Hua Yan (1682-1756) and the making of the artist in early modern China / / by Kristen Loring Chiem.
Hua Yan (1682-1756) and the Making of the Artist in Early Modern China explores the relationships between the artist, local society, and artistic practice during the Qing dynasty (1644–1911). Arranged as an investigation of the artist Hua Yan’s work at a pivotal moment in eighteenth-century society,...
Saved in:
Superior document: | Sinica Leidensia ; Volume 148 |
---|---|
VerfasserIn: | |
Place / Publishing House: | Leiden, The Netherlands ;, Boston : : Brill,, [2020] ©2020 |
Year of Publication: | 2020 |
Language: | English |
Series: | Sinica Leidensia ;
Volume 148. |
Physical Description: | 1 online resource. |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
LEADER | 01586nam a2200361 i 4500 | ||
---|---|---|---|
001 | 993582139904498 | ||
005 | 20200825172324.0 | ||
006 | m o d | | ||
007 | cr#un####uuuua | ||
008 | 200825s2020 ne a ob 001 0 eng d | ||
020 | |a 90-04-42946-8 | ||
024 | 7 | |a 10.1163/9789004429468 |2 DOI | |
035 | |a (CKB)4100000010566113 | ||
035 | |a (OCoLC)1145085463 | ||
035 | |a (nllekb)BRILL9789004429468 | ||
035 | |a (MiAaPQ)EBC6208881 | ||
035 | |a (EXLCZ)994100000010566113 | ||
040 | |a MiAaPQ |b eng |e rda |e pn |c MiAaPQ |d MiAaPQ | ||
050 | 4 | |a ND1049.H77 |b .C454 2020 | |
072 | 7 | |a HBJF |2 bicssc | |
072 | 7 | |a HIS |x 003000 |2 bisacsh | |
072 | 7 | |a HIS |x 026000 |2 bisacsh | |
082 | 0 | |a 759.951 |2 23 | |
100 | 1 | |a Chiem, Kristen L., |e author. | |
245 | 1 | 0 | |a Hua Yan (1682-1756) and the making of the artist in early modern China / |c by Kristen Loring Chiem. |
264 | 1 | |a Leiden, The Netherlands ; |a Boston : |b Brill, |c [2020] | |
264 | 4 | |c ©2020 | |
300 | |a 1 online resource. | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |2 rdacarrier | ||
490 | 1 | |a Sinica Leidensia ; |v Volume 148 | |
520 | |a Hua Yan (1682-1756) and the Making of the Artist in Early Modern China explores the relationships between the artist, local society, and artistic practice during the Qing dynasty (1644–1911). Arranged as an investigation of the artist Hua Yan’s work at a pivotal moment in eighteenth-century society, this book considers his paintings and poetry in early eighteenth-century Hangzhou, mid-eighteenth-century Yangzhou, and finally their nineteenth-century afterlife in Shanghai. By investigating Hua Yan’s struggle as a marginalized artist—both at his time and in the canon of Chinese art—this study draws attention to the implications of seeing and being seen as an artist in early modern China. | ||
504 | |a Includes bibliographical references and index. | ||
588 | |a Description based on print version record. | ||
600 | 1 | 0 | |a Hua, Yan, |d 1682-1756 |x Criticism and interpretation. |
776 | |z 90-04-42763-5 | ||
830 | 0 | |a Sinica Leidensia ; |v Volume 148. | |
906 | |a BOOK | ||
ADM | |b 2023-07-12 10:58:55 Europe/Vienna |d 00 |f system |c marc21 |a 2020-03-09 01:44:44 Europe/Vienna |g false | ||
AVE | |i Brill |P EBA Brill All |x https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&portfolio_pid=5343177030004498&Force_direct=true |Z 5343177030004498 |b Available |8 5343177030004498 |