Franz Liszt : : a story of Central European subjectivity / / Erika Quinn.

• Superior document: Studies in Central European Histories, Volume 59
• VerfasserIn: Quinn, Erika,
• Place / Publishing House: Leiden, Netherlands : : Brill,, 2014.; ©2014
• Year of Publication: 2014
• Edition: 1st ed.
• Language: English
• Series: Studies in Central European histories ; Volume 59.
• Physical Description: 1 online resource (286 p.)
• Notes: Description based upon print version of record.

This biography of the musician Franz Liszt contributes to our understanding of national identity formation and its interaction with cosmopolitanism. Liszt exemplified the nineteenth-century quest for subjective definition and fulfillment. Seeking to gain agency, authority, and community, Liszt experimented with various subject positions from which to forward his goals. The stances he selected, anchored in ideas about nation, religion, and art, allowed him to retain his cosmopolitan sensibility while making specific aesthetic and creative claims. Quinn’s analysis of Liszt’s correspondence and musical criticism, as well as of contemporary reviews of his performances, compositions, and essays, demonstrates the lack of a nationalist exclusivity in Liszt’s life was a historical phenomenon rather than a personal quirk as previous scholarship has often claimed.

Table of Contents

Preliminary Material -- Introduction -- 1 The Virtuoso Prophet -- 2 The Hungarian Patriot -- 3 The Romantic Hero and the Kulturnation -- 4 The War of the Romantics -- 5 Composing a Nation-Church Bond in Hungary -- 6 The General German Music Association -- Coda -- Bibliography -- Index.