Tapestry of light : : aesthetic afterlives of the Cultural Revolution / / by Yiju Huang.
Tapestry of Light offers an account of the psychic, intellectual, and cultural aftermath of the Chinese Cultural Revolution. Drawing on a wide range of works including essay, fiction, memoir, painting and film, the book explores links between history, trauma and haunting. Challenging the leftist cur...
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Superior document: | Ideas, History, and Modern China, Volume 10 |
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VerfasserIn: | |
Place / Publishing House: | Leiden, Netherlands : : BRILL,, 2014. ©2014 |
Year of Publication: | 2014 |
Language: | English |
Series: | Ideas, history, and modern China ;
Volume 10. |
Physical Description: | 1 online resource (159 p.) |
Notes: | Description based upon print version of record. |
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245 | 1 | 0 | |a Tapestry of light : |b aesthetic afterlives of the Cultural Revolution / |c by Yiju Huang. |
264 | 1 | |a Leiden, Netherlands : |b BRILL, |c 2014. | |
264 | 4 | |c ©2014 | |
300 | |a 1 online resource (159 p.) | ||
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490 | 1 | |a Ideas, History, and Modern China, |x 1875-9394 ; |v Volume 10 | |
500 | |a Description based upon print version of record. | ||
546 | |a English | ||
505 | 0 | 0 | |a Preliminary Material -- 1 Introduction: Embroidering a Tapestry of Hope -- 2 Familial Secrets: Mao’s Famine in Hong Ying’s Daughter of the River -- 3 Aesthetic of Heterogeneity: Roots in Han Shaogong’s Theoretical and Literary Writings -- 4 Ghostly Vision: Zhang Xiaogang’s “Bloodline: The Big Family” -- 5 Protean Youth: Redemptive Poetics in In the Heat of the Sun and The Postmodern Life of My Aunt -- Coda: Ba Jin: Toward an Ethical Relation to History -- Bibliography -- Index. |
520 | |a Tapestry of Light offers an account of the psychic, intellectual, and cultural aftermath of the Chinese Cultural Revolution. Drawing on a wide range of works including essay, fiction, memoir, painting and film, the book explores links between history, trauma and haunting. Challenging the leftist currents in Cultural Revolution scholarship, the tone pervading the book is a rhythm of melancholia, indeterminacy but also hope. Huang demonstrates that aesthetic afterlives resist both the conservative nostalgia for China’s revolutionary past as well as China’s elated, false confidence in the market-driven future. Huang engages with prominent Chinese intellectuals, writers, artists and filmmakers, including Ba Jin, Han Shaogong, Hong Ying, Zhang Xiaogang, Jiang Wen and Ann Hui. | ||
504 | |a Includes bibliographical references and index. | ||
588 | |a Description based on print version record. | ||
650 | 0 | |a Aesthetics |x Social aspects |z China. | |
650 | 0 | |a Arts and society |z China. | |
650 | 0 | |a Arts, Chinese |x History |y 20th century. | |
650 | 0 | |a Arts, Chinese |x History |y 21st century. | |
651 | 0 | |a China |x Intellectual life |y 1976- | |
651 | 0 | |a China |x History |y Cultural Revolution, 1966-1976 |x Influence. | |
776 | |z 90-04-28553-9 | ||
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830 | 0 | |a Ideas, history, and modern China ; |v Volume 10. | |
906 | |a BOOK | ||
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