Aesthetics / / Vasily Sesemann ; translated from Lithuanian by Mykolas Drunga ; edited and introduced by Leonidas Donskis.
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Superior document: | On the boundary of two worlds ; 8 |
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TeilnehmendeR: | |
Place / Publishing House: | Amsterdam ;, New York, NY : : Rodopi,, 2007. |
Year of Publication: | 2007 |
Language: | English Lithuanian |
Series: | On the Boundary of Two Worlds
8. |
Physical Description: | 1 online resource (309 pages). |
Notes: |
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100 | 1 | |a Sezemanas, Vosylius, |d 1884-1963. | |
240 | 1 | 0 | |a Estetika |
245 | 1 | 0 | |a Aesthetics / |c Vasily Sesemann ; translated from Lithuanian by Mykolas Drunga ; edited and introduced by Leonidas Donskis. |
264 | 1 | |a Amsterdam ; |a New York, NY : |b Rodopi, |c 2007. | |
300 | |a 1 online resource (309 pages). | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
490 | 1 | |a On the boundary of two worlds ; |v 8 | |
500 | |a Includes index. | ||
500 | |a Originally published as Estetika by Vilnius: Mintis, 1970. | ||
505 | 0 | 0 | |a Preliminary Material -- Aesthetics: Definition and Object -- Difficuties for Aesthetics -- Immediate Aesthetics Perception—the Material Basis of Aesthetics -- The Optimal Starting Point: Nature or Art? -- Three Starting Points for Aesthetics Analysis -- The Essential Properties of Aesthetics Perception -- The Internal Structure of an Aesthetic Object -- The Expressiveness of an Aesthetic Object and its Objective Sense -- Aesthetic Form and Aesthetic Structure -- The Relations of Natural and Artistic Beauty with Respect to Origin -- The Aesthetic Critertion of Natural and Artistic Beauty is the Same -- The Conception of Nature’s Beauty in the History of European Culture. The Beauty of Wild Nature -- The Beauty of Organic Forms -- Human Beauty. Its Ideal -- Organic Beauty and the Sexual Instinct -- Beauty and Ugliness. Their Relation in Art -- The Peculiarity of Natural Beauty -- The Relation of Primitive Art to Others Areas of Culture -- Attempts to Derive the Origin of Art form General Psychological Principles. Criticism -- Stimuli for the Emergence of Representational Art -- The Origin of Music -- General Conclusions -- The Artist and the Child (Primitive Man) -- A General Characterization of the Creative Process -- The Creative Process: Three Basic Moments -- Creative Imagination -- The Problem: Formulation and Explication -- Taine’s “Milieu Theory” and its Critical Appraisal -- The Psychological Theory of “Numbing” and its Critique -- The Relation of the Artist’s Individual and Creativity to the Cultural Environment -- The Relation of the Development of Art to General Cultural Development -- The Historical Changing of Styles and the Theories Explaining it -- Introduction -- Beauty and Morality -- Art (Beauty) and Truth -- The Aesthetic of the Ancient Greeks -- Rationalist Aesthetics in France and Germany -- The Empiricist Aesthetics of the English -- The Aesthetics of Kant -- Vico -- German Idealist Aesthetics: Schelling, Hegel, Schopenhauer -- The Formalists. Fechner -- Contemporary Aesthetic Theories -- The Problem -- The Relation of the Art Work to the Subject. Optical and Acoustic Impression: Their Difference -- Spatial and Nonspatial Forms of Art -- Objective and Nonobjective Forms of Art -- Representational and Nonrepresentational Art -- Notes -- Index. |
588 | |a Description based on publisher supplied metadata and other sources. | ||
650 | 0 | |a Aesthetics. | |
650 | 0 | |a Philosophy, Lithuanian. | |
650 | 7 | |a Aesthetics. |2 fast | |
650 | 7 | |a Philosophy, Lithuanian. |2 fast | |
776 | |z 90-420-2222-1 | ||
700 | 1 | |a Drunga, Mykolas. | |
700 | 1 | |a Donskis, Leonidas. | |
830 | 0 | |a On the Boundary of Two Worlds |v 8. | |
906 | |a BOOK | ||
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