The figure of the nymph in early modern culture / / edited by Karl A .E. Enenkel, Anita Traninger.

• TeilnehmendeR: Enenkel, K. A. E.,; Traninger, Anita,
• Place / Publishing House: Leiden ;, Boston : : Brill,, [2018]; ©2018
• Year of Publication: 2018
• Language: English
• Series: Intersections 54.
• Physical Description: 1 online resource (492 pages).

Throughout the early modern period, the nymph remained a powerful figure that inspired and informed the cultural imagination in many different ways. Far from being merely a symbol of the classical legacy, the nymph was invested with a surprisingly broad range of meanings. Working on the basis of these assumptions, and thus challenging Aby Warburg’s famous reflections on the nympha that both portrayed her as cultural archetype and reduced her to a marginal figure, the contributions in this volume seek to uncover the multifarious roles played by nymphs in literature, drama, music, the visual arts, garden architecture, and indeed intellectual culture tout court, and thereby explore the true significance of this well-known figure for the early modern age. Contributors: Barbara Baert, Mira Becker-Sawatzky, Agata Anna Chrzanowska, Karl Enenkel, Wolfgang Fuhrmann, Michaela Kaufmann, Andreas Keller, Eva-Bettina Krems, Damaris Leimgruber, Tobias Leuker, Christian Peters, Christoph Pieper, Bernd Roling, and Anita Traninger.

Table of Contents

Front Matter -- Copyright page -- Acknowledgements -- Notes on the Editors -- Notes on the Contributors -- List of Illustrations -- Introduction: The Figure of the Nymph in Early Modern Culture / Anita Traninger and Karl A.E. Enenkel -- Nymphs between the Visual Arts and Literature -- Pleasures of the Imagination: Narrating the Nymph, from Boccaccio to Lope De Vega / Anita Traninger -- Salmacis, Hermaphrodite, and the Inversion of Gender: Allegorical Interpretations and Pictorial Representations of an Ovidian Myth, circa 1300–1770 / Karl Enenkel -- The Sleeping Nymph Revisited: Ekphrasis, Genius Loci and Silence / Barbara Baert -- ‘Who, Then, is the “Nympha”?’ An Iconographic Analysis of the Figure of the Maid in the Tornabuoni Frescoes / Agata Anna Chrzanowska -- Literary Representations -- Lamenting, Dancing, Praising: The Multilayered Presence of Nymphs in Florentine Elegiac Poetry of the Quattrocento1 / Christoph Pieper -- An Epiphanic Figure with the Power to Bind: Lia’s Role in Boccaccio’s Comedia delle ninfe fiorentine / Tobias Leuker -- Renaissance Nymphs as Intermediaries in Early Modern German Territorial Politics / Andreas Keller -- Discursive Sisters of the Arts, Raw Material of Inspiration: The Early Pegnitz Flower Society’s Nymphs / Damaris Leimgruber -- Garden Architecture -- The Mediality of the Nymph in the Cultural Context of Pirro Visconti’s Villa at Lainate / Mira Becker-Sawatzky -- Nymphs Bathing in the King’s Garden: La Granja de San Ildefonso and Caserta / Eva-Bettina Krems -- Music -- Venez plorer ma desolation: Lamenting and Mourning Nymphs in Culture and Music around 1500 / Wolfgang Fuhrmann -- The Nymph’s Voice as an Acoustic Reflection of the Self / Michaela Kaufmann -- Aetiology and Antiquarianism -- Founding Sisters: Nymphs and Aetiology in Humanist Latin Poetry / Christian Peters -- Our White Ladies on the Graves: Historicisations of Nymphs in Early Modern Antiquarianism / Bernd Roling -- Back Matter -- Index Nominum.