Powers of the real : : cinema, gender, and emotion in interwar Japan /

Powers of the real : : cinema, gender, and emotion in interwar Japan / / Diane Wei Lewis.

"Examines the rise of cinema as a mass medium in Japan after the Great Kanto Earthquake, connecting the disaster to the new salience of emotion in public discourse, popular culture, and film and tracing how new forms of intimacy and emotion shaped by mass media became a major focus of cinematic...

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VerfasserIn:
Lewis, Diane Wei, 1979-
Place / Publishing House:Cambridge, Massachusetts : : Harvard University Asia Center,, [2019]
©2019
Year of Publication:2019
Edition:1st ed.
Language:English
Series:Harvard East Asian monographs ; 424.
Physical Description:1 online resource
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spelling Lewis, Diane Wei, 1979- author.
Powers of the real : cinema, gender, and emotion in interwar Japan / Diane Wei Lewis.
1st ed.
Cambridge, Massachusetts : Harvard University Asia Center, [2019]
©2019
1 online resource
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
Harvard East Asian monographs ; 424
"Examines the rise of cinema as a mass medium in Japan after the Great Kanto Earthquake, connecting the disaster to the new salience of emotion in public discourse, popular culture, and film and tracing how new forms of intimacy and emotion shaped by mass media became a major focus of cinematic discourse in the 1920s"--Provided by publisher.
Part I. Backgrounds: the Great Kanto Earthquake and mass media: Great Kanto Earthquake documentary films and the state -- The testimony of the body: Nikkatsu's earthquake melodrama films -- "Realism" and modernity -- Part II. The power of cinema: identification and emotion: Desire and identification: the aspiring actress problem -- Intimacy and alienation: Murayama Tomoyoshi, modern media celebrity, and film -- Expressive excess: gendered bodies and proletarian texts.
Includes bibliographical references and index.
Description based on print version record.
Emotions in motion pictures.
Kanto Earthquake, Japan, 1923, in motion pictures.
Sex differences in mass media.
Motion pictures Japan History 20th century.
Japan Civilization 1926-1945.
Japan Civilization 1912-1926.
0-674-24115-0
ebrary
Harvard East Asian monographs ; 424.
language English
format eBook
author Lewis, Diane Wei, 1979-
spellingShingle Lewis, Diane Wei, 1979-
Powers of the real : cinema, gender, and emotion in interwar Japan /
Harvard East Asian monographs ;
Part I. Backgrounds: the Great Kanto Earthquake and mass media: Great Kanto Earthquake documentary films and the state -- The testimony of the body: Nikkatsu's earthquake melodrama films -- "Realism" and modernity -- Part II. The power of cinema: identification and emotion: Desire and identification: the aspiring actress problem -- Intimacy and alienation: Murayama Tomoyoshi, modern media celebrity, and film -- Expressive excess: gendered bodies and proletarian texts.
author_facet Lewis, Diane Wei, 1979-
author_variant d w l dw dwl
author_role VerfasserIn
author_sort Lewis, Diane Wei, 1979-
title Powers of the real : cinema, gender, and emotion in interwar Japan /
title_sub cinema, gender, and emotion in interwar Japan /
title_full Powers of the real : cinema, gender, and emotion in interwar Japan / Diane Wei Lewis.
title_fullStr Powers of the real : cinema, gender, and emotion in interwar Japan / Diane Wei Lewis.
title_full_unstemmed Powers of the real : cinema, gender, and emotion in interwar Japan / Diane Wei Lewis.
title_auth Powers of the real : cinema, gender, and emotion in interwar Japan /
title_new Powers of the real :
title_sort powers of the real : cinema, gender, and emotion in interwar japan /
series Harvard East Asian monographs ;
series2 Harvard East Asian monographs ;
publisher Harvard University Asia Center,
publishDate 2019
physical 1 online resource
edition 1st ed.
contents Part I. Backgrounds: the Great Kanto Earthquake and mass media: Great Kanto Earthquake documentary films and the state -- The testimony of the body: Nikkatsu's earthquake melodrama films -- "Realism" and modernity -- Part II. The power of cinema: identification and emotion: Desire and identification: the aspiring actress problem -- Intimacy and alienation: Murayama Tomoyoshi, modern media celebrity, and film -- Expressive excess: gendered bodies and proletarian texts.
isbn 1-68417-604-2
0-674-24115-0
callnumber-first P - Language and Literature
callnumber-subject PN - General Literature
callnumber-label PN1993
callnumber-sort PN 41993.5 J3 L495 42019
geographic Japan Civilization 1926-1945.
Japan Civilization 1912-1926.
geographic_facet Japan
era_facet 20th century.
1926-1945.
1912-1926.
illustrated Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 790 - Sports, games & entertainment
dewey-ones 791 - Public performances
dewey-full 791.430952
dewey-sort 3791.430952
dewey-raw 791.430952
dewey-search 791.430952
oclc_num 1127308546
work_keys_str_mv AT lewisdianewei powersoftherealcinemagenderandemotionininterwarjapan
status_str c
ids_txt_mv (CKB)4100000009830714
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carrierType_str_mv cr
hierarchy_sequence 424.
is_hierarchy_title Powers of the real : cinema, gender, and emotion in interwar Japan /
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