Fragile images : : Jews and art in Yugoslavia, 1918-1945 / / by Mirjam Rajner.
In Fragile Images: Jews and Art in Yugoslavia, 1918-1945, Mirjam Rajner traces the lives and creativity of seven artists of Jewish origin. The artists - Moša Pijade, Daniel Kabiljo, Adolf Weiller, Bora Baruh, Daniel Ozmo, Ivan Rein and Johanna Lutzer - were characterized by multiple and changeable i...
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Superior document: | Balkan Studies Library; volume26 |
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Place / Publishing House: | Leiden Boston : : BRILL,, 2020. |
Year of Publication: | 2020 |
Language: | English |
Series: | Balkan Studies Library;
volume26. |
Physical Description: | 1 online resource (xxvi, 446 pages) :; illustrations (some color) |
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Rajner, Mirjam, 1959- author. Fragile images : Jews and art in Yugoslavia, 1918-1945 / by Mirjam Rajner. Leiden Boston : BRILL, 2020. 1 online resource (xxvi, 446 pages) : illustrations (some color) text txt rdacontent computer c rdamedia online resource cr rdacarrier Balkan Studies Library; volume26 Includes bibliographical references (pages 403-421) and index. Front Matter -- Copyright page -- Dedication -- Acknowledgments -- Illustrations -- Note on Personal Names -- Introduction -- In Search of an Identity: Sephardic, Zionist, Yugoslav -- Introduction to Part 1 -- From Dorćol to Paris and Back: Moša Pijade’s Self-Portraits -- Sarajevo’s Multiculturalism: Daniel Kabiljo’s Sephardic Types -- A Croatian Zionist: Adolf Weiller between the East European Shtetl and the Lure of Nature -- From Avant-Garde to Political Activism -- Introduction to Part 2 -- Bora Baruh’s Refugees -- Ivan Rein’s Paris: From the Quartier Latin to Camp Vernet -- The Ethnic and Universal Avante-Garde: Daniel Ozmo’s Linocuts -- “We Artists Have to Paint”: Art Created during the War and the Holocaust -- Introduction to Part 3 -- Bora Baruh in Occupied Belgrade: Images of Jewish and Christian Mourning -- Art in Jasenovac: Daniel Ozmo and the Artists of the Ceramic Workshop -- Refugee and Artist: Ivan Rein, Johanna Lutzer, and Jewish Cultural Life in Kraljevica -- The Rab Island Camp: From Internment to Freedom -- Producing Art for Partisans: Creativity between Ideology and Survival -- Introduction to Part 4 -- Bora Baruh as a Partisan, 1941–1942 -- Johanna Lutzer: Jewish Refugees with the Partisans in Croatia -- Postscript: Jewish Artists as National Heroes, Victims of Fascism, and Holocaust Survivors -- Conclusion -- Back Matter -- Bibliography -- Index. In Fragile Images: Jews and Art in Yugoslavia, 1918-1945, Mirjam Rajner traces the lives and creativity of seven artists of Jewish origin. The artists - Moša Pijade, Daniel Kabiljo, Adolf Weiller, Bora Baruh, Daniel Ozmo, Ivan Rein and Johanna Lutzer - were characterized by multiple and changeable identities: nationalist and universalist, Zionist and Sephardic, communist and cosmopolitan. These fluctuating identities found expression in their art, as did their wartime fate as refugees, camp inmates, partisans and survivors. A wealth of newly-discovered images, diaries and letters highlight this little-known aspect of Jewish life and art in Yugoslavia, illuminating a turbulent era that included integration into a newly-founded country, the catastrophe of the Holocaust, and renewal in its aftermath. Description based on print version record and CIP data provided by publisher; resource not viewed. Jewish artists Yugoslavia Biography. Art, Yugoslav Themes, motives. Art and society Yugoslavia. 90-04-40885-1 Balkan Studies Library; volume26. |
language |
English |
format |
eBook |
author |
Rajner, Mirjam, 1959- |
spellingShingle |
Rajner, Mirjam, 1959- Fragile images : Jews and art in Yugoslavia, 1918-1945 / Balkan Studies Library; Front Matter -- Copyright page -- Dedication -- Acknowledgments -- Illustrations -- Note on Personal Names -- Introduction -- In Search of an Identity: Sephardic, Zionist, Yugoslav -- Introduction to Part 1 -- From Dorćol to Paris and Back: Moša Pijade’s Self-Portraits -- Sarajevo’s Multiculturalism: Daniel Kabiljo’s Sephardic Types -- A Croatian Zionist: Adolf Weiller between the East European Shtetl and the Lure of Nature -- From Avant-Garde to Political Activism -- Introduction to Part 2 -- Bora Baruh’s Refugees -- Ivan Rein’s Paris: From the Quartier Latin to Camp Vernet -- The Ethnic and Universal Avante-Garde: Daniel Ozmo’s Linocuts -- “We Artists Have to Paint”: Art Created during the War and the Holocaust -- Introduction to Part 3 -- Bora Baruh in Occupied Belgrade: Images of Jewish and Christian Mourning -- Art in Jasenovac: Daniel Ozmo and the Artists of the Ceramic Workshop -- Refugee and Artist: Ivan Rein, Johanna Lutzer, and Jewish Cultural Life in Kraljevica -- The Rab Island Camp: From Internment to Freedom -- Producing Art for Partisans: Creativity between Ideology and Survival -- Introduction to Part 4 -- Bora Baruh as a Partisan, 1941–1942 -- Johanna Lutzer: Jewish Refugees with the Partisans in Croatia -- Postscript: Jewish Artists as National Heroes, Victims of Fascism, and Holocaust Survivors -- Conclusion -- Back Matter -- Bibliography -- Index. |
author_facet |
Rajner, Mirjam, 1959- |
author_variant |
m r mr |
author_role |
VerfasserIn |
author_sort |
Rajner, Mirjam, 1959- |
title |
Fragile images : Jews and art in Yugoslavia, 1918-1945 / |
title_sub |
Jews and art in Yugoslavia, 1918-1945 / |
title_full |
Fragile images : Jews and art in Yugoslavia, 1918-1945 / by Mirjam Rajner. |
title_fullStr |
Fragile images : Jews and art in Yugoslavia, 1918-1945 / by Mirjam Rajner. |
title_full_unstemmed |
Fragile images : Jews and art in Yugoslavia, 1918-1945 / by Mirjam Rajner. |
title_auth |
Fragile images : Jews and art in Yugoslavia, 1918-1945 / |
title_alt |
Front Matter -- Copyright page -- Dedication -- Acknowledgments -- Illustrations -- Note on Personal Names -- Introduction -- In Search of an Identity: Sephardic, Zionist, Yugoslav -- Introduction to Part 1 -- From Dorćol to Paris and Back: Moša Pijade’s Self-Portraits -- Sarajevo’s Multiculturalism: Daniel Kabiljo’s Sephardic Types -- A Croatian Zionist: Adolf Weiller between the East European Shtetl and the Lure of Nature -- From Avant-Garde to Political Activism -- Introduction to Part 2 -- Bora Baruh’s Refugees -- Ivan Rein’s Paris: From the Quartier Latin to Camp Vernet -- The Ethnic and Universal Avante-Garde: Daniel Ozmo’s Linocuts -- “We Artists Have to Paint”: Art Created during the War and the Holocaust -- Introduction to Part 3 -- Bora Baruh in Occupied Belgrade: Images of Jewish and Christian Mourning -- Art in Jasenovac: Daniel Ozmo and the Artists of the Ceramic Workshop -- Refugee and Artist: Ivan Rein, Johanna Lutzer, and Jewish Cultural Life in Kraljevica -- The Rab Island Camp: From Internment to Freedom -- Producing Art for Partisans: Creativity between Ideology and Survival -- Introduction to Part 4 -- Bora Baruh as a Partisan, 1941–1942 -- Johanna Lutzer: Jewish Refugees with the Partisans in Croatia -- Postscript: Jewish Artists as National Heroes, Victims of Fascism, and Holocaust Survivors -- Conclusion -- Back Matter -- Bibliography -- Index. |
title_new |
Fragile images : |
title_sort |
fragile images : jews and art in yugoslavia, 1918-1945 / |
series |
Balkan Studies Library; |
series2 |
Balkan Studies Library; |
publisher |
BRILL, |
publishDate |
2020 |
physical |
1 online resource (xxvi, 446 pages) : illustrations (some color) |
contents |
Front Matter -- Copyright page -- Dedication -- Acknowledgments -- Illustrations -- Note on Personal Names -- Introduction -- In Search of an Identity: Sephardic, Zionist, Yugoslav -- Introduction to Part 1 -- From Dorćol to Paris and Back: Moša Pijade’s Self-Portraits -- Sarajevo’s Multiculturalism: Daniel Kabiljo’s Sephardic Types -- A Croatian Zionist: Adolf Weiller between the East European Shtetl and the Lure of Nature -- From Avant-Garde to Political Activism -- Introduction to Part 2 -- Bora Baruh’s Refugees -- Ivan Rein’s Paris: From the Quartier Latin to Camp Vernet -- The Ethnic and Universal Avante-Garde: Daniel Ozmo’s Linocuts -- “We Artists Have to Paint”: Art Created during the War and the Holocaust -- Introduction to Part 3 -- Bora Baruh in Occupied Belgrade: Images of Jewish and Christian Mourning -- Art in Jasenovac: Daniel Ozmo and the Artists of the Ceramic Workshop -- Refugee and Artist: Ivan Rein, Johanna Lutzer, and Jewish Cultural Life in Kraljevica -- The Rab Island Camp: From Internment to Freedom -- Producing Art for Partisans: Creativity between Ideology and Survival -- Introduction to Part 4 -- Bora Baruh as a Partisan, 1941–1942 -- Johanna Lutzer: Jewish Refugees with the Partisans in Croatia -- Postscript: Jewish Artists as National Heroes, Victims of Fascism, and Holocaust Survivors -- Conclusion -- Back Matter -- Bibliography -- Index. |
isbn |
90-04-40890-8 90-04-40885-1 |
callnumber-first |
N - Fine Arts |
callnumber-subject |
N - Visual Arts |
callnumber-label |
N7252 |
callnumber-sort |
N 47252 R35 42019 |
genre_facet |
Biography. |
geographic_facet |
Yugoslavia Yugoslavia. |
illustrated |
Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
700 - Arts |
dewey-ones |
709 - Historical, geographic & persons treatment |
dewey-full |
709.4970904 |
dewey-sort |
3709.4970904 |
dewey-raw |
709.4970904 |
dewey-search |
709.4970904 |
oclc_num |
1112128597 |
work_keys_str_mv |
AT rajnermirjam fragileimagesjewsandartinyugoslavia19181945 |
status_str |
c |
ids_txt_mv |
(CKB)4100000009373203 (MiAaPQ)EBC5900157 (OCoLC)1112128597 (nllekb)BRILL9789004408906 (EXLCZ)994100000009373203 |
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cr |
hierarchy_parent_title |
Balkan Studies Library; volume26 |
hierarchy_sequence |
volume26. |
is_hierarchy_title |
Fragile images : Jews and art in Yugoslavia, 1918-1945 / |
container_title |
Balkan Studies Library; volume26 |
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