Ford Madox Ford's the good soldier / / edited by Rossitsa Terzieva-Artemis.

For the centenary of Ford Madox Ford’s The Good Soldier (1915), this volume originally re-examines some well-known issues surrounding the text and its “mad about writing” author: the Conrad-Ford friendship and literary collaboration; Modernist agenda(s) and Impressionist techniques; genre innovation...

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Bibliographic Details
Superior document:Dialogue, Volume 21
TeilnehmendeR:
Place / Publishing House:Leiden, The Netherlands ;, Boston, [Massachusetts] : : Brill Rodopi,, 2018.
©2018
Year of Publication:2018
Language:English
Series:Guft va gū ; Volume 21.
Physical Description:1 online resource (243 pages).
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Table of Contents:
  • Front Matter
  • Contents
  • Introduction / Rossitsa Terzieva-Artemis
  • The Good Soldier: Tragic, Comic, Ironic / Joseph Wiesenfarth
  • Tory-Papists and Ford’s The Good Soldier / Timothy Sutton
  • The Definition of Modernity in The Good Soldier / Edward Lobb
  • The Silences of Modernism in The Good Soldier / Dean Bowers
  • A Tale of Two Babies – One Dead, the Other Powerless to Be Born: Ambivalent Beginnings in Ford Madox Ford’s The Good Soldier / Aimee L. Pozorski
  • The Motive for Metaphor: The Words of a Sentimentalist in The Good Soldier / J. Fitzpatrick Smith
  • Rewriting Trauma: A Study of Ford Madox Ford’s The Good Soldier as Modernist Chronicle / Asunción López-Varela Azcárate
  • “Nearly as Bright as in Provençe!”: An Episode of Dowell’s Narrative Passion / Lucie Boukalova
  • Not Just Another Perplexity / Gabrielle Moyer
  • “Like Chasing a Scrap of Paper”: Hysterical Detection in The Good Soldier / Allan Pero
  • “Of the Question of the Sex-Instinct I Know Very Little”: The Good Soldier and the Discourse of Indecency / Chris Forster
  • “A Family Romance”: Oedipal Melancholia and Masochism in The Good Soldier / Marc Ouellette.