The medieval presence in the modernist aesthetic : : unattended moments / / edited by Simone Celine Marshall and Carole M. Cusack.
In The Medieval Presence in the Modernist Aesthetic: Unattended Moments , editors Simone Celine Marshall and Carole M. Cusack have brought together essays on literary Modernism that uncover medieval themes and tropes that have previously been “unattended”, that is, neglected or ignored. A historical...
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Superior document: | Studies in Religion and the Arts, Volume 11 |
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Place / Publishing House: | Leiden, Netherlands ;, Boston, [Massachusetts] : : Brill,, 2018. ©2018 |
Year of Publication: | 2018 |
Language: | English |
Series: | Studies in religion and the arts ;
Volume 11. |
Physical Description: | 1 online resource (194 pages). |
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The medieval presence in the modernist aesthetic : unattended moments / edited by Simone Celine Marshall and Carole M. Cusack. Leiden, Netherlands ; Boston, [Massachusetts] : Brill, 2018. ©2018 1 online resource (194 pages). text rdacontent computer rdamedia online resource rdacarrier Studies in Religion and the Arts, 1877-3192 ; Volume 11 In The Medieval Presence in the Modernist Aesthetic: Unattended Moments , editors Simone Celine Marshall and Carole M. Cusack have brought together essays on literary Modernism that uncover medieval themes and tropes that have previously been “unattended”, that is, neglected or ignored. A historical span of a century is covered, from musical modernist Richard Wagner’s final opera Parsifal (1882) to Russell Hoban’s speculative fiction Riddley Walker (1980), and themes of Arthurian literature, scholastic philosophy, Irish legends, classical philology, dream theory, Orthodox theology and textual exegesis are brought into conversation with key Modernist writers, including T. S. Eliot, Ezra Pound, Samuel Beckett, Marcel Proust, W. B. Yeats, Evelyn Waugh and Eugene Ionesco. These scholarly investigations are original, illuminating, and often delightful. Introduction / Simone Celine Marshall and Carole M. Cusack -- Wagner’s Parsifal: Christianity, Celibacy, and Medieval Brotherhood as Ideal in Modernity / Carole M. Cusack -- Fergus Mac Róich: Yeats’ Damaged Mystic / Joseph A. Mendes -- Ezra Pound’s Medieval Classicism: The Spirit of Romance and the Debt to Philology / Jonathan Ullyot -- Marcel Proust on Erotic Dreams and Oneiric Knowledge / Gro Bjørnerud Mo -- The Aristotelian Crescent: Medieval Arabic Philosophy in the Poetics of Ezra Pound / Mark Byron -- Between the “Machinery of Transcendence” and the “Machinery of War”: The Unattended Moments of Eugene Ionesco / Octavian Saiu -- “Melancholy Matters”: Robert Burton and Samuel Beckett / Rina Kim -- Whoroscope: Samuel Beckett’s Medieval Machine / Holly Phillips -- Lancelot and Guinevere in the Inter-War Period: The Medievalisms of Evelyn Waugh’s A Handful of Dust and Ezra Pound’s Canto vi / Anna Czarnowus -- Russell Hoban’s Riddley Walker: The Eusa Story and Other Blipful Figgers / Chris Ackerley. Includes bibliographical references at the end of each chapters and index. Description based on print version record. Modernism (Literature) Literature, Modern Medieval influences. Literature, Modern History and criticism. Marshall, Simone Celine, editor. Cusack, Carole M., 1962- editor. 90-04-35610-X Studies in religion and the arts ; Volume 11. |
language |
English |
format |
eBook |
author2 |
Marshall, Simone Celine, Cusack, Carole M., 1962- |
author_facet |
Marshall, Simone Celine, Cusack, Carole M., 1962- |
author2_variant |
s c m sc scm c m c cm cmc |
author2_role |
TeilnehmendeR TeilnehmendeR |
author_additional |
Simone Celine Marshall and Carole M. Cusack -- Carole M. Cusack -- Joseph A. Mendes -- Jonathan Ullyot -- Gro Bjørnerud Mo -- Mark Byron -- Octavian Saiu -- Rina Kim -- Holly Phillips -- Anna Czarnowus -- Chris Ackerley. |
title |
The medieval presence in the modernist aesthetic : unattended moments / |
spellingShingle |
The medieval presence in the modernist aesthetic : unattended moments / Studies in Religion and the Arts, Introduction / Wagner’s Parsifal: Christianity, Celibacy, and Medieval Brotherhood as Ideal in Modernity / Fergus Mac Róich: Yeats’ Damaged Mystic / Ezra Pound’s Medieval Classicism: The Spirit of Romance and the Debt to Philology / Marcel Proust on Erotic Dreams and Oneiric Knowledge / The Aristotelian Crescent: Medieval Arabic Philosophy in the Poetics of Ezra Pound / Between the “Machinery of Transcendence” and the “Machinery of War”: The Unattended Moments of Eugene Ionesco / “Melancholy Matters”: Robert Burton and Samuel Beckett / Whoroscope: Samuel Beckett’s Medieval Machine / Lancelot and Guinevere in the Inter-War Period: The Medievalisms of Evelyn Waugh’s A Handful of Dust and Ezra Pound’s Canto vi / Russell Hoban’s Riddley Walker: The Eusa Story and Other Blipful Figgers / |
title_sub |
unattended moments / |
title_full |
The medieval presence in the modernist aesthetic : unattended moments / edited by Simone Celine Marshall and Carole M. Cusack. |
title_fullStr |
The medieval presence in the modernist aesthetic : unattended moments / edited by Simone Celine Marshall and Carole M. Cusack. |
title_full_unstemmed |
The medieval presence in the modernist aesthetic : unattended moments / edited by Simone Celine Marshall and Carole M. Cusack. |
title_auth |
The medieval presence in the modernist aesthetic : unattended moments / |
title_alt |
Introduction / Wagner’s Parsifal: Christianity, Celibacy, and Medieval Brotherhood as Ideal in Modernity / Fergus Mac Róich: Yeats’ Damaged Mystic / Ezra Pound’s Medieval Classicism: The Spirit of Romance and the Debt to Philology / Marcel Proust on Erotic Dreams and Oneiric Knowledge / The Aristotelian Crescent: Medieval Arabic Philosophy in the Poetics of Ezra Pound / Between the “Machinery of Transcendence” and the “Machinery of War”: The Unattended Moments of Eugene Ionesco / “Melancholy Matters”: Robert Burton and Samuel Beckett / Whoroscope: Samuel Beckett’s Medieval Machine / Lancelot and Guinevere in the Inter-War Period: The Medievalisms of Evelyn Waugh’s A Handful of Dust and Ezra Pound’s Canto vi / Russell Hoban’s Riddley Walker: The Eusa Story and Other Blipful Figgers / |
title_new |
The medieval presence in the modernist aesthetic : |
title_sort |
the medieval presence in the modernist aesthetic : unattended moments / |
series |
Studies in Religion and the Arts, |
series2 |
Studies in Religion and the Arts, |
publisher |
Brill, |
publishDate |
2018 |
physical |
1 online resource (194 pages). |
contents |
Introduction / Wagner’s Parsifal: Christianity, Celibacy, and Medieval Brotherhood as Ideal in Modernity / Fergus Mac Róich: Yeats’ Damaged Mystic / Ezra Pound’s Medieval Classicism: The Spirit of Romance and the Debt to Philology / Marcel Proust on Erotic Dreams and Oneiric Knowledge / The Aristotelian Crescent: Medieval Arabic Philosophy in the Poetics of Ezra Pound / Between the “Machinery of Transcendence” and the “Machinery of War”: The Unattended Moments of Eugene Ionesco / “Melancholy Matters”: Robert Burton and Samuel Beckett / Whoroscope: Samuel Beckett’s Medieval Machine / Lancelot and Guinevere in the Inter-War Period: The Medievalisms of Evelyn Waugh’s A Handful of Dust and Ezra Pound’s Canto vi / Russell Hoban’s Riddley Walker: The Eusa Story and Other Blipful Figgers / |
isbn |
90-04-35702-5 90-04-35610-X |
issn |
1877-3192 ; |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN56 |
callnumber-sort |
PN 256 M54 M435 42018 |
illustrated |
Not Illustrated |
dewey-hundreds |
800 - Literature |
dewey-tens |
800 - Literature, rhetoric & criticism |
dewey-ones |
809 - History, description & criticism |
dewey-full |
809/.9112 |
dewey-sort |
3809 49112 |
dewey-raw |
809/.9112 |
dewey-search |
809/.9112 |
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(CKB)4100000000729633 (MiAaPQ)EBC5124278 2017041336 ORIG (nllekb)BRILL9789004357020 (EXLCZ)994100000000729633 |
hierarchy_parent_title |
Studies in Religion and the Arts, Volume 11 |
hierarchy_sequence |
Volume 11. |
is_hierarchy_title |
The medieval presence in the modernist aesthetic : unattended moments / |
container_title |
Studies in Religion and the Arts, Volume 11 |
author2_original_writing_str_mv |
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