'Ali Qoli Jebadar et l'occidentalisme safavide : : une etude sur les peintures dites farangi sazi, leurs milieux et commanditaires sous Shāh Soleiman (1666-94) / / par Negar Habibi.
In 'ʻAli Qoli Jebadar et l'occidentalisme Safavide' Negar Habibi provides a fresh account of the life and works of ʻAli Qoli Jebadar, a leading painter of the late Safavid period. By collecting several of the artist's paintings and signatures Habibi brings to light the diversity...
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| Superior document: | Studies in Persian Cultural History, Volume 13 |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | Leiden ;, Boston : : Brill,, [2018] ©2018 |
| Year of Publication: | 2018 |
| Language: | German |
| Series: | Studies in Persian cultural history ;
Volume 13. |
| Physical Description: | 1 online resource (xiv, 207 pages) :; color illustrations, portraits. |
| Notes: | Updated version of the author's thesis (doctoral--Université de droit, d'économie et des sciences d'Aix-Marseille, 2014) under the title: Le farangi sāzi et les peintures de ʻAli Qoli Jebādār. |
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| 245 | 1 | 0 | |a 'Ali Qoli Jebadar et l'occidentalisme safavide : |b une etude sur les peintures dites farangi sazi, leurs milieux et commanditaires sous Shāh Soleiman (1666-94) / |c par Negar Habibi. |
| 264 | 1 | |a Leiden ; |a Boston : |b Brill, |c [2018] | |
| 264 | 4 | |c ©2018 | |
| 300 | |a 1 online resource (xiv, 207 pages) : |b color illustrations, portraits. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Studies in Persian Cultural History, |x 2210-3554 ; |v Volume 13 | |
| 505 | 0 | 0 | |a Front Matter -- Copyright page -- -- Remerciements -- Transcription du persan -- Liste des abréviations dans les notes -- Liste des illustrations et crédits photos -- Introduction -- ʿAli Qoli Jebādār : l’artiste aux titres royaux1 -- Farangi sāzi? Une considération sur les peintures occidentalistes safavides -- L’État de Shāh SoleimānShāh Soleimān : l’historique des centres du pouvoir safavide entre 1666 et 1694 -- Le mécénat artistique à la cour de Shāh Soleimān : Le syncrétisme artistique des peintures de ʿAli Qoli JebādārʿAli Qoli Jebādār -- Conclusion générale. |
| 500 | |a Updated version of the author's thesis (doctoral--Université de droit, d'économie et des sciences d'Aix-Marseille, 2014) under the title: Le farangi sāzi et les peintures de ʻAli Qoli Jebādār. | ||
| 504 | |a Includes bibliographical references (pages 178-203) and index. | ||
| 520 | 8 | |a In 'ʻAli Qoli Jebadar et l'occidentalisme Safavide' Negar Habibi provides a fresh account of the life and works of ʻAli Qoli Jebadar, a leading painter of the late Safavid period. By collecting several of the artist's paintings and signatures Habibi brings to light the diversity of 'Ali Qoli Jebadar's most important works. In addition, the volume offers us new insights into both the artistic and socio-political evolution of Iranian society in the last days of pre-modern Iran. By carefully consulting the historical sources, Negar Habibi demonstrates the possibility of a female and eunuch patronage in the seventeenth-century paintings known as farangi sazi, while suggesting the use of the term "Occidentalism" for those Safavid paintings that show some exotic and alien details of the Western world. | |
| 588 | |a Description based on print version record. | ||
| 650 | 0 | |a Art patronage |z Iran |x History |y 17th century. | |
| 650 | 0 | |a Art and society |z Iran |x History |y 17th century. | |
| 650 | 0 | |a Art, Safavid |x Themes, motives. | |
| 600 | 0 | 0 | |a ʻAliquli Jabbadar |x Criticism and interpretation. |
| 776 | |z 90-04-35587-1 | ||
| 830 | 0 | |a Studies in Persian cultural history ; |v Volume 13. | |
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