Visualizing sensuous suffering and affective pain in early modern Europe and the Spanish Americas / / edited by Heather Graham and Lauren G. Kilroy-Ewbank.

Visualizing Sensuous Suffering and Affective Pain in Early Modern Europe and the Spanish Americas is a trans-cultural collection of studies on visual treatments of the phenomena of suffering and pain in early modern culture. Ranging geographically from Italy, Spain, and the Low Countries to Chile, M...

Full description

Saved in:
Bibliographic Details
Superior document:Brill's Studies in Intellectual History, Volume 277
TeilnehmendeR:
Place / Publishing House:Leiden, Netherlands ;, Boston, Massachusetts : : Brill,, 2018.
©2018
Year of Publication:2018
Language:English
Series:Brill's studies in intellectual history ; v. 277.
Brill's studies in intellectual history. Brill's studies on art, art history, and intellectual history ; v. 24.
Physical Description:1 online resource (462 pages) :; illustrations, photographs, tables.
Tags: Add Tag
No Tags, Be the first to tag this record!
id 993582173504498
ctrlnum (CKB)4100000001400692
(MiAaPQ)EBC5265002
(OCoLC)1008759100
(nllekb)BRILL9789004360686
(EXLCZ)994100000001400692
collection bib_alma
record_format marc
spelling Visualizing sensuous suffering and affective pain in early modern Europe and the Spanish Americas / edited by Heather Graham and Lauren G. Kilroy-Ewbank.
Leiden, Netherlands ; Boston, Massachusetts : Brill, 2018.
©2018
1 online resource (462 pages) : illustrations, photographs, tables.
text rdacontent
computer rdamedia
online resource rdacarrier
Brill's Studies in Intellectual History, 0920-8607 ; Volume 277
Brill's studies on art, art history, and intellectual history ; 24
Visualizing Sensuous Suffering and Affective Pain in Early Modern Europe and the Spanish Americas is a trans-cultural collection of studies on visual treatments of the phenomena of suffering and pain in early modern culture. Ranging geographically from Italy, Spain, and the Low Countries to Chile, Mexico, and the Philippines and chronologically from the fourteenth to the eighteenth centuries, these studies variously consider pain and suffering as somatic, emotional, and psychological experiences. From examination of bodies shown victimized by brutal public torture to the sublimation of physical suffering conveyed through the incised lines of Counter-Reformation engravings, the authors consider depictions of pain and suffering as conduits to the divine or as guides to social behaviour; indeed, often the two functions overlap.
Front Matter -- Copyright page -- Dedication -- Acknowledgments -- List of Illustrations -- List of Abbreviations -- List of Contributors -- Introduction: Visualizing Sensuous Suffering and Affective Pain in Early Modern Europe and the Spanish Americas / Heather Graham and Lauren G. Kilroy-Ewbank -- Performing Pain -- Pain and Paint: Titian, Ribera, and the Flaying of Marsyas / Itay Sapir -- Animal Trials, Humiliation Rituals, and the Sensuous Suffering of Criminal Offenders in Late Medieval and Early Modern Europe / Allie Terry-Fritsch -- Compassionate Suffering: Somatic Selfhood and Gendered Affect in Italian Lamentation Imagery / Heather Graham -- “One of those Lutherans we used to burn in Campo de’ Fiori:” Engraving Sublimated Suffering in Counter-Reformation Rome / Ruth S. Noyes -- Pain and Suffering in Franciscan Devotion -- Pain and Pathos: Franciscan Ideologies and Antonello da Messina’s Images of Ecce Homo / Peter Weller -- An Andean Stoning: Francis as Alter Christus in Viceregal Santiago / Catherine Burdick -- Hagiographical Misery and the Liminal Witness: Novohispanic Franciscan Martyr Portraits and the Politics of Imperial Expansion / Emmanuel Ortega -- Sensuous Suffering Through Word and Image -- “Eyes Enlivened and Heart Softened:” The Visual Rhetoric of Suffering in Gebedenboek Ruusbroecgenootschap hs 452 / Walter S. Melion -- Love Hurts: Depictions of Christ Wounded in Love in Colonial Mexican Convents / Lauren G. Kilroy-Ewbank -- Reparations for Christ Our Lord: Devotional Literature, Penitential Rituals, and Sacred Imagery in Colonial Mexico City / Derek Scott Burdette -- Empathetic Wounds: Gregorio Fernández’s Cristos yacentes as a Nexus of Art, Anatomy, and Counter-Reformation Theology / Tiffany Lynn Hunt -- Back Matter -- Index.
Includes bibliographical references at the end of each chapters and index.
Description based on print version record.
Art, Spanish colonial Themes, motives.
Art, European Themes, motives.
Suffering in art.
Pain in art.
Kilroy-Ewbank, Lauren, editor.
Graham, Heather, 1978- editor.
90-04-36067-0
Brill's studies in intellectual history ; v. 277.
Brill's studies in intellectual history. Brill's studies on art, art history, and intellectual history ; v. 24.
language English
format eBook
author2 Kilroy-Ewbank, Lauren,
Graham, Heather, 1978-
author_facet Kilroy-Ewbank, Lauren,
Graham, Heather, 1978-
author2_variant l k e lke
h g hg
author2_role TeilnehmendeR
TeilnehmendeR
author_additional Heather Graham and Lauren G. Kilroy-Ewbank --
Itay Sapir --
Allie Terry-Fritsch --
Heather Graham --
Ruth S. Noyes --
Peter Weller --
Catherine Burdick --
Emmanuel Ortega --
Walter S. Melion --
Lauren G. Kilroy-Ewbank --
Derek Scott Burdette --
Tiffany Lynn Hunt --
title Visualizing sensuous suffering and affective pain in early modern Europe and the Spanish Americas /
spellingShingle Visualizing sensuous suffering and affective pain in early modern Europe and the Spanish Americas /
Brill's Studies in Intellectual History,
Brill's studies on art, art history, and intellectual history ;
Front Matter --
Copyright page --
Dedication --
Acknowledgments --
List of Illustrations --
List of Abbreviations --
List of Contributors --
Introduction: Visualizing Sensuous Suffering and Affective Pain in Early Modern Europe and the Spanish Americas /
Performing Pain --
Pain and Paint: Titian, Ribera, and the Flaying of Marsyas /
Animal Trials, Humiliation Rituals, and the Sensuous Suffering of Criminal Offenders in Late Medieval and Early Modern Europe /
Compassionate Suffering: Somatic Selfhood and Gendered Affect in Italian Lamentation Imagery /
“One of those Lutherans we used to burn in Campo de’ Fiori:” Engraving Sublimated Suffering in Counter-Reformation Rome /
Pain and Suffering in Franciscan Devotion --
Pain and Pathos: Franciscan Ideologies and Antonello da Messina’s Images of Ecce Homo /
An Andean Stoning: Francis as Alter Christus in Viceregal Santiago /
Hagiographical Misery and the Liminal Witness: Novohispanic Franciscan Martyr Portraits and the Politics of Imperial Expansion /
Sensuous Suffering Through Word and Image --
“Eyes Enlivened and Heart Softened:” The Visual Rhetoric of Suffering in Gebedenboek Ruusbroecgenootschap hs 452 /
Love Hurts: Depictions of Christ Wounded in Love in Colonial Mexican Convents /
Reparations for Christ Our Lord: Devotional Literature, Penitential Rituals, and Sacred Imagery in Colonial Mexico City /
Empathetic Wounds: Gregorio Fernández’s Cristos yacentes as a Nexus of Art, Anatomy, and Counter-Reformation Theology /
Back Matter --
Index.
title_full Visualizing sensuous suffering and affective pain in early modern Europe and the Spanish Americas / edited by Heather Graham and Lauren G. Kilroy-Ewbank.
title_fullStr Visualizing sensuous suffering and affective pain in early modern Europe and the Spanish Americas / edited by Heather Graham and Lauren G. Kilroy-Ewbank.
title_full_unstemmed Visualizing sensuous suffering and affective pain in early modern Europe and the Spanish Americas / edited by Heather Graham and Lauren G. Kilroy-Ewbank.
title_auth Visualizing sensuous suffering and affective pain in early modern Europe and the Spanish Americas /
title_alt Front Matter --
Copyright page --
Dedication --
Acknowledgments --
List of Illustrations --
List of Abbreviations --
List of Contributors --
Introduction: Visualizing Sensuous Suffering and Affective Pain in Early Modern Europe and the Spanish Americas /
Performing Pain --
Pain and Paint: Titian, Ribera, and the Flaying of Marsyas /
Animal Trials, Humiliation Rituals, and the Sensuous Suffering of Criminal Offenders in Late Medieval and Early Modern Europe /
Compassionate Suffering: Somatic Selfhood and Gendered Affect in Italian Lamentation Imagery /
“One of those Lutherans we used to burn in Campo de’ Fiori:” Engraving Sublimated Suffering in Counter-Reformation Rome /
Pain and Suffering in Franciscan Devotion --
Pain and Pathos: Franciscan Ideologies and Antonello da Messina’s Images of Ecce Homo /
An Andean Stoning: Francis as Alter Christus in Viceregal Santiago /
Hagiographical Misery and the Liminal Witness: Novohispanic Franciscan Martyr Portraits and the Politics of Imperial Expansion /
Sensuous Suffering Through Word and Image --
“Eyes Enlivened and Heart Softened:” The Visual Rhetoric of Suffering in Gebedenboek Ruusbroecgenootschap hs 452 /
Love Hurts: Depictions of Christ Wounded in Love in Colonial Mexican Convents /
Reparations for Christ Our Lord: Devotional Literature, Penitential Rituals, and Sacred Imagery in Colonial Mexico City /
Empathetic Wounds: Gregorio Fernández’s Cristos yacentes as a Nexus of Art, Anatomy, and Counter-Reformation Theology /
Back Matter --
Index.
title_new Visualizing sensuous suffering and affective pain in early modern Europe and the Spanish Americas /
title_sort visualizing sensuous suffering and affective pain in early modern europe and the spanish americas /
series Brill's Studies in Intellectual History,
Brill's studies on art, art history, and intellectual history ;
series2 Brill's Studies in Intellectual History,
Brill's studies on art, art history, and intellectual history ;
publisher Brill,
publishDate 2018
physical 1 online resource (462 pages) : illustrations, photographs, tables.
contents Front Matter --
Copyright page --
Dedication --
Acknowledgments --
List of Illustrations --
List of Abbreviations --
List of Contributors --
Introduction: Visualizing Sensuous Suffering and Affective Pain in Early Modern Europe and the Spanish Americas /
Performing Pain --
Pain and Paint: Titian, Ribera, and the Flaying of Marsyas /
Animal Trials, Humiliation Rituals, and the Sensuous Suffering of Criminal Offenders in Late Medieval and Early Modern Europe /
Compassionate Suffering: Somatic Selfhood and Gendered Affect in Italian Lamentation Imagery /
“One of those Lutherans we used to burn in Campo de’ Fiori:” Engraving Sublimated Suffering in Counter-Reformation Rome /
Pain and Suffering in Franciscan Devotion --
Pain and Pathos: Franciscan Ideologies and Antonello da Messina’s Images of Ecce Homo /
An Andean Stoning: Francis as Alter Christus in Viceregal Santiago /
Hagiographical Misery and the Liminal Witness: Novohispanic Franciscan Martyr Portraits and the Politics of Imperial Expansion /
Sensuous Suffering Through Word and Image --
“Eyes Enlivened and Heart Softened:” The Visual Rhetoric of Suffering in Gebedenboek Ruusbroecgenootschap hs 452 /
Love Hurts: Depictions of Christ Wounded in Love in Colonial Mexican Convents /
Reparations for Christ Our Lord: Devotional Literature, Penitential Rituals, and Sacred Imagery in Colonial Mexico City /
Empathetic Wounds: Gregorio Fernández’s Cristos yacentes as a Nexus of Art, Anatomy, and Counter-Reformation Theology /
Back Matter --
Index.
isbn 90-04-36068-9
90-04-36067-0
issn 0920-8607 ;
callnumber-first N - Fine Arts
callnumber-subject N - Visual Arts
callnumber-label N8251
callnumber-sort N 48251 S567 V578 42018
illustrated Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 700 - Arts
dewey-ones 700 - The arts; fine & decorative arts
dewey-full 700.108
dewey-sort 3700.108
dewey-raw 700.108
dewey-search 700.108
oclc_num 1008759100
work_keys_str_mv AT kilroyewbanklauren visualizingsensuoussufferingandaffectivepaininearlymoderneuropeandthespanishamericas
AT grahamheather visualizingsensuoussufferingandaffectivepaininearlymoderneuropeandthespanishamericas
status_str n
ids_txt_mv (CKB)4100000001400692
(MiAaPQ)EBC5265002
(OCoLC)1008759100
(nllekb)BRILL9789004360686
(EXLCZ)994100000001400692
hierarchy_parent_title Brill's Studies in Intellectual History, Volume 277
Brill's studies on art, art history, and intellectual history ; 24
hierarchy_sequence v. 277.
v. 24.
is_hierarchy_title Visualizing sensuous suffering and affective pain in early modern Europe and the Spanish Americas /
container_title Brill's Studies in Intellectual History, Volume 277
author2_original_writing_str_mv noLinkedField
noLinkedField
_version_ 1796652791073079296
fullrecord <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04669nam a2200505 i 4500</leader><controlfield tag="001">993582173504498</controlfield><controlfield tag="005">20230814221609.0</controlfield><controlfield tag="006">m o d | </controlfield><controlfield tag="007">cr#cnu||||||||</controlfield><controlfield tag="008">180302t20182018ne ao ob 001 0 eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">90-04-36068-9</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1163/9789004360686</subfield><subfield code="2">DOI</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CKB)4100000001400692</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(MiAaPQ)EBC5265002</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1008759100</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(nllekb)BRILL9789004360686</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(EXLCZ)994100000001400692</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">MiAaPQ</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">MiAaPQ</subfield><subfield code="d">MiAaPQ</subfield></datafield><datafield tag="043" ind1=" " ind2=" "><subfield code="a">e------</subfield><subfield code="a">cl-----</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">N8251.S567</subfield><subfield code="b">.V578 2018</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">HB</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">HIS000000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">700.108</subfield><subfield code="2">23</subfield></datafield><datafield tag="245" ind1="0" ind2="0"><subfield code="a">Visualizing sensuous suffering and affective pain in early modern Europe and the Spanish Americas /</subfield><subfield code="c">edited by Heather Graham and Lauren G. Kilroy-Ewbank.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Leiden, Netherlands ;</subfield><subfield code="a">Boston, Massachusetts :</subfield><subfield code="b">Brill,</subfield><subfield code="c">2018.</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2018</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (462 pages) :</subfield><subfield code="b">illustrations, photographs, tables.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Brill's Studies in Intellectual History,</subfield><subfield code="x">0920-8607 ;</subfield><subfield code="v">Volume 277</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Brill's studies on art, art history, and intellectual history ;</subfield><subfield code="v">24</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Visualizing Sensuous Suffering and Affective Pain in Early Modern Europe and the Spanish Americas is a trans-cultural collection of studies on visual treatments of the phenomena of suffering and pain in early modern culture. Ranging geographically from Italy, Spain, and the Low Countries to Chile, Mexico, and the Philippines and chronologically from the fourteenth to the eighteenth centuries, these studies variously consider pain and suffering as somatic, emotional, and psychological experiences. From examination of bodies shown victimized by brutal public torture to the sublimation of physical suffering conveyed through the incised lines of Counter-Reformation engravings, the authors consider depictions of pain and suffering as conduits to the divine or as guides to social behaviour; indeed, often the two functions overlap.</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Front Matter --</subfield><subfield code="t">Copyright page --</subfield><subfield code="t">Dedication --</subfield><subfield code="t">Acknowledgments --</subfield><subfield code="t">List of Illustrations --</subfield><subfield code="t">List of Abbreviations --</subfield><subfield code="t">List of Contributors --</subfield><subfield code="t">Introduction: Visualizing Sensuous Suffering and Affective Pain in Early Modern Europe and the Spanish Americas /</subfield><subfield code="r">Heather Graham and Lauren G. Kilroy-Ewbank --</subfield><subfield code="t">Performing Pain --</subfield><subfield code="t">Pain and Paint: Titian, Ribera, and the Flaying of Marsyas /</subfield><subfield code="r">Itay Sapir --</subfield><subfield code="t">Animal Trials, Humiliation Rituals, and the Sensuous Suffering of Criminal Offenders in Late Medieval and Early Modern Europe /</subfield><subfield code="r">Allie Terry-Fritsch --</subfield><subfield code="t">Compassionate Suffering: Somatic Selfhood and Gendered Affect in Italian Lamentation Imagery /</subfield><subfield code="r">Heather Graham --</subfield><subfield code="t">“One of those Lutherans we used to burn in Campo de’ Fiori:” Engraving Sublimated Suffering in Counter-Reformation Rome /</subfield><subfield code="r">Ruth S. Noyes --</subfield><subfield code="t">Pain and Suffering in Franciscan Devotion --</subfield><subfield code="t">Pain and Pathos: Franciscan Ideologies and Antonello da Messina’s Images of Ecce Homo /</subfield><subfield code="r">Peter Weller --</subfield><subfield code="t">An Andean Stoning: Francis as Alter Christus in Viceregal Santiago /</subfield><subfield code="r">Catherine Burdick --</subfield><subfield code="t">Hagiographical Misery and the Liminal Witness: Novohispanic Franciscan Martyr Portraits and the Politics of Imperial Expansion /</subfield><subfield code="r">Emmanuel Ortega --</subfield><subfield code="t">Sensuous Suffering Through Word and Image --</subfield><subfield code="t">“Eyes Enlivened and Heart Softened:” The Visual Rhetoric of Suffering in Gebedenboek Ruusbroecgenootschap hs 452 /</subfield><subfield code="r">Walter S. Melion --</subfield><subfield code="t">Love Hurts: Depictions of Christ Wounded in Love in Colonial Mexican Convents /</subfield><subfield code="r">Lauren G. Kilroy-Ewbank --</subfield><subfield code="t">Reparations for Christ Our Lord: Devotional Literature, Penitential Rituals, and Sacred Imagery in Colonial Mexico City /</subfield><subfield code="r">Derek Scott Burdette --</subfield><subfield code="t">Empathetic Wounds: Gregorio Fernández’s Cristos yacentes as a Nexus of Art, Anatomy, and Counter-Reformation Theology /</subfield><subfield code="r">Tiffany Lynn Hunt --</subfield><subfield code="t">Back Matter --</subfield><subfield code="t">Index.</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references at the end of each chapters and index.</subfield></datafield><datafield tag="588" ind1=" " ind2=" "><subfield code="a">Description based on print version record.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Art, Spanish colonial</subfield><subfield code="x">Themes, motives.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Art, European</subfield><subfield code="x">Themes, motives.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Suffering in art.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Pain in art.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Kilroy-Ewbank, Lauren,</subfield><subfield code="e">editor.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Graham, Heather,</subfield><subfield code="d">1978-</subfield><subfield code="e">editor.</subfield></datafield><datafield tag="776" ind1=" " ind2=" "><subfield code="z">90-04-36067-0</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Brill's studies in intellectual history ;</subfield><subfield code="v">v. 277.</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Brill's studies in intellectual history.</subfield><subfield code="p">Brill's studies on art, art history, and intellectual history ;</subfield><subfield code="v">v. 24.</subfield></datafield><datafield tag="906" ind1=" " ind2=" "><subfield code="a">BOOK</subfield></datafield><datafield tag="ADM" ind1=" " ind2=" "><subfield code="b">2023-08-16 00:48:31 Europe/Vienna</subfield><subfield code="f">system</subfield><subfield code="c">marc21</subfield><subfield code="a">2018-01-13 17:16:47 Europe/Vienna</subfield><subfield code="g">false</subfield></datafield><datafield tag="AVE" ind1=" " ind2=" "><subfield code="i">Brill</subfield><subfield code="P">EBA Brill All</subfield><subfield code="x">https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&amp;portfolio_pid=5343167360004498&amp;Force_direct=true</subfield><subfield code="Z">5343167360004498</subfield><subfield code="b">Available</subfield><subfield code="8">5343167360004498</subfield></datafield></record></collection>