Modernism today / / edited by Sjef Houppermans [and three others] ; Jan Baetens [and seventeen others], contributors.

This book manifests at least four recent shifts and tendencies within Modernist studies in general that point at the expansion of this increasingly interdisciplinary field. First, Modernist studies has seen a temporal expansion, to the extent that scholars in the field have come to turn to both the...

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Superior document:Textxet ; 72
TeilnehmendeR:
Place / Publishing House:Amsterdam, Netherlands ;, New York : : Rodopi,, 2013.
©2013
Year of Publication:2013
Edition:1st ed.
Language:English
Series:Text (Rodopi (Firm)) ; 72.
Physical Description:1 online resource (282 p.)
Notes:Includes index.
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245 0 0 |a Modernism today /  |c edited by Sjef Houppermans [and three others] ; Jan Baetens [and seventeen others], contributors. 
250 |a 1st ed. 
264 1 |a Amsterdam, Netherlands ;  |a New York :  |b Rodopi,  |c 2013. 
264 4 |c ©2013 
300 |a 1 online resource (282 p.) 
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490 1 |a Textxet ;  |v 72 
546 |a English 
505 0 0 |t Preliminary Material --  |t WHAT MODERNISM WAS AND IS: BY WAY OF AN INTRODUCTION /  |r Sascha Sascha and Dirk de Geest --  |t TOWARDS MODERNISM /  |r Hans Bertens --  |t “THE WORLD IS A FINE ADVENTUROUS PLACE”: GRAHAM GREENE IN THE 1930's /  |r Peter Liebregts --  |t SORTIES OR ENTRENCHMENT: ROUSSEL, CREVEL AND ARAGON BETWEEN AVANT-GARDE AND ARRIǑE-GARDE /  |r Sjef Houppermans --  |t INTELLECTUAL SCEPTICISM VERSUS AVANT-GARDE BRAGGING: MODERNISM IN DUTCH LITERATURE /  |r Jacqueline Bel --  |t “THE FINAL CATHOLIC”: PAUL VAN OSTAIJEN, AND THE CATHOLIC RȖEIL AROUND THE FIRST WORLD WAR /  |r Geert Buelens --  |t ARRIǑE-GARDE PERSPECTIVES ON THE HISTORY OF MODERN LITERATURE: THE CASE OF THE NETHERLANDS (1880-1940) /  |r Koen Rymenants , Tom Sintobin and Pieter Verstraeten --  |t HOW MODERNISM DISAPPEARED FROM FEDOR GLADKOV’S CEMENT BETWEEN 1924 AND 1958 /  |r Arthur Langeveld --  |t BIOCOSMISM AND THE RUSSIAN AVANT-GARDE: A LITERARY CUL-DE-SAC OR THE ROAD TO IMMORTALITY? /  |r Otto Boele --  |t TEN TIMES PESSOA /  |r Paulo de Medeiros --  |t MODERNISM IN GREEK LITERATURE (1910-1940) /  |r Hero Hokwerda --  |t FUN HOME: ITHACA, PENNSYLVANIA /  |r Jan Baetens --  |t A MODERNIST “ATTEMPT AT CINEMA”: THE “IMPURITY” OF PIERROT LE FOU /  |r Peter Verstraten --  |t MODERNISM AND THE ART OF PRINTING: TRANSITION AND CAROLUS VERHULST /  |r Peter de Voogd --  |t THE (POST)MODERN MUSIC OF EDGARD VARǓE /  |r Marcel Cobussen --  |t NOTES ON CONTRIBUTORS --  |t INDEX. 
520 |a This book manifests at least four recent shifts and tendencies within Modernist studies in general that point at the expansion of this increasingly interdisciplinary field. First, Modernist studies has seen a temporal expansion, to the extent that scholars in the field have come to turn to both the pre- and posterior history of Modernism. Second, the field has witnessed a spatial expansion, in that increasingly so researchers have also come to scrutinize the Modernisms of regions at the fringes of Europe, and beyond. Thirdly, a vertical expansion too has marked Modernist studies in recent decades, not only by further expanding the canon of women writers and exploring the continuum between high- and lowbrow, but also by looking at the artistic and mediatized hierarchies and cross-fertilizations operative in the period. A fourth conceptual expansion of the field shows that whereas concepts such as “middlebrow”, “arrière-garde”, and to some extent even “avant-garde”, were once exotic notions of at best marginal importance in European Modernist studies, they now form part and parcel of the field, complicating and expanding it conceptually. 
500 |a Includes index. 
588 |a Description based on online resource; title from PDF title page (ebrary, viewed January 28, 2014). 
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700 1 |a Baetens, Jan. 
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