Printing colour 1400-1700 : : history, techniques, functions and receptions / / edited by Ad Stijnman and Elizabeth Savage.
In Printing Colour 1400–1700 , Ad Stijnman and Elizabeth Savage offer the first handbook of early modern colour printmaking before 1700 (when most such histories begin), creating a new, interdisciplinary paradigm for the history of graphic art. It unveils a corpus of thousands of individual colour p...
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Superior document: | Library of the written word, volume 41 |
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TeilnehmendeR: | |
Place / Publishing House: | Boston : : Brill,, 2015. |
Year of Publication: | 2015 |
Language: | English |
Series: | Library of the written word ;
41. Library of the written word. Handpress world ; 32. |
Physical Description: | 1 online resource (278 p.) |
Notes: | Description based upon print version of record. |
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Summary: | In Printing Colour 1400–1700 , Ad Stijnman and Elizabeth Savage offer the first handbook of early modern colour printmaking before 1700 (when most such histories begin), creating a new, interdisciplinary paradigm for the history of graphic art. It unveils a corpus of thousands of individual colour prints from across early modern Europe, proposing art historical, bibliographical, technical and scientific contexts for understanding them and their markets. The twenty-three contributions represent the state of research in this still-emerging field. From the first known attempts in the West until the invention of the approach we still use today (blue-red-yellow-black/‘key’, now CMYK), it demonstrates that colour prints were not rare outliers, but essential components of many early modern book, print and visual cultures. |
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Bibliography: | Includes bibliographical references and index. |
ISBN: | 9004290117 |
ISSN: | 1874-4834 ; |
Hierarchical level: | Monograph |
Statement of Responsibility: | edited by Ad Stijnman and Elizabeth Savage. |