Visualising ethnicity in the Southwest Borderlands : : gender en representation in Late Imperial and Republican China / / by Jing Zhu.
This book explores the mutual constitutions of visuality and empire from the perspective of gender, probing how the lives of China’s ethnic minorities at the southwest frontiers were translated into images. Two sets of visual materials make up its core sources: the Miao album, a genre of ethnographi...
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Superior document: | Emotions and states of mind in East Asia ; Volume 9 |
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VerfasserIn: | |
Place / Publishing House: | Leiden ;, Boston : : Brill,, [2020] ©2020 |
Year of Publication: | 2020 |
Language: | English |
Series: | Emotions and states of mind in East Asia ;
Volume 9. |
Physical Description: | 1 online resource. |
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100 | 1 | |a Zhu, Jing, |e author. | |
245 | 1 | 0 | |a Visualising ethnicity in the Southwest Borderlands : |b gender en representation in Late Imperial and Republican China / |c by Jing Zhu. |
264 | 1 | |a Leiden ; |a Boston : |b Brill, |c [2020] | |
264 | 4 | |c ©2020 | |
300 | |a 1 online resource. | ||
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490 | 1 | |a Emotions and states of mind in East Asia ; |v Volume 9 | |
520 | |a This book explores the mutual constitutions of visuality and empire from the perspective of gender, probing how the lives of China’s ethnic minorities at the southwest frontiers were translated into images. Two sets of visual materials make up its core sources: the Miao album, a genre of ethnographic illustration depicting the daily lives of non-Han peoples in late imperial China, and the ethnographic photographs found in popular Republican-era periodicals. It highlights gender ideals within images and develops a set of “visual grammar” of depicting the non-Han. Casting new light on a spectrum of gendered themes, including femininity, masculinity, sexuality, love, body and clothing, the book examines how the power constructed through gender helped to define, order, popularise, celebrate and imagine possessions of empire. | ||
505 | 0 | |a Front Matter -- Copyright Page -- Dedication -- Acknowledgements -- Figures -- The Chinese Imperial Model in the Southwest Borderland: Gender, Visuality and Transitions -- Gender Inversion and the Power of Representation: Imagining and Visualising Ethnic Minority Women’s Masculinity -- Dancing in the Moonlight: Fashioning Sexuality of Non-Han People -- Yiguan Zhuangmao 衣冠狀貌 (Clothes, Hat, and Physical Body): Materialising and Symbolising Human Variations -- Imperial Images? Rethinking Miao Albums and Ethnographic Photography -- Conclusion -- Appendix: Table of Miao Albums with Collection Date and Original Collector -- Back Matter -- Bibliography -- Index. | |
588 | |a Description based on print version record. | ||
650 | 0 | |a Art and society |z China |x History |y 19th century. | |
650 | 0 | |a Art and society |z China |x History |y 20th century. | |
651 | 0 | |a China, Southwest |v In art. | |
776 | |z 90-04-42275-7 | ||
830 | 0 | |a Emotions and states of mind in East Asia ; |v Volume 9. | |
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