Placing poetry / edited by Ian Davidson and Zoë Skoulding.

• Superior document: Spatial practices : an interdisciplinary series in cultural history, geography and literature, 15
• TeilnehmendeR: Davidson, Ian.; Skoulding, Zoë.
• Year of Publication: 2013
• Language: English
• Series: Spatial practices ; 15.
• Physical Description: 1 online resource (323 p.)
• Notes: Description based upon print version of record.
• Other title: Preliminary Material --; Introduction /; Just Looking /; Placing the Poem in Translation /; Taking Place: Deixis, Collaboration and the Gender Politics of the Aesthetic /; Lisa Samuels: Unknown Cities /; Open Field: Reading Field as Place and Poetics /; In/human Place: The Poetry of John Barnie /; The Movements of Yellow-Rumped Thornbills: Twittering Machines /; Lyric Encounters with Other Places: Juliana Spahr’s this connection of everyone with lungs and Robert Minhinnick’s ‘An Isotope Dreaming’ /; Affording Entrance /; Poets as Experimental Geographers: Mark Nowak, Kaia Sand and the Re-composition of Political-Historical Space /; Ethnopoetics and the Performativity of Place: Jerome Rothenberg and ‘That Dada Strain’ /; Zeta Landscape: Poetry, Place, Pastoral /; Index.
• Bibliography: Includes bibliographical references and index.
• ISBN: 9401208859
• ISSN: 1871-689X
• Hierarchical level: Monograph
• Statement of Responsibility: edited by Ian Davidson and Zoë Skoulding.

The essays in this volume present a thorough re-evaluation of the idea of place for the twenty-first century, linking across theoretical interests in space and spatialisation and in motion and mobility. ‘Placing’ becomes an active process that happens in different parts of the world, and there is work here from the countries of the United Kingdom, from Ireland, the USA, Australia and mainland Europe. Placing also happens in different contexts, in the production of visual images, in translation, in performance and in poetry that is both ‘there’ and ‘here’. The range of poets under consideration matches the breadth of the range of the contributors. International in scope, and drawn from a variety of practices and processes, their combination in a single volume leads to unusual connections and new readings of their work.