The conspiracy of modern art / / by Luiz Renato Martins ; edited and introduced by Steve Edwards ; translated by Renato Rezende.
In The Conspiracy of Modern Art the Brazilian critic and art-historian Luiz Renato Martins presents a new account of modern art from David to Abstract Expressionism. The once vibrant debate on these touchstones of modernism has gone stale. Viewed from the Sao Paulo megalopolis the art of Paris and N...
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| Superior document: | Historical Materialism Book Series, Volume 137 |
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| Place / Publishing House: | Leiden, Netherlands ;, Boston, [Massachusetts] : : Brill,, 2017. ©2017 |
| Year of Publication: | 2017 |
| Language: | English Portuguese |
| Series: | Historical materialism book series ;
Volume 137. |
| Physical Description: | xxi, 294 pages :; 24 cm |
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Table of Contents:
- Front Matter
- Painting, Between Gewalt and Labour: Introduction to The Conspiracy of Modern Art / Steve Edwards
- The Conspiracy of Modern Art
- The Hemicycle: The Image of the Nation-Form
- Marat by David: Photojournalism
- Eighteenth Brumaire, the Fabrication of a Totem: Freud, David and Bonapartism
- Remains of Voluptuousness
- The Returns of Regicide
- Parisian Scenes
- Two Scenes on the Commodity
- Painting as Labour-Form
- Transition from Constructivism to Productivism, According to Tarabukin
- Argan Seminar: Art, Value and Work
- Political Economy of Modern Art I: Entries for Combat
- Political Economy of Modern Art II: Lessons and Modes of Use
- Index of Artworks Cited
- Bibliography
- Index.