Ford Madox Ford's the good soldier / / edited by Rossitsa Terzieva-Artemis.
For the centenary of Ford Madox Ford’s The Good Soldier (1915), this volume originally re-examines some well-known issues surrounding the text and its “mad about writing” author: the Conrad-Ford friendship and literary collaboration; Modernist agenda(s) and Impressionist techniques; genre innovation...
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Superior document: | Dialogue, Volume 21 |
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TeilnehmendeR: | |
Place / Publishing House: | Leiden, The Netherlands ;, Boston, [Massachusetts] : : Brill Rodopi,, 2018. ©2018 |
Year of Publication: | 2018 |
Language: | English |
Series: | Guft va gū ;
Volume 21. |
Physical Description: | 1 online resource (243 pages). |
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Table of Contents:
- Front Matter
- Contents
- Introduction / Rossitsa Terzieva-Artemis
- The Good Soldier: Tragic, Comic, Ironic / Joseph Wiesenfarth
- Tory-Papists and Ford’s The Good Soldier / Timothy Sutton
- The Definition of Modernity in The Good Soldier / Edward Lobb
- The Silences of Modernism in The Good Soldier / Dean Bowers
- A Tale of Two Babies – One Dead, the Other Powerless to Be Born: Ambivalent Beginnings in Ford Madox Ford’s The Good Soldier / Aimee L. Pozorski
- The Motive for Metaphor: The Words of a Sentimentalist in The Good Soldier / J. Fitzpatrick Smith
- Rewriting Trauma: A Study of Ford Madox Ford’s The Good Soldier as Modernist Chronicle / Asunción López-Varela Azcárate
- “Nearly as Bright as in Provençe!”: An Episode of Dowell’s Narrative Passion / Lucie Boukalova
- Not Just Another Perplexity / Gabrielle Moyer
- “Like Chasing a Scrap of Paper”: Hysterical Detection in The Good Soldier / Allan Pero
- “Of the Question of the Sex-Instinct I Know Very Little”: The Good Soldier and the Discourse of Indecency / Chris Forster
- “A Family Romance”: Oedipal Melancholia and Masochism in The Good Soldier / Marc Ouellette.