series2 |
China Studies, |
publisher |
Brill, |
publishDate |
2014 |
physical |
1 online resource (397 p.) |
edition |
1st ed. |
contents |
Preliminary Material -- Introduction: Shanghai Filmmaking: Border-crossing Practices -- 1 The Business -- 2 Players of the 1920's: Interconnecting, Mediating -- 3 Players of the 1930's: Contestation? Collaboration? -- 4 The Medium: Inside Glocal Mediascapes -- 5 The Narrative (I): Melodrama as a Social Form -- 6 The Narrative (II): Melodramas Fit for All -- 7 The Meaning: Toward a Sentimental Education -- Epilogue: Toward a Glocal Viewing Public -- Appendix 1: Filmography -- Appendix 2: Mingxing Personnel -- Bibliography -- Index. |
isbn |
90-04-27934-2 1-322-12821-9 90-04-27933-4 |
issn |
1570-1344 ; |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1999 |
callnumber-sort |
PN 41999 M56 X84 42014 |
geographic_facet |
China Shanghai |
illustrated |
Illustrated |
dewey-hundreds |
300 - Social sciences |
dewey-tens |
380 - Commerce, communications & transportation |
dewey-ones |
384 - Communications; telecommunication |
dewey-full |
384/.806551132 |
dewey-sort |
3384 9806551132 |
dewey-raw |
384/.806551132 |
dewey-search |
384/.806551132 |
oclc_num |
890982336 |
work_keys_str_mv |
AT xueleihuang shanghaifilmmakingcrossingbordersconnectingtotheglobe19221938 |
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hierarchy_parent_title |
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hierarchy_sequence |
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is_hierarchy_title |
Shanghai filmmaking : crossing borders, connecting to the globe, 1922-1938 / |
container_title |
China Studies, Volume 29 |
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