BLAST At 100 : : a modernist magazine reconsidered / / edited by Philip Coleman, Kathryn Milligan, Nathan O'Donnell.
BLAST at 100 makes an original contribution to the understanding of a major modernist magazine. Providing new critical readings that consider the magazine’s influence within contexts that have not been acknowledged before – in the development of Irish and Spanish literature and culture in the twenti...
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Superior document: | Literary Modernism, Volume 3 |
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TeilnehmendeR: | |
Place / Publishing House: | Leiden, The Netherlands ;, Boston, [Massachusetts] : : Brill,, 2017. ©2017 |
Year of Publication: | 2017 |
Language: | English |
Series: | Literary modernism (Leiden) ;
Volume 3. |
Physical Description: | 1 online resource (258 pages) :; illustrations. |
Notes: | Includes index. |
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Table of Contents:
- Introduction: “Storm from the North” / Nathan O’Donnell and Philip Coleman
- Textual and Contextual Re-Readings
- “With Expletive of Whirlwind”: BLAST Then and Now / Andrzej Gąsiorek
- Soillure, Bomb Blasts, and Volcanic Chaos: Reading the Poetry of BLAST / Alex Runchman
- “Am I a Vorticist ?”: Re-Reading Rebecca West’s “Indissoluble Matrimony” and BLAST / Kathryn Laing
- BLAST and the Canon: Exploring Wyndham Lewis’s “A Review of Contemporary Art” / Kathryn Milligan
- BLAST and Ireland
- “Our More Profound Pre-Raphaelitism”: W.B. Yeats, Aestheticism, and BLAST / Tom Walker
- “Springs of Creation”: BLAST and Irish Art / Nathan O’Donnell
- Visualizing To-morrow: An Irish Modernist Periodical / Angela Griffith
- Enemy of the Stars Reconsidered
- Beyond Nietzsche: Savage Worship in Enemy of the Stars / Christopher Lewis
- Enemy of the Stars in Performance / Nicholas E. Johnson and Colm Summers
- Critical and Creative Legacies
- Lewis-Pound-McLuhan, BLAST and COUNTERBLAST: Connections, Comparisons, and Some Personal Reflections / J.C.C. Mays
- Recreating BLAST in Spanish: Composition, Editing, Translation, and Annotation / Yolanda Morató
- BLAST in the Classroom / Philip Coleman
- Afterword: The Collective Work in the Critical Mode / Simon Cutts.