A cultural history of the avant-garde in the Nordic countries 1925-1950 / edited by Benedikt Hjartarson, Andrea Kollnitz, Per Stounbjerg, Tania Orum.
A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950 is the first publication to deal with the avant-garde in the Nordic countries in this period. The essays cover a wide range of avant-garde manifestations: literature, visual arts, theatre, architecture and design, film, radio, b...
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| Place / Publishing House: | Leiden ;, Boston : : Brill Rodopi,, [2018] |
| Year of Publication: | 2018 |
| Language: | English |
| Series: | Avant-Garde Critical Studies
36. |
| Physical Description: | 1 online resource (992 pages). |
| Notes: | Includes index. |
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| 245 | 0 | 2 | |a A cultural history of the avant-garde in the Nordic countries 1925-1950 |c edited by Benedikt Hjartarson, Andrea Kollnitz, Per Stounbjerg, Tania Orum. |
| 264 | 1 | |a Leiden ; |a Boston : |b Brill Rodopi, |c [2018] | |
| 300 | |a 1 online resource (992 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Avant-garde critical studies ; |v 36 | |
| 500 | |a Includes index. | ||
| 520 | |a A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950 is the first publication to deal with the avant-garde in the Nordic countries in this period. The essays cover a wide range of avant-garde manifestations: literature, visual arts, theatre, architecture and design, film, radio, body culture and magazines. It is the first major historical work to consider the Nordic avant-garde in a transnational perspective that includes all the arts and to discuss the role of the avant-garde not only within the aesthetic field but in a broader cultural and political context: the pre-war and wartime responses to international developments, the new cultural institutions, sexual politics, the impact of refugees and the new start after the war. | ||
| 505 | 0 | 0 | |t Front Matter -- |t Copyright Page -- |t Preface -- |t Notes on Contributors -- |t Cosiness and Subversion – From Post-Cubism to Functionalism and “Scandinavian Surrealism” / |r Benedikt Hjartarson -- |t Paradigmatic Cases -- |t Introduction to Section 1 / |r Andrea Kollnitz -- |t Viking Eggeling and European Avant-Garde Cinema / |r Malte Hagener and Yvonne Zimmermann -- |t For Our Own Time – Negotiating Tradition, Modernity and the Avant-Garde at the Stockholm Exhibition 1930 / |r Andrea Kollnitz -- |t The Kjersmeier Collection of African Art, the Danish Avant-Garde and the Construction of Photographic Meaning / |r Wendy A. Grossman -- |t Alvar Aalto around 1930 – Between Modernism and the Avant-Garde / |r Eeva-Liisa Pelkonen -- |t Asger Jorn and Cobra – A Many-Headed Beast / |r Karen Kurczynski -- |t Legacies and New Directions -- |t Introduction to Section 2 / |r Benedikt Hjartarson -- |t Quosego – Final Blow, Starting Shot / |r Fredrik Hertzberg -- |t Surrealism in Denmark – Vilhelm Bjerke-Petersen’s Book Surrealismen, 1934 / |r Camilla Skovbjerg Paldam -- |t “Everybody must participate in everything” – Cross-Aesthetic Practices in and around the Danish Magazine linien (1934–1939) / |r Marianne Ølholm -- |t The Reception of the Halmstad Group in the 1930s / |r Helen Fuchs -- |t Smile at the World, and It Will Laugh at You – Helhesten’s Folkelig Avant-Garde / |r Kerry Greaves -- |t The Birth of a Vanguard – Icelandic Art 1940–1950 / |r Aðalsteinn Ingólfsson -- |t Scandinavian Women Artists and the Académie Moderne – Abstraction, Gender and the Nordic / |r Dorthe Aagesen -- |t Universal Language on National Ground – Otto G. Carlsund and Art Concret at the Stockholm Exhibition 1930 / |r Andrea Kollnitz -- |t Linien ii – A Local Avant-Garde Formation in Postwar Denmark / |r Jens Tang Kristensen -- |t Transmissions, Appropriations and Responses -- |t Introduction to Section 3 / |r Andrea Kollnitz and Harri Veivo -- |t To France with Love – Surrealism, Schadism, Situationism and Jens August Schade / |r Per Stounbjerg -- |t A Nordic Verfremdung – Bertolt Brecht’s Exile in Denmark, Sweden and Finland 1933–1941 / |r Rikard Schönström -- |t Merz in the Mountains: Peripheral Art in a Peripheral Landscape – On Kurt Schwitters’s Norwegian Exile and Artistic Production in Møre og Romsdal, 1937–1940 / |r Hubert van den Berg -- |t Rita Kernn-Larsen – An International Surrealist Career / |r Ulla Angkjær Jørgensen -- |t From Bauhaus to Bispebjerg – Edvard Heiberg and the Social Avant-Garde / |r Nan Dahlkild -- |t Corporeal Aesthetics – Primitivism and the Reception of African American Performing Arts around 1930 / |r Karen Vedel -- |t Trajectories, Circulations and Geographical Configurations of the Avant-Garde and Modernism in Finland, 1922–1939 / |r Harri Veivo -- |t Institutional Settings -- |t Introduction to Section 4 / |r Per Stounbjerg -- |t How Nordic Neue Sachlichkeit, Kulturradikalisme, Transformed Modernism into a Vernacular Avant-Garde / |r Michael Fjeldsøe -- |t The Engineer and the Avant-Garde – Concrete Artists in Sweden / |r Linda Fagerström -- |t Arne Korsmo, PAGON and “Meccano for the Home” / |r Espen Johnsen -- |t State-Controlled Avant-Garde? – Emil Bønnelycke’s Radiophonic Portrait of Copenhagen / |r Jacob Kreutzfeldt -- |t Nyrki Tapiovaara – Between Avant-Garde and Mainstream Cinema / |r Kimmo Laine. |
| 588 | |a Description based on print version record and CIP data provided by publisher; resource not viewed. | ||
| 650 | 0 | |a Avant-garde (Aesthetics) |z Scandinavia |x History |y 20th century. | |
| 650 | 0 | |a Arts, Scandinavian |x History |y 20th century. | |
| 650 | 0 | |a Popular culture |z Scandinavia |x History |y 20th century. | |
| 700 | 1 | |a Hjartarson, Benedikt, |e editor. | |
| 700 | 1 | |a Kollnitz, Andrea, |d 1970- |e editor. | |
| 700 | 1 | |a Stounbjerg, Per, |d 1956- |e editor. | |
| 700 | 1 | |a Ørum, Tania, |e editor. | |
| 776 | |z 90-04-36679-2 | ||
| 830 | 0 | |a Avant-Garde Critical Studies |v 36. | |
| 906 | |a BOOK | ||
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