Carving devotion in the Jain caves at Ellora / by Lisa N. Owen.
Drawing on art historical, epigraphical, and textual evidence, this book is the first full-scale reconstruction of medieval Jain artistic and devotional practices at the rock-cut site of Ellora in Maharashtra, India. Created during the ninth and tenth centuries, Ellora's Jain caves are among th...
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| Superior document: | Brill's Indological library ; v. 41 |
|---|---|
| : | |
| Year of Publication: | 2012 |
| Edition: | 1st ed. |
| Language: | English |
| Series: | Brill's Indological library ;
v. 41. |
| Physical Description: | 1 online resource (303 p.) |
| Notes: | Description based upon print version of record. |
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| 100 | 1 | |a Owen, Lisa N. | |
| 245 | 1 | 0 | |a Carving devotion in the Jain caves at Ellora |h [electronic resource] / |c by Lisa N. Owen. |
| 250 | |a 1st ed. | ||
| 260 | |a Boston : |b Brill, |c 2012. | ||
| 300 | |a 1 online resource (303 p.) | ||
| 336 | |a text |b txt | ||
| 337 | |a computer |b c | ||
| 338 | |a online resource |b cr | ||
| 490 | 1 | |a Brill's Indological library ; |v v. 41 | |
| 500 | |a Description based upon print version of record. | ||
| 546 | |a English | ||
| 505 | 0 | 0 | |t Preliminary Material / |r Lisa N. Owen -- |t Introduction: Carving Ellora / |r Lisa N. Owen -- |t Chapter One: Carving the Samavasaraṇa / |r Lisa N. Owen -- |t Chapter Two: Carving the Liberated / |r Lisa N. Owen -- |t Chapter Three: Carving the Divine / |r Lisa N. Owen -- |t Chapter Four: Carving Ellora’s Jain Patrons / |r Lisa N. Owen -- |t Chapter Five: Carving Sacred Space / |r Lisa N. Owen -- |t Chapter Six: Carving a Larger Jain World / |r Lisa N. Owen -- |t Bibliography / |r Lisa N. Owen -- |t Index / |r Lisa N. Owen -- |t Figures / |r Lisa N. Owen. |
| 520 | |a Drawing on art historical, epigraphical, and textual evidence, this book is the first full-scale reconstruction of medieval Jain artistic and devotional practices at the rock-cut site of Ellora in Maharashtra, India. Created during the ninth and tenth centuries, Ellora's Jain caves are among the best-preserved examples of medieval Jain art in India. While this book briefly addresses traditional art historical issues of date and iconography, it primarily considers the articulation of sacred space within the caves and the role of imagery in shaping devotional practices. Building upon scholarship that examines Jainism within its larger South Asian context, this book also explores connections between the Jain monuments and their Hindu and Buddhist counterparts to reveal a lived religious world at Ellora. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 650 | 0 | |a Jaina art |z India |z Ellora Caves. | |
| 650 | 0 | |a Jaina cave temples |z India |z Ellora Caves. | |
| 651 | 0 | |a Ellora Caves (India) | |
| 776 | |z 90-04-20629-9 | ||
| 830 | 0 | |a Brill's Indological library ; |v v. 41. | |
| 906 | |a BOOK | ||
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