The Buddhist caves at Aurangabad : transformations in art and religion / / by Pia Brancaccio.
This is a study that focuses on the art and architecture of a group of Buddhist rock-cut monuments excavated on the western edge of the Deccan Plateau in India. It analyses the various cultural, historical and religious phenomena that shaped the caves at Aurangabad through the first seven centuries...
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Superior document: | Brill's Indological library, 34 |
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: | |
Year of Publication: | 2011 |
Edition: | 1st ed. |
Language: | English |
Series: | Brill's Indological library ;
v. 34. |
Physical Description: | 1 online resource (354 p.) |
Notes: | Description based upon print version of record. |
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100 | 1 | |a Brancaccio, Pia, |d 1966- | |
245 | 1 | 4 | |a The Buddhist caves at Aurangabad |h [electronic resource] : |b transformations in art and religion / |c by Pia Brancaccio. |
250 | |a 1st ed. | ||
260 | |a Leiden ; |a Boston : |b Brill, |c 2011. | ||
300 | |a 1 online resource (354 p.) | ||
336 | |a text |b txt | ||
337 | |a computer |b c | ||
338 | |a online resource |b cr | ||
490 | 1 | |a Brill's Indological library, |x 0925-2916 ; |v 34 | |
500 | |a Description based upon print version of record. | ||
546 | |a English | ||
505 | 0 | 0 | |t Preliminary Material / |r P. Brancaccio -- |t Introduction: Why Aurangabad? / |r P. Brancaccio -- |t Chapter One. The Caves / |r P. Brancaccio -- |t Chapter Two. The Beginnings At Aurangabad / |r P. Brancaccio -- |t Chapter Three. The Aurangabad Renaissance In The Fifth Century / |r P. Brancaccio -- |t Chapter Four. Buddhist Practice At Aurangabad In The Sixth Century / |r P. Brancaccio -- |t Chapter Five. The Eastern Group Of Caves / |r P. Brancaccio -- |t Chapter Six. Summary And Conclusion / |r P. Brancaccio -- |t Bibliography / |r P. Brancaccio -- |t Index / |r P. Brancaccio -- |t Illustration Section / |r P. Brancaccio. |
520 | |a This is a study that focuses on the art and architecture of a group of Buddhist rock-cut monuments excavated on the western edge of the Deccan Plateau in India. It analyses the various cultural, historical and religious phenomena that shaped the caves at Aurangabad through the first seven centuries of the Common Era and it comments on the Buddhist tradition of the western Deccan as a whole. The result is a comprehensive work that does not address exclusively iconography and chronology, but looks beyond Aurangabad to the larger artistic and religious traditions of the Indian Subcontinent. | ||
504 | |a Includes bibliographical references (p. [217]-228) and index. | ||
650 | 0 | |a Buddhist art |z India |z Deccan. | |
650 | 0 | |a Buddhist architecture |z India |z Deccan. | |
650 | 0 | |a Buddhist art |z India |z Aurangabad Caves. | |
650 | 0 | |a Buddhist architecture |z India |z Aurangabad Caves. | |
651 | 0 | |a Aurangabad Caves (India) | |
776 | |z 90-04-18525-9 | ||
830 | 0 | |a Brill's Indological library ; |v v. 34. | |
906 | |a BOOK | ||
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