Fragile images : : Jews and art in Yugoslavia, 1918-1945 / / by Mirjam Rajner.

In Fragile Images: Jews and Art in Yugoslavia, 1918-1945, Mirjam Rajner traces the lives and creativity of seven artists of Jewish origin. The artists - Moša Pijade, Daniel Kabiljo, Adolf Weiller, Bora Baruh, Daniel Ozmo, Ivan Rein and Johanna Lutzer - were characterized by multiple and changeable i...

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Superior document:Balkan Studies Library; volume26
VerfasserIn:
Place / Publishing House:Leiden Boston : : BRILL,, 2020.
Year of Publication:2020
Language:English
Series:Balkan Studies Library; volume26.
Physical Description:1 online resource (xxvi, 446 pages) :; illustrations (some color)
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id 993582275604498
ctrlnum (CKB)4100000009373203
(MiAaPQ)EBC5900157
(OCoLC)1112128597
(nllekb)BRILL9789004408906
(EXLCZ)994100000009373203
collection bib_alma
record_format marc
spelling Rajner, Mirjam, 1959- author.
Fragile images : Jews and art in Yugoslavia, 1918-1945 / by Mirjam Rajner.
Leiden Boston : BRILL, 2020.
1 online resource (xxvi, 446 pages) : illustrations (some color)
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
Balkan Studies Library; volume26
Includes bibliographical references (pages 403-421) and index.
Front Matter -- Copyright page -- Dedication -- Acknowledgments -- Illustrations -- Note on Personal Names -- Introduction -- In Search of an Identity: Sephardic, Zionist, Yugoslav -- Introduction to Part 1 -- From Dorćol to Paris and Back: Moša Pijade’s Self-Portraits -- Sarajevo’s Multiculturalism: Daniel Kabiljo’s Sephardic Types -- A Croatian Zionist: Adolf Weiller between the East European Shtetl and the Lure of Nature -- From Avant-Garde to Political Activism -- Introduction to Part 2 -- Bora Baruh’s Refugees -- Ivan Rein’s Paris: From the Quartier Latin to Camp Vernet -- The Ethnic and Universal Avante-Garde: Daniel Ozmo’s Linocuts -- “We Artists Have to Paint”: Art Created during the War and the Holocaust -- Introduction to Part 3 -- Bora Baruh in Occupied Belgrade: Images of Jewish and Christian Mourning -- Art in Jasenovac: Daniel Ozmo and the Artists of the Ceramic Workshop -- Refugee and Artist: Ivan Rein, Johanna Lutzer, and Jewish Cultural Life in Kraljevica -- The Rab Island Camp: From Internment to Freedom -- Producing Art for Partisans: Creativity between Ideology and Survival -- Introduction to Part 4 -- Bora Baruh as a Partisan, 1941–1942 -- Johanna Lutzer: Jewish Refugees with the Partisans in Croatia -- Postscript: Jewish Artists as National Heroes, Victims of Fascism, and Holocaust Survivors -- Conclusion -- Back Matter -- Bibliography -- Index.
In Fragile Images: Jews and Art in Yugoslavia, 1918-1945, Mirjam Rajner traces the lives and creativity of seven artists of Jewish origin. The artists - Moša Pijade, Daniel Kabiljo, Adolf Weiller, Bora Baruh, Daniel Ozmo, Ivan Rein and Johanna Lutzer - were characterized by multiple and changeable identities: nationalist and universalist, Zionist and Sephardic, communist and cosmopolitan. These fluctuating identities found expression in their art, as did their wartime fate as refugees, camp inmates, partisans and survivors. A wealth of newly-discovered images, diaries and letters highlight this little-known aspect of Jewish life and art in Yugoslavia, illuminating a turbulent era that included integration into a newly-founded country, the catastrophe of the Holocaust, and renewal in its aftermath.
Description based on print version record and CIP data provided by publisher; resource not viewed.
Jewish artists Yugoslavia Biography.
Art, Yugoslav Themes, motives.
Art and society Yugoslavia.
90-04-40885-1
Balkan Studies Library; volume26.
language English
format eBook
author Rajner, Mirjam, 1959-
spellingShingle Rajner, Mirjam, 1959-
Fragile images : Jews and art in Yugoslavia, 1918-1945 /
Balkan Studies Library;
Front Matter -- Copyright page -- Dedication -- Acknowledgments -- Illustrations -- Note on Personal Names -- Introduction -- In Search of an Identity: Sephardic, Zionist, Yugoslav -- Introduction to Part 1 -- From Dorćol to Paris and Back: Moša Pijade’s Self-Portraits -- Sarajevo’s Multiculturalism: Daniel Kabiljo’s Sephardic Types -- A Croatian Zionist: Adolf Weiller between the East European Shtetl and the Lure of Nature -- From Avant-Garde to Political Activism -- Introduction to Part 2 -- Bora Baruh’s Refugees -- Ivan Rein’s Paris: From the Quartier Latin to Camp Vernet -- The Ethnic and Universal Avante-Garde: Daniel Ozmo’s Linocuts -- “We Artists Have to Paint”: Art Created during the War and the Holocaust -- Introduction to Part 3 -- Bora Baruh in Occupied Belgrade: Images of Jewish and Christian Mourning -- Art in Jasenovac: Daniel Ozmo and the Artists of the Ceramic Workshop -- Refugee and Artist: Ivan Rein, Johanna Lutzer, and Jewish Cultural Life in Kraljevica -- The Rab Island Camp: From Internment to Freedom -- Producing Art for Partisans: Creativity between Ideology and Survival -- Introduction to Part 4 -- Bora Baruh as a Partisan, 1941–1942 -- Johanna Lutzer: Jewish Refugees with the Partisans in Croatia -- Postscript: Jewish Artists as National Heroes, Victims of Fascism, and Holocaust Survivors -- Conclusion -- Back Matter -- Bibliography -- Index.
author_facet Rajner, Mirjam, 1959-
author_variant m r mr
author_role VerfasserIn
author_sort Rajner, Mirjam, 1959-
title Fragile images : Jews and art in Yugoslavia, 1918-1945 /
title_sub Jews and art in Yugoslavia, 1918-1945 /
title_full Fragile images : Jews and art in Yugoslavia, 1918-1945 / by Mirjam Rajner.
title_fullStr Fragile images : Jews and art in Yugoslavia, 1918-1945 / by Mirjam Rajner.
title_full_unstemmed Fragile images : Jews and art in Yugoslavia, 1918-1945 / by Mirjam Rajner.
title_auth Fragile images : Jews and art in Yugoslavia, 1918-1945 /
title_alt Front Matter -- Copyright page -- Dedication -- Acknowledgments -- Illustrations -- Note on Personal Names -- Introduction -- In Search of an Identity: Sephardic, Zionist, Yugoslav -- Introduction to Part 1 -- From Dorćol to Paris and Back: Moša Pijade’s Self-Portraits -- Sarajevo’s Multiculturalism: Daniel Kabiljo’s Sephardic Types -- A Croatian Zionist: Adolf Weiller between the East European Shtetl and the Lure of Nature -- From Avant-Garde to Political Activism -- Introduction to Part 2 -- Bora Baruh’s Refugees -- Ivan Rein’s Paris: From the Quartier Latin to Camp Vernet -- The Ethnic and Universal Avante-Garde: Daniel Ozmo’s Linocuts -- “We Artists Have to Paint”: Art Created during the War and the Holocaust -- Introduction to Part 3 -- Bora Baruh in Occupied Belgrade: Images of Jewish and Christian Mourning -- Art in Jasenovac: Daniel Ozmo and the Artists of the Ceramic Workshop -- Refugee and Artist: Ivan Rein, Johanna Lutzer, and Jewish Cultural Life in Kraljevica -- The Rab Island Camp: From Internment to Freedom -- Producing Art for Partisans: Creativity between Ideology and Survival -- Introduction to Part 4 -- Bora Baruh as a Partisan, 1941–1942 -- Johanna Lutzer: Jewish Refugees with the Partisans in Croatia -- Postscript: Jewish Artists as National Heroes, Victims of Fascism, and Holocaust Survivors -- Conclusion -- Back Matter -- Bibliography -- Index.
title_new Fragile images :
title_sort fragile images : jews and art in yugoslavia, 1918-1945 /
series Balkan Studies Library;
series2 Balkan Studies Library;
publisher BRILL,
publishDate 2020
physical 1 online resource (xxvi, 446 pages) : illustrations (some color)
contents Front Matter -- Copyright page -- Dedication -- Acknowledgments -- Illustrations -- Note on Personal Names -- Introduction -- In Search of an Identity: Sephardic, Zionist, Yugoslav -- Introduction to Part 1 -- From Dorćol to Paris and Back: Moša Pijade’s Self-Portraits -- Sarajevo’s Multiculturalism: Daniel Kabiljo’s Sephardic Types -- A Croatian Zionist: Adolf Weiller between the East European Shtetl and the Lure of Nature -- From Avant-Garde to Political Activism -- Introduction to Part 2 -- Bora Baruh’s Refugees -- Ivan Rein’s Paris: From the Quartier Latin to Camp Vernet -- The Ethnic and Universal Avante-Garde: Daniel Ozmo’s Linocuts -- “We Artists Have to Paint”: Art Created during the War and the Holocaust -- Introduction to Part 3 -- Bora Baruh in Occupied Belgrade: Images of Jewish and Christian Mourning -- Art in Jasenovac: Daniel Ozmo and the Artists of the Ceramic Workshop -- Refugee and Artist: Ivan Rein, Johanna Lutzer, and Jewish Cultural Life in Kraljevica -- The Rab Island Camp: From Internment to Freedom -- Producing Art for Partisans: Creativity between Ideology and Survival -- Introduction to Part 4 -- Bora Baruh as a Partisan, 1941–1942 -- Johanna Lutzer: Jewish Refugees with the Partisans in Croatia -- Postscript: Jewish Artists as National Heroes, Victims of Fascism, and Holocaust Survivors -- Conclusion -- Back Matter -- Bibliography -- Index.
isbn 90-04-40890-8
90-04-40885-1
callnumber-first N - Fine Arts
callnumber-subject N - Visual Arts
callnumber-label N7252
callnumber-sort N 47252 R35 42019
genre_facet Biography.
geographic_facet Yugoslavia
Yugoslavia.
illustrated Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 700 - Arts
dewey-ones 709 - Historical, geographic & persons treatment
dewey-full 709.4970904
dewey-sort 3709.4970904
dewey-raw 709.4970904
dewey-search 709.4970904
oclc_num 1112128597
work_keys_str_mv AT rajnermirjam fragileimagesjewsandartinyugoslavia19181945
status_str c
ids_txt_mv (CKB)4100000009373203
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(OCoLC)1112128597
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carrierType_str_mv cr
hierarchy_parent_title Balkan Studies Library; volume26
hierarchy_sequence volume26.
is_hierarchy_title Fragile images : Jews and art in Yugoslavia, 1918-1945 /
container_title Balkan Studies Library; volume26
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