The imaginary : : word and image / / edited by Claus Clüver, Matthijs Engelberts, Véronique Plesch.

The imaginary as a critical concept originated in the twentieth century and has been theorized in diverse ways. It can be understood as a register of thought; the way we interpret the world; the universe of images, signs, texts, and objects of thought. In this volume, it is explored as it manifests...

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Superior document:Word & Image Interactions, Volume 8
:
TeilnehmendeR:
Place / Publishing House:Leiden, The Netherlands : : Koninklijke Brill,, 2015.
©2015
Year of Publication:2015
Edition:1st ed.
Language:English
French
Series:Word & image interactions ; Volume 8.
Physical Description:1 online resource (363 pages) :; illustrations.
Notes:Includes index.
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245 0 4 |a The imaginary :  |b word and image /  |c edited by Claus Clüver, Matthijs Engelberts, Véronique Plesch. 
250 |a 1st ed. 
264 1 |a Leiden, The Netherlands :  |b Koninklijke Brill,  |c 2015. 
264 4 |c ©2015 
300 |a 1 online resource (363 pages) :  |b illustrations. 
336 |a text  |2 rdacontent 
337 |a computer  |2 rdamedia 
338 |a online resource  |2 rdacarrier 
490 1 |a Word & Image Interactions,  |x 1388-3569 ;  |v Volume 8 
546 |a In English and French. 
520 |a The imaginary as a critical concept originated in the twentieth century and has been theorized in diverse ways. It can be understood as a register of thought; the way we interpret the world; the universe of images, signs, texts, and objects of thought. In this volume, it is explored as it manifests itself in encounters between the verbal and the visual. A number of the essays brought together here explore the transposition of the imaginary in illustrations of texts and verbal renditions of images, as well as in comic books based on paintings or on verbal narratives. Others analyze ways in which books deal with film or television and investigate the imaginary in digital media. Special attention is paid to the imaginary of places and the relationship of the imaginary with memory. Written in English and French, these contributions by European and American scholars demonstrate the various concerns and approaches characteristic of contemporary scholarship in word and image studies. 
505 0 0 |t Preliminary Material /  |r Claus Clüver , Matthijs Engelberts and Véronique Plesch --  |t Introduction /  |r Claus Clüver , Matthijs Engelberts and Véronique Plesch --  |t Summaries /  |r Claus Clüver , Matthijs Engelberts and Véronique Plesch --  |t (Re-)Imaging the Imaginary of a Children’s Story by Virginia Woolf: Nurse Lugton… through the Prism of Three Illustrators /  |r Caroline Marie --  |t Twentieth-Century Illustrations of Baudelaire’s “La Mort des amants” /  |r Eric T. Haskell --  |t L’Illustration abstraite au XXe siècle: un paradoxe lessingien? /  |r Philippe Kaenel --  |t L’Ekphrasis dans le roman de Georges Rodenbach Bruges-la-Morte /  |r Nataliya Lenina --  |t Textes et images dans L’Atelier des apparences /  |r Simone Grossman --  |t The Play of Supports in the Poetics of Christian Dotremont /  |r Alexandra Catana --  |t La Peinture par la bande: le cas de l’album citationnel Lucky Luke: l’artiste peintre /  |r Lynn Bannon --  |t The Representation of the Ineffable: Proust in Images /  |r France Lemoine --  |t Une mélancolie mesurée: de Proust à Heuet /  |r Évelyne Deprêtre --  |t La Bande dessinée et ses imaginaries hégémoniques ou phagocytés: le cas de Gemma Bovery de Posy Simmonds /  |r Jean-Louis Tilleuil --  |t Haunted Places: Screening the Imaginary in A Night at the Movies, Or, You Must Remember This by Robert Coover /  |r Françoise Sammarcelli --  |t Through the Looking-Glass with Chloé Delaume: The Imaginary of Television Read by the Autofictional Novel /  |r Sonia Lagerwall --  |t To View or Not to View? Jean-Philippe Toussaint’s Televisual Imaginary /  |r Arcana Albright --  |t Le Portrait de l’écrivain: une mythologie pérenne? /  |r Jan Baetens et Fred Truyen --  |t Vers une littérature cyborg: l’hybridation médiatique du texte littéraire /  |r Anaïs Guilet --  |t Text as Image in the Digital Age: A Formalist Reading of Polyvore Sets /  |r Caroline Bem --  |t Suaires blancs et noirs, imag(inair)es en négatif: quand l’image “revient” comme empreinte et trace /  |r Liliane Louvel --  |t Iconoclasme textuel: mettre en mots le monument pour mieux le briser /  |r Claire Gheerardyn --  |t Pour un imaginaire du présentisme: images du temps chez Claudio Parmiggiani et Hannah Arendt /  |r Maryse Ouellet --  |t On Art History and Meta-Images: Art Reproductions, Site Photographs, and Cézanne’s Art /  |r Jorgelina Orfila --  |t La Ville et ses prosopopées fabuleuses /  |r Nathalie Roelens --  |t Détournement et magnification de l’imaginaire urbain dans les discours sociaux /  |r Eleonora Diamanti --  |t Contributors /  |r Claus Clüver , Matthijs Engelberts and Véronique Plesch --  |t Index /  |r Claus Clüver , Matthijs Engelberts and Véronique Plesch. 
500 |a Includes index. 
588 |a Description based on online resource; title from PDF title page (ebrary, viewed June 02, 2015). 
650 0 |a Literature and society  |x History  |y 20th century. 
650 0 |a Literature and society. 
700 1 |a Clüver, Claus,  |e editor. 
700 1 |a Engelberts, Matthijs,  |e editor. 
700 1 |a Plesch, Véronique,  |d 1957-  |e editor. 
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711 2 |a Triennial Conference on Word and Images Studies  |n (9th :  |d 2011 :  |c Montreal, Canada) 
830 0 |a Word & image interactions ;  |v Volume 8. 
906 |a BOOK 
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