Music, narrative and the moving image : : varieties of plurimedial interrelations /

Music, narrative and the moving image : : varieties of plurimedial interrelations / / edited by Walter Bernhart, David Francis Urrows.

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By focusing on discussions of artistic works that show relationships between three individual communicative media, this volume adopts an innovative, trifocal interdisciplinary perspective: the traditional field of Word and Music Studies is here extended to include research on film and other forms of...

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Bibliographic Details
TeilnehmendeR:
Bernhart, Walter.
Urrows, David Francis.
Place / Publishing House:Leiden ;, Boston : : Brill Rodopi,, 2019.
Year of Publication:2019
Edition:1st ed.
Language:English
Series:Word and Music Studies 17.
Physical Description:1 online resource (266 pages).
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Table of Contents:
  • Front Matter
  • Copyright Page
  • Preface
  • Film Music
  • Film Music: Reflections on Functions
  • Music’s Body and the Moving Image / Lawrence Kramer
  • Disturbing Silences and Open Narratives: Musical Gaps in Fictional and Documentary Moving Images / Saskia Jaszoltowski
  • Traditional and Non-Traditional Uses of Film Music, and Musical Metalepsis in The Truman Show / Werner Wolf
  • Homer and the Springfield Orchestra Bus: Four Test Cases for Any Future Challenge to the Diegetic/Non-Diegetic Model / Jordan Carmalt Stokes
  • Film Music: Significant Intermedial Cases
  • Operatic Plurimediality in Italian Silent Cinema: Nino Oxilia and Pietro Mascagni’s Rapsodia Satanica (1915) / Bernhard Kuhn
  • Humanized Documentary, ‘Light’ Verse, and Music Made to Fit: g.p.o. Film Unit/Auden/Britten’s Night Mail (1936) / Walter Bernhart
  • An Incarnation of Memory: Song as Absence in Claude Lanzmann’s Shoah / Ruth Jacobs
  • Accumulating Schubert: Music and Narrative in Nuri Bilge Ceylan’s Winter Sleep / Heidi Hart
  • Mise en Scène, Mozart, and a Borrowed Chorale: Learned Style and Identity in Pawlikowski’s Ida / Christopher Booth
  • Intermedial Varieties
  • Shadow Images Moving to Music: La Tentation de saint Antoine in Montmartre / Peter Dayan
  • ‘The Big Turnaround in the Middle’: On the Silent Movie and the Film Music Interlude in Alban Berg’s Opera Lulu / Marion Recknagel
  • All the Pieces Matter: On Complex TV Music / Frieder von Ammon
  • The Music Videos of the Alternative Rock Band They Might Be Giants: Prolegomena for a Theory of Nonsense across Media / Emily Petermann
  • Remediations
  • Thrilling Opera: Conflicts of the Mind and the Media in Kasper Holten’s Juan / Axel Englund
  • Novel, Woodcuts, Film, Music …: Pondering over the Title of Gara Garayev’s Symphony Engravings ‘Don Quixote’ / Alla Bayramova
  • Film as Opera: Three Perspectives on Still Life and Brief Encounter / Michael Halliwell
  • On the Intertextual Docks, or, Whatever Happened to Shanghai Lil? / David Francis Urrows
  • Back Matter
  • Figures
  • Notes on Contributors.

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