Performance in Greek and Roman theatre / / edited by George W. M. Harrison, Vayos Liapis.
In recent years, classicists have begun aggressively to explore the impact of performance on the ways in which Greek and Roman plays are constructed and appreciated, both in their original performance context and in reperformances down to the present day. While never losing sight of the playscripts,...
Saved in:
TeilnehmendeR: | |
---|---|
Year of Publication: | 2013 |
Language: | English |
Series: | Mnemosyne, Supplements
353. |
Physical Description: | 1 online resource (601 p.) |
Notes: | Description based upon print version of record. |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
993582080104498 |
---|---|
ctrlnum |
(CKB)2670000000343059 (EBL)1143382 (OCoLC)829926618 (SSID)ssj0000833847 (PQKBManifestationID)11411980 (PQKBTitleCode)TC0000833847 (PQKBWorkID)10936282 (PQKB)11682259 (MiAaPQ)EBC1143382 (OCoLC)830001324 (nllekb)BRILL9789004245457 (PPN)174389264 (EXLCZ)992670000000343059 |
collection |
bib_alma |
record_format |
marc |
spelling |
Performance in Greek and Roman theatre / edited by George W. M. Harrison, Vayos Liapis. Leiden ; Boston : Brill, 2013. 1 online resource (601 p.) text txt computer c online resource cr Mnemosyne. Supplements ; 353 Description based upon print version of record. English Front Matter / George W.M. Harrison and Vayos Liapis -- Making Sense of Ancient Performance / Vayos Liapis , Costas Panayotakis and George W.M. Harrison -- The Misunderstanding of Opsis in Aristotle’s Poetics / G.M. Sifakis -- Propping Up Greek Tragedy: The Right Use of Opsis / David Konstan -- Generalizing about Props: Greek Drama, Comparator Traditions, and the Analysis of Stage Objects / Martin Revermann -- Actors’ Properties in Ancient Greek Drama: An Overview / Rob Tordoff -- Skenographia in Brief / Jocelyn Penny Small -- Aeschylean Opsis / A.J. Podlecki -- Theatricality and Voting in Eumenides: “ΨΗΦΟΝ Δ’ ΟΡΕΣΤΗΙ ΤΗΝΔ’ ΕΓΩ ΠΡΟΣΘΗΣΟΜΑΙ” / Geoffrey W. Bakewell -- Under Athena’s Gaze: Aeschylus’ Eumenides and the Topography of Opsis / Peter Meineck -- Heracles’ Costume from Euripides’ Heracles to Pantomime Performance / Rosie Wyles -- Weapons of Friendship: Props in Sophocles’ Philoctetes and Ajax / Judith Fletcher -- Skēnē, Altar and Image in Euripides’ Iphigenia among the Taurians / Robert C. Ketterer -- Staging Rhesus / Vayos Liapis -- Three Actors in Old Comedy, Again / C.W. Marshall -- ‘The Odeion on His Head’: Costume and Identity in Cratinus’ Thracian Women fr. 73, and Cratinus’ techniques of political satire / Jeffrey S. Rusten -- Rehearsing Aristophanes / Graham Ley -- Haven’t I Seen You before Somewhere? Optical Allusions in Republican Tragedy / Robert Cowan -- Anicius vortit barbare: The Scenic Games of L. Anicius Gallus and the Aesthetics of Greek and Roman Performance / George Fredric Franko -- Otium, Opulentia and Opsis: Setting, Performance and Perception Within the mise-en-scène of the Roman House / Richard Beacham -- Towards a Roman Theory of Theatrical Gesture / Dorota Dutsch -- Lucian’s On Dance and the Poetics of the Pantomime Mask / A.K. Petrides -- Pantomime: Visualising Myth in the Roman Empire / Edith Hall -- Stringed Instruments in Fifth-Century Drama / George A. Kovacs -- Bloody (Stage) Business: Matthias Langhoff’s Sparagmos of Euripides’ Bacchae (1997) / Gonda Van Steen -- From Sculpture to Vase-Painting: Archaeological Models for the Actor / Fiona Macintosh -- Bibliography / George W.M. Harrison and Vayos Liapis -- Indexes / George W.M. Harrison and Vayos Liapis. In recent years, classicists have begun aggressively to explore the impact of performance on the ways in which Greek and Roman plays are constructed and appreciated, both in their original performance context and in reperformances down to the present day. While never losing sight of the playscripts, it is necessary to adopt a more inclusive point of view, one integrating insights from archaeology, art, history, performance theory, theatre semiotics, theatrical praxis, and modern performance reception. This volume contributes to the restoration of a much-needed balance between performance and text: it is devoted to exploring how performance-related considerations (including stage business, masks, costumes, props, performance space, and stage-sets) help us attain an enhanced appreciation of ancient theatre. Description based on print version record. Includes bibliographical references and index. Classical drama History and criticism. Drama Technique. Theater Greece History To 500. Theater Rome History To 500. 90-04-24457-3 Harrison, George William Mallory. Liapis, Vayos. Mnemosyne, Supplements 353. |
language |
English |
format |
eBook |
author2 |
Harrison, George William Mallory. Liapis, Vayos. |
author_facet |
Harrison, George William Mallory. Liapis, Vayos. |
author2_variant |
g w m h gwm gwmh v l vl |
author2_role |
TeilnehmendeR TeilnehmendeR |
author_sort |
Harrison, George William Mallory. |
author_additional |
George W.M. Harrison and Vayos Liapis -- Vayos Liapis , Costas Panayotakis and George W.M. Harrison -- G.M. Sifakis -- David Konstan -- Martin Revermann -- Rob Tordoff -- Jocelyn Penny Small -- A.J. Podlecki -- Geoffrey W. Bakewell -- Peter Meineck -- Rosie Wyles -- Judith Fletcher -- Robert C. Ketterer -- Vayos Liapis -- C.W. Marshall -- Jeffrey S. Rusten -- Graham Ley -- Robert Cowan -- George Fredric Franko -- Richard Beacham -- Dorota Dutsch -- A.K. Petrides -- Edith Hall -- George A. Kovacs -- Gonda Van Steen -- Fiona Macintosh -- George W.M. Harrison and Vayos Liapis. |
title |
Performance in Greek and Roman theatre / |
spellingShingle |
Performance in Greek and Roman theatre / Mnemosyne. Supplements ; Front Matter / Making Sense of Ancient Performance / The Misunderstanding of Opsis in Aristotle’s Poetics / Propping Up Greek Tragedy: The Right Use of Opsis / Generalizing about Props: Greek Drama, Comparator Traditions, and the Analysis of Stage Objects / Actors’ Properties in Ancient Greek Drama: An Overview / Skenographia in Brief / Aeschylean Opsis / Theatricality and Voting in Eumenides: “ΨΗΦΟΝ Δ’ ΟΡΕΣΤΗΙ ΤΗΝΔ’ ΕΓΩ ΠΡΟΣΘΗΣΟΜΑΙ” / Under Athena’s Gaze: Aeschylus’ Eumenides and the Topography of Opsis / Heracles’ Costume from Euripides’ Heracles to Pantomime Performance / Weapons of Friendship: Props in Sophocles’ Philoctetes and Ajax / Skēnē, Altar and Image in Euripides’ Iphigenia among the Taurians / Staging Rhesus / Three Actors in Old Comedy, Again / ‘The Odeion on His Head’: Costume and Identity in Cratinus’ Thracian Women fr. 73, and Cratinus’ techniques of political satire / Rehearsing Aristophanes / Haven’t I Seen You before Somewhere? Optical Allusions in Republican Tragedy / Anicius vortit barbare: The Scenic Games of L. Anicius Gallus and the Aesthetics of Greek and Roman Performance / Otium, Opulentia and Opsis: Setting, Performance and Perception Within the mise-en-scène of the Roman House / Towards a Roman Theory of Theatrical Gesture / Lucian’s On Dance and the Poetics of the Pantomime Mask / Pantomime: Visualising Myth in the Roman Empire / Stringed Instruments in Fifth-Century Drama / Bloody (Stage) Business: Matthias Langhoff’s Sparagmos of Euripides’ Bacchae (1997) / From Sculpture to Vase-Painting: Archaeological Models for the Actor / Bibliography / Indexes / |
title_full |
Performance in Greek and Roman theatre / edited by George W. M. Harrison, Vayos Liapis. |
title_fullStr |
Performance in Greek and Roman theatre / edited by George W. M. Harrison, Vayos Liapis. |
title_full_unstemmed |
Performance in Greek and Roman theatre / edited by George W. M. Harrison, Vayos Liapis. |
title_auth |
Performance in Greek and Roman theatre / |
title_alt |
Front Matter / Making Sense of Ancient Performance / The Misunderstanding of Opsis in Aristotle’s Poetics / Propping Up Greek Tragedy: The Right Use of Opsis / Generalizing about Props: Greek Drama, Comparator Traditions, and the Analysis of Stage Objects / Actors’ Properties in Ancient Greek Drama: An Overview / Skenographia in Brief / Aeschylean Opsis / Theatricality and Voting in Eumenides: “ΨΗΦΟΝ Δ’ ΟΡΕΣΤΗΙ ΤΗΝΔ’ ΕΓΩ ΠΡΟΣΘΗΣΟΜΑΙ” / Under Athena’s Gaze: Aeschylus’ Eumenides and the Topography of Opsis / Heracles’ Costume from Euripides’ Heracles to Pantomime Performance / Weapons of Friendship: Props in Sophocles’ Philoctetes and Ajax / Skēnē, Altar and Image in Euripides’ Iphigenia among the Taurians / Staging Rhesus / Three Actors in Old Comedy, Again / ‘The Odeion on His Head’: Costume and Identity in Cratinus’ Thracian Women fr. 73, and Cratinus’ techniques of political satire / Rehearsing Aristophanes / Haven’t I Seen You before Somewhere? Optical Allusions in Republican Tragedy / Anicius vortit barbare: The Scenic Games of L. Anicius Gallus and the Aesthetics of Greek and Roman Performance / Otium, Opulentia and Opsis: Setting, Performance and Perception Within the mise-en-scène of the Roman House / Towards a Roman Theory of Theatrical Gesture / Lucian’s On Dance and the Poetics of the Pantomime Mask / Pantomime: Visualising Myth in the Roman Empire / Stringed Instruments in Fifth-Century Drama / Bloody (Stage) Business: Matthias Langhoff’s Sparagmos of Euripides’ Bacchae (1997) / From Sculpture to Vase-Painting: Archaeological Models for the Actor / Bibliography / Indexes / |
title_new |
Performance in Greek and Roman theatre / |
title_sort |
performance in greek and roman theatre / |
series |
Mnemosyne. Supplements ; |
series2 |
Mnemosyne. Supplements ; |
publisher |
Brill, |
publishDate |
2013 |
physical |
1 online resource (601 p.) |
contents |
Front Matter / Making Sense of Ancient Performance / The Misunderstanding of Opsis in Aristotle’s Poetics / Propping Up Greek Tragedy: The Right Use of Opsis / Generalizing about Props: Greek Drama, Comparator Traditions, and the Analysis of Stage Objects / Actors’ Properties in Ancient Greek Drama: An Overview / Skenographia in Brief / Aeschylean Opsis / Theatricality and Voting in Eumenides: “ΨΗΦΟΝ Δ’ ΟΡΕΣΤΗΙ ΤΗΝΔ’ ΕΓΩ ΠΡΟΣΘΗΣΟΜΑΙ” / Under Athena’s Gaze: Aeschylus’ Eumenides and the Topography of Opsis / Heracles’ Costume from Euripides’ Heracles to Pantomime Performance / Weapons of Friendship: Props in Sophocles’ Philoctetes and Ajax / Skēnē, Altar and Image in Euripides’ Iphigenia among the Taurians / Staging Rhesus / Three Actors in Old Comedy, Again / ‘The Odeion on His Head’: Costume and Identity in Cratinus’ Thracian Women fr. 73, and Cratinus’ techniques of political satire / Rehearsing Aristophanes / Haven’t I Seen You before Somewhere? Optical Allusions in Republican Tragedy / Anicius vortit barbare: The Scenic Games of L. Anicius Gallus and the Aesthetics of Greek and Roman Performance / Otium, Opulentia and Opsis: Setting, Performance and Perception Within the mise-en-scène of the Roman House / Towards a Roman Theory of Theatrical Gesture / Lucian’s On Dance and the Poetics of the Pantomime Mask / Pantomime: Visualising Myth in the Roman Empire / Stringed Instruments in Fifth-Century Drama / Bloody (Stage) Business: Matthias Langhoff’s Sparagmos of Euripides’ Bacchae (1997) / From Sculpture to Vase-Painting: Archaeological Models for the Actor / Bibliography / Indexes / |
isbn |
90-04-24545-6 90-04-24457-3 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PA - Latin and Greek |
callnumber-label |
PA3201 |
callnumber-sort |
PA 43201 P44 42013 |
geographic_facet |
Greece Rome |
era_facet |
To 500. |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
792 - Stage presentations |
dewey-full |
792.0938 |
dewey-sort |
3792.0938 |
dewey-raw |
792.0938 |
dewey-search |
792.0938 |
oclc_num |
829926618 830001324 |
work_keys_str_mv |
AT harrisongeorgewilliammallory performanceingreekandromantheatre AT liapisvayos performanceingreekandromantheatre |
status_str |
n |
ids_txt_mv |
(CKB)2670000000343059 (EBL)1143382 (OCoLC)829926618 (SSID)ssj0000833847 (PQKBManifestationID)11411980 (PQKBTitleCode)TC0000833847 (PQKBWorkID)10936282 (PQKB)11682259 (MiAaPQ)EBC1143382 (OCoLC)830001324 (OCoLC)829926618 (nllekb)BRILL9789004245457 (PPN)174389264 (EXLCZ)992670000000343059 |
carrierType_str_mv |
cr |
hierarchy_sequence |
353. |
is_hierarchy_title |
Performance in Greek and Roman theatre / |
author2_original_writing_str_mv |
noLinkedField noLinkedField |
_version_ |
1806387765318778880 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01252nam a2200337Ia 4500</leader><controlfield tag="001">993582080104498</controlfield><controlfield tag="005">20200520144314.0</controlfield><controlfield tag="006">m o d | </controlfield><controlfield tag="007">cr -n---------</controlfield><controlfield tag="008">130125s2013 ne ob 001 0 eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">90-04-24545-6</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1163/9789004245457</subfield><subfield code="2">DOI</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CKB)2670000000343059</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(EBL)1143382</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)829926618</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(SSID)ssj0000833847</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(PQKBManifestationID)11411980</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(PQKBTitleCode)TC0000833847</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(PQKBWorkID)10936282</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(PQKB)11682259</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(MiAaPQ)EBC1143382</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)830001324</subfield><subfield code="z">(OCoLC)829926618</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(nllekb)BRILL9789004245457</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(PPN)174389264</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(EXLCZ)992670000000343059</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">MiAaPQ</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">MiAaPQ</subfield><subfield code="d">MiAaPQ</subfield></datafield><datafield tag="041" ind1=" " ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="043" ind1=" " ind2=" "><subfield code="a">e-gr---</subfield><subfield code="a">e------</subfield><subfield code="a">aw-----</subfield><subfield code="a">ff-----</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PA3201</subfield><subfield code="b">.P44 2013</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER</subfield><subfield code="x">011020</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">DSBB</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">LIT</subfield><subfield code="x">011000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">792.0938</subfield><subfield code="2">23</subfield></datafield><datafield tag="245" ind1="0" ind2="0"><subfield code="a">Performance in Greek and Roman theatre /</subfield><subfield code="c">edited by George W. M. Harrison, Vayos Liapis.</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="a">Leiden ;</subfield><subfield code="a">Boston :</subfield><subfield code="b">Brill,</subfield><subfield code="c">2013.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (601 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Mnemosyne. Supplements ;</subfield><subfield code="v">353</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based upon print version of record.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">English</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Front Matter /</subfield><subfield code="r">George W.M. Harrison and Vayos Liapis -- </subfield><subfield code="t">Making Sense of Ancient Performance /</subfield><subfield code="r">Vayos Liapis , Costas Panayotakis and George W.M. Harrison -- </subfield><subfield code="t">The Misunderstanding of Opsis in Aristotle’s Poetics /</subfield><subfield code="r">G.M. Sifakis -- </subfield><subfield code="t">Propping Up Greek Tragedy: The Right Use of Opsis /</subfield><subfield code="r">David Konstan -- </subfield><subfield code="t">Generalizing about Props: Greek Drama, Comparator Traditions, and the Analysis of Stage Objects /</subfield><subfield code="r">Martin Revermann -- </subfield><subfield code="t">Actors’ Properties in Ancient Greek Drama: An Overview /</subfield><subfield code="r">Rob Tordoff -- </subfield><subfield code="t">Skenographia in Brief /</subfield><subfield code="r">Jocelyn Penny Small -- </subfield><subfield code="t">Aeschylean Opsis /</subfield><subfield code="r">A.J. Podlecki -- </subfield><subfield code="t">Theatricality and Voting in Eumenides: “ΨΗΦΟΝ Δ’ ΟΡΕΣΤΗΙ ΤΗΝΔ’ ΕΓΩ ΠΡΟΣΘΗΣΟΜΑΙ” /</subfield><subfield code="r">Geoffrey W. Bakewell -- </subfield><subfield code="t">Under Athena’s Gaze: Aeschylus’ Eumenides and the Topography of Opsis /</subfield><subfield code="r">Peter Meineck -- </subfield><subfield code="t">Heracles’ Costume from Euripides’ Heracles to Pantomime Performance /</subfield><subfield code="r">Rosie Wyles -- </subfield><subfield code="t">Weapons of Friendship: Props in Sophocles’ Philoctetes and Ajax /</subfield><subfield code="r">Judith Fletcher -- </subfield><subfield code="t">Skēnē, Altar and Image in Euripides’ Iphigenia among the Taurians /</subfield><subfield code="r">Robert C. Ketterer -- </subfield><subfield code="t">Staging Rhesus /</subfield><subfield code="r">Vayos Liapis -- </subfield><subfield code="t">Three Actors in Old Comedy, Again /</subfield><subfield code="r">C.W. Marshall -- </subfield><subfield code="t">‘The Odeion on His Head’: Costume and Identity in Cratinus’ Thracian Women fr. 73, and Cratinus’ techniques of political satire /</subfield><subfield code="r">Jeffrey S. Rusten -- </subfield><subfield code="t">Rehearsing Aristophanes /</subfield><subfield code="r">Graham Ley -- </subfield><subfield code="t">Haven’t I Seen You before Somewhere? Optical Allusions in Republican Tragedy /</subfield><subfield code="r">Robert Cowan -- </subfield><subfield code="t">Anicius vortit barbare: The Scenic Games of L. Anicius Gallus and the Aesthetics of Greek and Roman Performance /</subfield><subfield code="r">George Fredric Franko -- </subfield><subfield code="t">Otium, Opulentia and Opsis: Setting, Performance and Perception Within the mise-en-scène of the Roman House /</subfield><subfield code="r">Richard Beacham -- </subfield><subfield code="t">Towards a Roman Theory of Theatrical Gesture /</subfield><subfield code="r">Dorota Dutsch -- </subfield><subfield code="t">Lucian’s On Dance and the Poetics of the Pantomime Mask /</subfield><subfield code="r">A.K. Petrides -- </subfield><subfield code="t">Pantomime: Visualising Myth in the Roman Empire /</subfield><subfield code="r">Edith Hall -- </subfield><subfield code="t">Stringed Instruments in Fifth-Century Drama /</subfield><subfield code="r">George A. Kovacs -- </subfield><subfield code="t">Bloody (Stage) Business: Matthias Langhoff’s Sparagmos of Euripides’ Bacchae (1997) /</subfield><subfield code="r">Gonda Van Steen -- </subfield><subfield code="t">From Sculpture to Vase-Painting: Archaeological Models for the Actor /</subfield><subfield code="r">Fiona Macintosh -- </subfield><subfield code="t">Bibliography /</subfield><subfield code="r">George W.M. Harrison and Vayos Liapis -- </subfield><subfield code="t">Indexes /</subfield><subfield code="r">George W.M. Harrison and Vayos Liapis.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In recent years, classicists have begun aggressively to explore the impact of performance on the ways in which Greek and Roman plays are constructed and appreciated, both in their original performance context and in reperformances down to the present day. While never losing sight of the playscripts, it is necessary to adopt a more inclusive point of view, one integrating insights from archaeology, art, history, performance theory, theatre semiotics, theatrical praxis, and modern performance reception. This volume contributes to the restoration of a much-needed balance between performance and text: it is devoted to exploring how performance-related considerations (including stage business, masks, costumes, props, performance space, and stage-sets) help us attain an enhanced appreciation of ancient theatre.</subfield></datafield><datafield tag="588" ind1=" " ind2=" "><subfield code="a">Description based on print version record.</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Classical drama</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Drama</subfield><subfield code="x">Technique.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Theater</subfield><subfield code="z">Greece</subfield><subfield code="x">History</subfield><subfield code="y">To 500.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Theater</subfield><subfield code="z">Rome</subfield><subfield code="x">History</subfield><subfield code="y">To 500.</subfield></datafield><datafield tag="776" ind1=" " ind2=" "><subfield code="z">90-04-24457-3</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Harrison, George William Mallory.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Liapis, Vayos.</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Mnemosyne, Supplements</subfield><subfield code="v">353.</subfield></datafield><datafield tag="906" ind1=" " ind2=" "><subfield code="a">BOOK</subfield></datafield><datafield tag="ADM" ind1=" " ind2=" "><subfield code="b">2024-08-03 14:08:04 Europe/Vienna</subfield><subfield code="f">system</subfield><subfield code="c">marc21</subfield><subfield code="a">2013-04-27 20:26:29 Europe/Vienna</subfield><subfield code="g">false</subfield></datafield><datafield tag="AVE" ind1=" " ind2=" "><subfield code="i">Brill</subfield><subfield code="P">EBA Brill All</subfield><subfield code="x">https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&portfolio_pid=5343218640004498&Force_direct=true</subfield><subfield code="Z">5343218640004498</subfield><subfield code="b">Available</subfield><subfield code="8">5343218640004498</subfield></datafield></record></collection> |