Attached to dispossession : : sacrificial narratives in post-imperial Europe / / by Vladimir Biti.
After the First World War, East Central Europe underwent an extensive geopolitical reconfiguration, resulting in highly turbulent environments in which political sacrificial narratives found a breeding ground. They engaged various groups’ experiences of dispossession, energizing them for the wars ag...
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| Superior document: | Balkan Studies Library, Volume 21 |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | Leiden, The Netherlands ;, Boston, [Massachusetts] : : Brill,, 2018. ©2018 |
| Year of Publication: | 2018 |
| Language: | English |
| Series: | Balkan studies library ;
Volume 21. |
| Physical Description: | 1 online resource (323 pages). |
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Table of Contents:
- Front Matter
- Copyright page
- Acknowledgments
- Introduction
- Ruling (Out) the Province and Its Consequences: Sovereignty, Dispossession, and Sacrificial Violence in the Early Work of Miloš Crnjanski and Miroslav Krleža
- Disciplining the Wild(wo)men: Borisav Stanković’s Not Wannabe Bride and Janko Polić Kamov’s Wannabe Artist
- A Rebellion on the Knees: Miroslav Krleža and the Croatian Narrative of Dispossession
- The Carnival’s Victims: Miloš Crnjanski’s The Mask and Hugo von Hofmannsthal’s Arabella
- Exempt from Belonging: Ivo Andrić, Karl Kraus, and Post-imperial Trauma
- The Dis/location of Solitude: The Dispossession of the Paternal Protection in Joseph Roth’s The Radetzky March and Radomir Konstantinović’s Descartes’ Death
- The Politics of Remembrance: Walter Benjamin’s Berlin Childhood Around 1900 and Miroslav Krleža’s A Childhood in Agram in 1902–1903.