Rites of passage in postcolonial women's writing / / edited by Pauline Dodgson-Katiyo and Gina Wisker.
This volume brings a variety of new approaches and contexts to modern and contemporary women’s writing. Contributors include both new and well-established scholars from Europe, Australia, the USA, and the Caribbean. Their essays draw on, adapt, and challenge anthropological perspectives on rites of...
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Place / Publishing House: | Amsterdam ;, New York : : Rodopi,, 2010. |
Year of Publication: | 2010 |
Language: | English |
Series: | Cross/cultures,
123 Cross/Cultures 123. |
Physical Description: | xvi, 307 p. |
Notes: | Bibliographic Level Mode of Issuance: Monograph |
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Rites of passage in postcolonial women's writing / edited by Pauline Dodgson-Katiyo and Gina Wisker. Amsterdam ; New York : Rodopi, 2010. xvi, 307 p. text txt computer c online resource cr Cross/cultures, 0924-1426 ; 123 Bibliographic Level Mode of Issuance: Monograph English Includes bibliographical references. This volume brings a variety of new approaches and contexts to modern and contemporary women’s writing. Contributors include both new and well-established scholars from Europe, Australia, the USA, and the Caribbean. Their essays draw on, adapt, and challenge anthropological perspectives on rites of passage derived from the work of Arnold van Gennep and Victor Turner. Collectively, the essays suggest that women’s writing and women’s experiences from diverse cultures go beyond any straightforward notion of a threefold structure of separation, transition, and incorporation. Some essays include discussion of traditional rites of passage such as birth, motherhood, marriage, death, and bereavement; others are interested in exploring less traditional, more fluid, and/or problematic rites such as abortion, living with HIV/AIDS, and coming into political consciousness. Contributors seek ways of linking writing on rites of passage to feminist, postcolonial, and psychoanalytic theories which foreground margins, borders, and the outsider. The three opening essays explore the work of the Zimbabwean writer Yvonne Vera, whose groundbreaking work explored taboo subjects such as infanticide and incest. A wide range of other essays focus on writers from Africa, the Americas, Asia, Australia, and Europe, including Jean Rhys, Bharati Mukherjee, Arundhati Roy, Jean Arasanayagam, Victoria Nalani Kneubuhl, and Eva Sallis. Rites of Passage in Postcolonial Women’s Writing will be of interest to scholars working in the fields of postcolonial and modern and contemporary women’s writing, and to students on literature and women’s studies courses who want to study women’s writing from a cross-cultural perspective and from different theoretical positions. Contributors: Lizzy Attree, Lopamudra Basu, Katrin Berndt, Gay Breyley, Helen Cousins, Tanya Dalziell, Alexandra Dumitrescu, Anna Gething, Jessica Gildersleeve, Sharanya Jayawickrama, Kimberley M. Jew, Polina Mackay, Alexandra W. Schultheis, Rachel Slater, Irene Visser. Preliminary Material -- A State of Transition: Connotations of Pregnancy in Yvonne Vera’s Without a Name and Butterfly Burning / Katrin Berndt -- Nothing Like Motherhood: Barrenness, Abortion, and Infanticide in Yvonne Vera’s Fiction / Helen Cousins -- Mourning and the Angel of History in Yvonne Vera’s The Stone Virgins / Alexandra W. Schultheis -- Women Writing AIDS in South Africa and Zimbabwe / Lizzy Attree -- Reclaiming Ritual: Feminist and Postcolonial Perspectives in Two Plays by Victoria Nalani Kneubuhl / Kimberly M. Jew -- “There are no harmless ways to remake oneself”: Re-Invention of Self in Bharati Mukherjee / Polina Mackay -- Mourning and Motherhood: Transforming Loss in Representations of Adivasi Mothers in Mahasweta Devi’s Short Stories / Lopamudra Basu -- Intimations of Metamodernism: Innocence and Experience in Arundhati Roy’s The God of Small Things / Alexandra Dumitrescu -- “No one knows that I have magic / In my brain”: Jean Arasanayagam’s Writing and Re-writing as Rites of Passage / Sharanya Jayawickrama -- “A Ticket to Nowhere”: Coming-of-Age in Two Twentieth-Century Indigenous Australian Memoirs / Gay Breyley -- Transitions: Rites of Passage as Border Crossings in Contemporary Australian Women’s Fiction / Rachel Slater -- Fate, Femininity and Mourning in Jean Rhys’s Good Morning, Midnight / Jessica Gildersleeve -- Coming-of-Age, Coming to Mourning: Purple Hibiscus, Lucy, and Nervous Conditions / Tanya Dalziell -- Menstrual Metamorphosis and the “foreign country of femaleness”: Kate Grenville and Jamaica Kincaid / Anna Gething -- Words Against Death: Rites of Passage in Ana Castillo’s So Far From God and Patricia Grace’s Baby No-Eyes / Irene Visser -- Notes on Contributors. Literature Women authors History and criticism. Literature, Modern 20th century History and criticism. Postcolonialism in literature. Literature, Modern. fast Literature Women authors. fast Postcolonialism in literature. fast Criticism, interpretation, etc. fast 1900-1999 fast 90-420-2935-8 Dodgson-Katiyo, Pauline. Wisker, Gina, 1951- Cross/Cultures 123. |
language |
English |
format |
eBook |
author2 |
Dodgson-Katiyo, Pauline. Wisker, Gina, 1951- |
author_facet |
Dodgson-Katiyo, Pauline. Wisker, Gina, 1951- |
author2_variant |
p d k pdk g w gw |
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TeilnehmendeR TeilnehmendeR |
author_sort |
Dodgson-Katiyo, Pauline. |
author_additional |
Katrin Berndt -- Helen Cousins -- Alexandra W. Schultheis -- Lizzy Attree -- Kimberly M. Jew -- Polina Mackay -- Lopamudra Basu -- Alexandra Dumitrescu -- Sharanya Jayawickrama -- Gay Breyley -- Rachel Slater -- Jessica Gildersleeve -- Tanya Dalziell -- Anna Gething -- Irene Visser -- |
title |
Rites of passage in postcolonial women's writing / |
spellingShingle |
Rites of passage in postcolonial women's writing / Cross/cultures, Preliminary Material -- A State of Transition: Connotations of Pregnancy in Yvonne Vera’s Without a Name and Butterfly Burning / Nothing Like Motherhood: Barrenness, Abortion, and Infanticide in Yvonne Vera’s Fiction / Mourning and the Angel of History in Yvonne Vera’s The Stone Virgins / Women Writing AIDS in South Africa and Zimbabwe / Reclaiming Ritual: Feminist and Postcolonial Perspectives in Two Plays by Victoria Nalani Kneubuhl / “There are no harmless ways to remake oneself”: Re-Invention of Self in Bharati Mukherjee / Mourning and Motherhood: Transforming Loss in Representations of Adivasi Mothers in Mahasweta Devi’s Short Stories / Intimations of Metamodernism: Innocence and Experience in Arundhati Roy’s The God of Small Things / “No one knows that I have magic / In my brain”: Jean Arasanayagam’s Writing and Re-writing as Rites of Passage / “A Ticket to Nowhere”: Coming-of-Age in Two Twentieth-Century Indigenous Australian Memoirs / Transitions: Rites of Passage as Border Crossings in Contemporary Australian Women’s Fiction / Fate, Femininity and Mourning in Jean Rhys’s Good Morning, Midnight / Coming-of-Age, Coming to Mourning: Purple Hibiscus, Lucy, and Nervous Conditions / Menstrual Metamorphosis and the “foreign country of femaleness”: Kate Grenville and Jamaica Kincaid / Words Against Death: Rites of Passage in Ana Castillo’s So Far From God and Patricia Grace’s Baby No-Eyes / Notes on Contributors. |
title_full |
Rites of passage in postcolonial women's writing / edited by Pauline Dodgson-Katiyo and Gina Wisker. |
title_fullStr |
Rites of passage in postcolonial women's writing / edited by Pauline Dodgson-Katiyo and Gina Wisker. |
title_full_unstemmed |
Rites of passage in postcolonial women's writing / edited by Pauline Dodgson-Katiyo and Gina Wisker. |
title_auth |
Rites of passage in postcolonial women's writing / |
title_alt |
Preliminary Material -- A State of Transition: Connotations of Pregnancy in Yvonne Vera’s Without a Name and Butterfly Burning / Nothing Like Motherhood: Barrenness, Abortion, and Infanticide in Yvonne Vera’s Fiction / Mourning and the Angel of History in Yvonne Vera’s The Stone Virgins / Women Writing AIDS in South Africa and Zimbabwe / Reclaiming Ritual: Feminist and Postcolonial Perspectives in Two Plays by Victoria Nalani Kneubuhl / “There are no harmless ways to remake oneself”: Re-Invention of Self in Bharati Mukherjee / Mourning and Motherhood: Transforming Loss in Representations of Adivasi Mothers in Mahasweta Devi’s Short Stories / Intimations of Metamodernism: Innocence and Experience in Arundhati Roy’s The God of Small Things / “No one knows that I have magic / In my brain”: Jean Arasanayagam’s Writing and Re-writing as Rites of Passage / “A Ticket to Nowhere”: Coming-of-Age in Two Twentieth-Century Indigenous Australian Memoirs / Transitions: Rites of Passage as Border Crossings in Contemporary Australian Women’s Fiction / Fate, Femininity and Mourning in Jean Rhys’s Good Morning, Midnight / Coming-of-Age, Coming to Mourning: Purple Hibiscus, Lucy, and Nervous Conditions / Menstrual Metamorphosis and the “foreign country of femaleness”: Kate Grenville and Jamaica Kincaid / Words Against Death: Rites of Passage in Ana Castillo’s So Far From God and Patricia Grace’s Baby No-Eyes / Notes on Contributors. |
title_new |
Rites of passage in postcolonial women's writing / |
title_sort |
rites of passage in postcolonial women's writing / |
series |
Cross/cultures, |
series2 |
Cross/cultures, |
publisher |
Rodopi, |
publishDate |
2010 |
physical |
xvi, 307 p. |
contents |
Preliminary Material -- A State of Transition: Connotations of Pregnancy in Yvonne Vera’s Without a Name and Butterfly Burning / Nothing Like Motherhood: Barrenness, Abortion, and Infanticide in Yvonne Vera’s Fiction / Mourning and the Angel of History in Yvonne Vera’s The Stone Virgins / Women Writing AIDS in South Africa and Zimbabwe / Reclaiming Ritual: Feminist and Postcolonial Perspectives in Two Plays by Victoria Nalani Kneubuhl / “There are no harmless ways to remake oneself”: Re-Invention of Self in Bharati Mukherjee / Mourning and Motherhood: Transforming Loss in Representations of Adivasi Mothers in Mahasweta Devi’s Short Stories / Intimations of Metamodernism: Innocence and Experience in Arundhati Roy’s The God of Small Things / “No one knows that I have magic / In my brain”: Jean Arasanayagam’s Writing and Re-writing as Rites of Passage / “A Ticket to Nowhere”: Coming-of-Age in Two Twentieth-Century Indigenous Australian Memoirs / Transitions: Rites of Passage as Border Crossings in Contemporary Australian Women’s Fiction / Fate, Femininity and Mourning in Jean Rhys’s Good Morning, Midnight / Coming-of-Age, Coming to Mourning: Purple Hibiscus, Lucy, and Nervous Conditions / Menstrual Metamorphosis and the “foreign country of femaleness”: Kate Grenville and Jamaica Kincaid / Words Against Death: Rites of Passage in Ana Castillo’s So Far From God and Patricia Grace’s Baby No-Eyes / Notes on Contributors. |
isbn |
90-420-2936-6 90-420-2935-8 |
issn |
0924-1426 ; |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN479 |
callnumber-sort |
PN 3479 R58 42010EB |
genre |
Criticism, interpretation, etc. fast |
era |
1900-1999 fast |
genre_facet |
Criticism, interpretation, etc. |
era_facet |
1900-1999 20th century |
illustrated |
Not Illustrated |
dewey-hundreds |
800 - Literature |
dewey-tens |
800 - Literature, rhetoric & criticism |
dewey-ones |
809 - History, description & criticism |
dewey-full |
809/.89287 |
dewey-sort |
3809 589287 |
dewey-raw |
809/.89287 |
dewey-search |
809/.89287 |
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650524694 |
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