Silence in modern Irish literature / / edited by Michael McAteer.

Silence in Modern Irish Literature is the first book to focus exclusively on the treatment of silence in modern Irish literature. It reveals the wide spectrum of meanings that silence carries in modern Irish literature: a mark of historical loss, a form of resistance to authority, a force of social...

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Bibliographic Details
Superior document:DQR Studies in Literature, Volume 63
TeilnehmendeR:
Place / Publishing House:Leiden, Netherlands ;, Boston, [Massachusetts] : : Brill Rodopi,, 2017.
©2017
Year of Publication:2017
Language:English
Series:DQR studies in literature ; Volume 63.
Physical Description:1 online resource (217 pages) :; illustrations.
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Table of Contents:
  • Introduction / Michael McAteer
  • Psychologies of Silence
  • Silence as Disturbance in W.B. Yeats’s “How Ferencz Renyi Kept Silent” / Michael McAteer
  • Theatres and Pathologies of Silence: Symbolism and Irish Drama from Maeterlinck to Beckett / Emilie Morin
  • Silence, Language, and Power in Elizabeth Bowen’s Work / Heather Ingman
  • Narrative, Silence, and Psychosis in John Banville’s The Book of Evidence / Aleksandra V. Jovanović
  • Ethics of Silence
  • Ritualized Silence and Secret Selves: The Seal of the Confessional in Nineteenth Century Ireland / Willa Murphy
  • Silence, Justice, and the Différend in Joyce’s Ulysses / Mark McGahon
  • Silence as Testimony in Samuel Beckett and Derek Mahon / Benjamin Keatinge
  • Women, Violence, and Silence: Roddy Doyle’s The Woman Who Walked Into Doors / Alessandra Boller
  • Places of Silence
  • Silence and Displacement in Ivan Turgenev and George Moore / Márta Pellérdi
  • “The gentle thread of the little voice:” Silence, Sexuality, and Subjectivity in Kate O’Brien’sThe Land of Spices / Anne Fogarty
  • Between Silence and Re-narration: Translating Signs of Belfast’s Urban Space / Stephanie Schwerter
  • Spirits of Silence
  • “Silent, so to speak:” Flann O’Brien and the Sense of an Ending / Keith Hopper
  • Variations on Silence in Dermot Healy’s A Fool’s Errand / Thierry Robin
  • The Voices of the Dead and the Silence of the Living in Brian Friel’s Drama / Virginie Roche-Tiengo.