Activating the inanimate : : visual vocabularies of performance practice / / edited by Celia Morgan and Filipa Malva.

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Bibliographic Details
Superior document:Critical Issues
TeilnehmendeR:
Place / Publishing House:Oxfordshire, England : : Inter-Disciplinary Press,, 2013.
©2013
Year of Publication:2013
Language:English
Series:Critical issue.
Physical Description:1 online resource (251 p.)
Notes:Description based upon print version of record.
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245 0 0 |a Activating the inanimate :  |b visual vocabularies of performance practice /  |c edited by Celia Morgan and Filipa Malva. 
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505 0 0 |t Preliminary Material /  |r Celia Morgan and Filipa Malva --   |t Symbolic Language and the Mythical Middle Ground /  |r Celia Morgan --   |t Looking at Postmodern Performances of Canonical Plays /  |r Bilha Blum --   |t The Full and the Void in the Theatre of Robert Wilson /  |r Marcelo de Andrade Pereira --   |t The Power of Images in Performance: Josef Svoboda’s Scenography for Intolleranza 1960 at Boston Opera Company /  |r Barbora Příhodová --   |t Loïe Fuller and her Legacy: The Visual and the Virtual /  |r Liora Malka Yellin --   |t Little Cinderella, Big Cinderella: Scenography as Performance /  |r Filipa Malva --   |t Visionary Voice / Silent Clown /  |r Andrew Cope --   |t Bioscenography: Towards the Scenography of Non-Representation /  |r Parjad Sharifi --   |t From Verbal to Visual: References to Clothes in Shakespeare’s Plays as Metaphor, Symbol and Concept for Costume Design /  |r Pnina Black Porter --   |t Emotion and Memory: Clothing the Body as Performance /  |r Jessica Bugg --   |t Dance Costumes on Display: Reflections and Practice /  |r Sofia Pantouvaki --   |t Addressing the Absent: Drawing and Scenography /  |r Kate Burnett --   |t The Explanatory Frame /  |r Myer Taub --   |t Burning Man: Scenography for the Masses /  |r Virginia L. Vogel --   |t Performance Art as Intervention in Everyday Life: Participation, the Public Sphere and the Production of Meaning /  |r Alexandra Antoniadou --   |t Where is the Performance? What has Become of It? /  |r Myfanwyn Ryan --   |t Old Arts in New Media: Qualified Ontologies of ‘Live’ in the Age of Media Casting /  |r Adele Anderson --   |t ‘Seed of the Image’: Image Metaphor as a Strategy of Creative Process and Ideological Resistance /  |r Chee-Keng Lee --   |t Making from Scratch: A Transdisciplinary Research into the Historical and Social Production of Subjectivity /  |r Haya Cohen --   |t Dancing Clowns and Desert Dunes: Challenging Traditional Imagery in Flamenco-Fusion /  |r Idit Suslik --   |t Distances in Time and Space: Fictional Medieval Constructs of the Indian Other in the Colonial Imaginary /  |r Sarah Bonnie. 
504 |a Includes bibliographical references at the end of each chapters. 
588 |a Description based on online resource; title from PDF title page (ebrary, viewed September 19, 2014). 
650 0 |a Theater. 
650 0 |a Performing arts. 
700 1 |a Morgan, Celia,  |e editor. 
700 1 |a Malva, Filipa,  |e editor. 
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