Neo-Victorian humour : comic subversions and unlaughter in contemporary historical re-visions / / edited by Marie-Luise Kohlke and Christian Gutleben.

This volume highlights humour’s crucial role in shaping historical re-visions of the long nineteenth century, through modes ranging from subtle irony, camp excess, ribald farce, and aesthetic parody to blackly comic narrative games. It analyses neo-Victorian humour’s politicisation, its ideological...

Full description

Saved in:
Bibliographic Details
Superior document:Neo-Victorian Series, Volume 5
TeilnehmendeR:
Place / Publishing House:Leiden, Netherlands ;, Boston, [Massachusetts] : : Brill Rodopi,, 2017.
©2017
Year of Publication:2017
Language:English
Series:Neo-Victorian series ; Volume 5.
Physical Description:1 online resource (350 pages) :; illustrations.
Tags: Add Tag
No Tags, Be the first to tag this record!
Table of Contents:
  • What’s So Funny about the Nineteenth Century? / Marie-Luise Kohlke and Christian Gutleben
  • Humour and Metanarratives
  • Parody after Providence: Christianity, Secularism, and the Form of Neo-Victorian Fiction / Miriam Elizabeth Burstein
  • Neo-Victorian Killing Humour: Laughing at Death in the Opium Wars / Marie-Luise Kohlke
  • “Bleak Hilarity” in Alan Hollinghurst’s The Line of Beauty / Dana Shiller
  • Drainage in a Time of Cholera: History and Humour in Matthew Kneale’s Sweet Thames / Michael L. Ross
  • Humour and Gender
  • Looking at Victorian Fashion: Not a Laughing Matter / Margaret D. Stetz
  • Neo-Victorian Feminist History and the Political Potential of Humour / Tara MacDonald
  • Good Vibrations: Hysteria, Female Orgasm, and Medical Humour in Neo-Victorianism / Monika Pietrzak-Franger and Eckart Voigts
  • “People keep giving me rings, but I think a small death ray might be more practical”: Women and Mad Science in Steampunk Comics / Dru Pagliassotti
  • Humour and Postmodernism
  • “Now with Ultraviolent Zombie Mayhem!” The Neo-Victorian Novel-as-Mashup and the Limits of Postmodern Irony / Megen de Bruin-Molé
  • Camp Heritage: Ken Russell’s The Lair of the White Worm as Neo-Victorian Spectacle / Christophe Van Eecke
  • Laughing (at) Freaks: “Bending the tune to her will” in Angela Carter’s Nights at the Circus and Rosie Garland’s The Palace of Curiosities / Saverio Tomaiuolo
  • The Dog Days of Empire: Black Humour and the Bestial in J.G. Farrell’s The Siege of Krishnapur / Ryan D. Fong.