Subjects and objects : art, essentialism, and abstraction / / by Jeffrey Strayer.
The subject matter of Subjects and Objects is the limits of Abstraction in art. The notion of Abstraction, its development in art history, and the relation of art and philosophy regarding Abstraction are considered in addition to identifying and examining things that are essential to artworks. Any a...
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Superior document: | Philosophy of history and culture, v. 25 |
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: | |
Year of Publication: | 2007 |
Edition: | 1st ed. |
Language: | English |
Series: | Philosophy of history and culture ;
v. 25. |
Physical Description: | 1 online resource (410 p.) |
Notes: | Description based upon print version of record. |
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100 | 1 | |a Strayer, Jeffrey. | |
245 | 1 | 0 | |a Subjects and objects |h [electronic resource] : |b art, essentialism, and abstraction / |c by Jeffrey Strayer. |
250 | |a 1st ed. | ||
260 | |a Leiden : |b Brill ; |a Biggleswade : |b Extenza Turpin [distributor], |c 2007. | ||
300 | |a 1 online resource (410 p.) | ||
336 | |a text |b txt | ||
337 | |a computer |b c | ||
338 | |a online resource |b cr | ||
490 | 1 | |a Philosophy of history and culture, |x 0922-6001 ; |v v. 25 | |
500 | |a Description based upon print version of record. | ||
546 | |a English | ||
520 | |a The subject matter of Subjects and Objects is the limits of Abstraction in art. The notion of Abstraction, its development in art history, and the relation of art and philosophy regarding Abstraction are considered in addition to identifying and examining things that are essential to artworks. Any artwork has an identity, and comprehension of that identity depends on a perceptual object. A subject’s apprehension of such an object creates an “artistic complex” of which the object, the subject, and the apprehension are constituents. The essential elements of this kind of complex are the subject of the final part of the work. Its concluding section considers these elements as ‘material’ to be used to determine the limits of Abstraction. | ||
504 | |a Includes bibliographical references (p. [367]-373) and index. | ||
505 | 0 | |a pt. 1. Preliminary issues relevant to essentialist abstraction -- pt. 2. On subjects and objects and works of art : general considerations and basic points of relevance to essentialist abstraction -- pt. 3. On subjects and objects and artistic complexes : the material of essentialism -- pt. 4. Identity and subjects, objects, and language : concluding remarks as a preamble to an essentialist investigation of the limits of abstraction. | |
650 | 0 | |a Art, Abstract. | |
650 | 0 | |a Art, Modern |y 20th century. | |
650 | 0 | |a Abstraction. | |
650 | 0 | |a Art |x Philosophy. | |
776 | |z 90-04-15714-X | ||
830 | 0 | |a Philosophy of history and culture ; |v v. 25. | |
906 | |a BOOK | ||
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