Applied arts in British exile from 1933 : : changing visual and material culture / / edited by Marian Malet [and 3 others].

• TeilnehmendeR: Malet, Marian,
• Place / Publishing House: Leiden ;, Boston : : Brill Rodopi,, [2019]
• Year of Publication: 2019
• Edition: 1st ed.
• Language: English
• Series: Yearbook of the Research Centre for German and Austrian Exile Studies 19.
• Physical Description: 1 online resource (269 pages).
• Other title: Front Matter --; Copyright Page --; Dedication --; Acknowledgments --; List of Illustrations --; Notes on Contributors --; Introduction 1 /; 1 New Homes in a Foreign Country. Bauen und Wohnen im britischen Exil der 1930er Jahre 6 /; 2 Peter Moro and the Men from Mars 27 /; 3 Women Exile Photographers 49 /; 4 “Quite content to be called a good craftsman” – an Exploration of some of Wolf Suschitzky’s Extensive Contributions to the Field of Applied Photography between 1935 and 1955 67 /; 5 Navigating Wolf Suschitzky’s Charing Cross Road 93 /; 6 „It is the spaces between the notes that give the sound“. Von Hamburg, über London, New York nach Australien: Der Fotograf Francis Reiss 107 /; 7 Drawing for Radio Times: the Contribution of Émigré Artists 132 /; 8 “The Craftsman’s Sympathy”: Bernhard Baer, Ganymed and Oskar Kokoschka’s King Lear 150 /; 9 Typographers in Exile 176 /; 10 Making Animation Matter: Peter Sachs Comes to Britain 191 /; 11 Textile in Exile: Refugee Textile Surface Designers in Britain 212 /; 12 “The Man from the Bauhaus”: the Lost Career of Werner ‘Jacky’ Jackson 229 /; Back Matter --; Index.
• Bibliography: Includes bibliographical references and index.
• ISBN: 9004395105
• ISSN: 1388-3720
• Hierarchical level: Monograph
• Statement of Responsibility: edited by Marian Malet [and 3 others].

Yearbook Volume 19 continues an investigation which began with Arts in Exile in Britain 1933-45 (Volume 6, 2004). Twelve chapters, ten in English and two in German, address and analyse the significant contribution of émigrés across the applied arts, embracing mainstream practices such as photography, architecture, advertising, graphics, printing, textiles and illustration, alongside less well known fields of animation, typography and puppetry. New research adds to narratives surrounding familiar émigré names such as Oskar Kokoschka and Wolf Suschitzky, while revealing previously hidden contributions from lesser known practitioners. Overall, the volume provides a valuable addition to the understanding of the applied arts in Britain from the 1930s onwards, particularly highlighting difficulties faced by refugees attempting to continue fractured careers in a new homeland. Contributors are: Rachel Dickson, Burcu Dogramaci, Deirdre Fernand, Fran Lloyd, David Low, John March, Sarah MacDougall, Anna Nyburg, Pauline Paucker, Ines Schlenker, Wilfried Weinke, and Julia Winckler.