Printing colour 1400-1700 : : history, techniques, functions and receptions / / edited by Ad Stijnman and Elizabeth Savage.

In Printing Colour 1400–1700 , Ad Stijnman and Elizabeth Savage offer the first handbook of early modern colour printmaking before 1700 (when most such histories begin), creating a new, interdisciplinary paradigm for the history of graphic art. It unveils a corpus of thousands of individual colour p...

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Bibliographic Details
Superior document:Library of the written word, volume 41
TeilnehmendeR:
Place / Publishing House:Boston : : Brill,, 2015.
Year of Publication:2015
Language:English
Series:Library of the written word ; 41.
Library of the written word. Handpress world ; 32.
Physical Description:1 online resource (278 p.)
Notes:Description based upon print version of record.
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Summary:In Printing Colour 1400–1700 , Ad Stijnman and Elizabeth Savage offer the first handbook of early modern colour printmaking before 1700 (when most such histories begin), creating a new, interdisciplinary paradigm for the history of graphic art. It unveils a corpus of thousands of individual colour prints from across early modern Europe, proposing art historical, bibliographical, technical and scientific contexts for understanding them and their markets. The twenty-three contributions represent the state of research in this still-emerging field. From the first known attempts in the West until the invention of the approach we still use today (blue-red-yellow-black/‘key’, now CMYK), it demonstrates that colour prints were not rare outliers, but essential components of many early modern book, print and visual cultures.
Bibliography:Includes bibliographical references and index.
ISBN:9004290117
ISSN:1874-4834 ;
Hierarchical level:Monograph
Statement of Responsibility: edited by Ad Stijnman and Elizabeth Savage.