Painting circles : : Tsuchida Bakusen and Nihonga collectives in early twentieth century Japan / / by JOhn D. Szostak.
Painting Circles addresses the changing professional milieu of artists in early 20th century Japan, particularly the development of new social roles and networks, and how these factors informed the development of artistic identity. The focus of the study is the Nihonga painter Tsuchida Bakusen (1887...
Saved in:
Superior document: | Japanese visual culture ; volume 11 |
---|---|
VerfasserIn: | |
Place / Publishing House: | Leiden ;, Boston : : Brill,, 2013. |
Year of Publication: | 2013 |
Language: | English |
Series: | Japanese visual culture ;
volume 11. |
Physical Description: | 1 online resource (302 pages) :; illustrations (chiefly color) |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
993581774504498 |
---|---|
ctrlnum |
(CKB)3710000001018441 (MiAaPQ)EBC4790846 (nllekb)BRILL9789004249455 (Au-PeEL)EBL4790846 (CaPaEBR)ebr11333417 (CaONFJC)MIL989218 (OCoLC)970630647 (EXLCZ)993710000001018441 |
collection |
bib_alma |
record_format |
marc |
spelling |
Szostak, John Donald, author. Painting circles : Tsuchida Bakusen and Nihonga collectives in early twentieth century Japan / by JOhn D. Szostak. Leiden ; Boston : Brill, 2013. 1 online resource (302 pages) : illustrations (chiefly color) text rdacontent computer rdamedia online resource rdacarrier Japanese visual culture ; volume 11 Painting Circles addresses the changing professional milieu of artists in early 20th century Japan, particularly the development of new social roles and networks, and how these factors informed the development of artistic identity. The focus of the study is the Nihonga painter Tsuchida Bakusen (1887-1936), who in 1918 founded an exhibition collective, the Kokuga Society, in response to increasing dissatisfaction with the nation’s government-sponsored exhibition salon. The study examines efforts by Bakusen and company to establish an independent position vis-à-vis the arts establishment by demonstrating their reflexive knowledge of Western modernist art movements on the one hand, and on the other, by showing their deep commitment to preserving traditional Japanese painting themes, media and techniques into the 20th century. Preliminary Material / John D. Szostak -- Introduction / John D. Szostak -- Bakusen’s Early Life and Works: Towards a Rural Genre Painting / John D. Szostak -- Beyond Chikujōkai: Expanding Infl uences and New Encounters / John D. Szostak -- Challenges, Changes, and Evolving Strategies at the Bunten / John D. Szostak -- Gathering the Higashiyama Circle / John D. Szostak -- The Inaugural Kokuten Exhibition of 1918: Content and Contexts / John D. Szostak -- Artistic Flowering: The Second and Third Kokuten Exhibitions / John D. Szostak -- Hiatus, Expansion, and Collapse: The Kokuten’s Middle and Final Stages / John D. Szostak -- Conclusions / John D. Szostak -- Documents Related to the Kokuga Sōsaku Kyōkai / John D. Szostak -- List of Characters / John D. Szostak -- Endnotes / John D. Szostak -- Bibliography / John D. Szostak -- Index / John D. Szostak. Includes bibliographical references and index. Description based on print version record. Painters Japan Social conditions 20th century. Kokuga Sōsaku Kyōkai (Japan) Tsuchida, Bakusen, 1887-1936 Criticism and interpretation. 90-04-21672-3 600-01 嶟田麦遷, 1887-1936 Criticism and interpretation. Japanese visual culture ; volume 11. |
language |
English |
format |
eBook |
author |
Szostak, John Donald, |
spellingShingle |
Szostak, John Donald, Painting circles : Tsuchida Bakusen and Nihonga collectives in early twentieth century Japan / Japanese visual culture ; Preliminary Material / Introduction / Bakusen’s Early Life and Works: Towards a Rural Genre Painting / Beyond Chikujōkai: Expanding Infl uences and New Encounters / Challenges, Changes, and Evolving Strategies at the Bunten / Gathering the Higashiyama Circle / The Inaugural Kokuten Exhibition of 1918: Content and Contexts / Artistic Flowering: The Second and Third Kokuten Exhibitions / Hiatus, Expansion, and Collapse: The Kokuten’s Middle and Final Stages / Conclusions / Documents Related to the Kokuga Sōsaku Kyōkai / List of Characters / Endnotes / Bibliography / Index / |
author_facet |
Szostak, John Donald, |
author_variant |
j d s jd jds |
author_role |
VerfasserIn |
author_sort |
Szostak, John Donald, |
author_additional |
John D. Szostak -- John D. Szostak. |
title |
Painting circles : Tsuchida Bakusen and Nihonga collectives in early twentieth century Japan / |
title_sub |
Tsuchida Bakusen and Nihonga collectives in early twentieth century Japan / |
title_full |
Painting circles : Tsuchida Bakusen and Nihonga collectives in early twentieth century Japan / by JOhn D. Szostak. |
title_fullStr |
Painting circles : Tsuchida Bakusen and Nihonga collectives in early twentieth century Japan / by JOhn D. Szostak. |
title_full_unstemmed |
Painting circles : Tsuchida Bakusen and Nihonga collectives in early twentieth century Japan / by JOhn D. Szostak. |
title_auth |
Painting circles : Tsuchida Bakusen and Nihonga collectives in early twentieth century Japan / |
title_alt |
Preliminary Material / Introduction / Bakusen’s Early Life and Works: Towards a Rural Genre Painting / Beyond Chikujōkai: Expanding Infl uences and New Encounters / Challenges, Changes, and Evolving Strategies at the Bunten / Gathering the Higashiyama Circle / The Inaugural Kokuten Exhibition of 1918: Content and Contexts / Artistic Flowering: The Second and Third Kokuten Exhibitions / Hiatus, Expansion, and Collapse: The Kokuten’s Middle and Final Stages / Conclusions / Documents Related to the Kokuga Sōsaku Kyōkai / List of Characters / Endnotes / Bibliography / Index / |
title_new |
Painting circles : |
title_sort |
painting circles : tsuchida bakusen and nihonga collectives in early twentieth century japan / |
series |
Japanese visual culture ; |
series2 |
Japanese visual culture ; |
publisher |
Brill, |
publishDate |
2013 |
physical |
1 online resource (302 pages) : illustrations (chiefly color) |
contents |
Preliminary Material / Introduction / Bakusen’s Early Life and Works: Towards a Rural Genre Painting / Beyond Chikujōkai: Expanding Infl uences and New Encounters / Challenges, Changes, and Evolving Strategies at the Bunten / Gathering the Higashiyama Circle / The Inaugural Kokuten Exhibition of 1918: Content and Contexts / Artistic Flowering: The Second and Third Kokuten Exhibitions / Hiatus, Expansion, and Collapse: The Kokuten’s Middle and Final Stages / Conclusions / Documents Related to the Kokuga Sōsaku Kyōkai / List of Characters / Endnotes / Bibliography / Index / |
isbn |
90-04-24945-1 90-04-21672-3 |
callnumber-first |
N - Fine Arts |
callnumber-subject |
ND - Painting |
callnumber-label |
ND1059 |
callnumber-sort |
ND 41059 T745 S96 42013 |
geographic_facet |
Japan |
era_facet |
1887-1936 20th century. |
illustrated |
Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
750 - Painting |
dewey-ones |
759 - Historical, geographic & persons treatment |
dewey-full |
759.952 |
dewey-sort |
3759.952 |
dewey-raw |
759.952 |
dewey-search |
759.952 |
oclc_num |
970630647 |
work_keys_str_mv |
AT szostakjohndonald paintingcirclestsuchidabakusenandnihongacollectivesinearlytwentiethcenturyjapan |
status_str |
n |
ids_txt_mv |
(CKB)3710000001018441 (MiAaPQ)EBC4790846 (nllekb)BRILL9789004249455 (Au-PeEL)EBL4790846 (CaPaEBR)ebr11333417 (CaONFJC)MIL989218 (OCoLC)970630647 (EXLCZ)993710000001018441 |
hierarchy_parent_title |
Japanese visual culture ; volume 11 |
hierarchy_sequence |
volume 11. |
is_hierarchy_title |
Painting circles : Tsuchida Bakusen and Nihonga collectives in early twentieth century Japan / |
container_title |
Japanese visual culture ; volume 11 |
_version_ |
1796652799179620353 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03581nam a2200505 i 4500</leader><controlfield tag="001">993581774504498</controlfield><controlfield tag="005">20230126214951.0</controlfield><controlfield tag="006">m o d | </controlfield><controlfield tag="007">cr cnu||||||||</controlfield><controlfield tag="008">130703s2013 ne a ob 001 0deng|d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">90-04-24945-1</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1163/9789004249455</subfield><subfield code="2">DOI</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CKB)3710000001018441</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(MiAaPQ)EBC4790846</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(nllekb)BRILL9789004249455</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(Au-PeEL)EBL4790846</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CaPaEBR)ebr11333417</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CaONFJC)MIL989218</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)970630647</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(EXLCZ)993710000001018441</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">MiAaPQ</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">MiAaPQ</subfield><subfield code="d">MiAaPQ</subfield></datafield><datafield tag="043" ind1=" " ind2=" "><subfield code="a">a-ja---</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">ND1059.T745</subfield><subfield code="b">S96 2013</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">ND</subfield><subfield code="2">lcco</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">ACBP</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">ART</subfield><subfield code="x">019000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">759.952</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Szostak, John Donald,</subfield><subfield code="e">author.</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Painting circles :</subfield><subfield code="b">Tsuchida Bakusen and Nihonga collectives in early twentieth century Japan /</subfield><subfield code="c">by JOhn D. Szostak.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Leiden ;</subfield><subfield code="a">Boston :</subfield><subfield code="b">Brill,</subfield><subfield code="c">2013.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (302 pages) :</subfield><subfield code="b">illustrations (chiefly color)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Japanese visual culture ;</subfield><subfield code="v">volume 11</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Painting Circles addresses the changing professional milieu of artists in early 20th century Japan, particularly the development of new social roles and networks, and how these factors informed the development of artistic identity. The focus of the study is the Nihonga painter Tsuchida Bakusen (1887-1936), who in 1918 founded an exhibition collective, the Kokuga Society, in response to increasing dissatisfaction with the nation’s government-sponsored exhibition salon. The study examines efforts by Bakusen and company to establish an independent position vis-à-vis the arts establishment by demonstrating their reflexive knowledge of Western modernist art movements on the one hand, and on the other, by showing their deep commitment to preserving traditional Japanese painting themes, media and techniques into the 20th century.</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Preliminary Material /</subfield><subfield code="r">John D. Szostak -- </subfield><subfield code="t">Introduction /</subfield><subfield code="r">John D. Szostak -- </subfield><subfield code="t">Bakusen’s Early Life and Works: Towards a Rural Genre Painting /</subfield><subfield code="r">John D. Szostak -- </subfield><subfield code="t">Beyond Chikujōkai: Expanding Infl uences and New Encounters /</subfield><subfield code="r">John D. Szostak -- </subfield><subfield code="t">Challenges, Changes, and Evolving Strategies at the Bunten /</subfield><subfield code="r">John D. Szostak -- </subfield><subfield code="t">Gathering the Higashiyama Circle /</subfield><subfield code="r">John D. Szostak -- </subfield><subfield code="t">The Inaugural Kokuten Exhibition of 1918: Content and Contexts /</subfield><subfield code="r">John D. Szostak -- </subfield><subfield code="t">Artistic Flowering: The Second and Third Kokuten Exhibitions /</subfield><subfield code="r">John D. Szostak -- </subfield><subfield code="t">Hiatus, Expansion, and Collapse: The Kokuten’s Middle and Final Stages /</subfield><subfield code="r">John D. Szostak -- </subfield><subfield code="t">Conclusions /</subfield><subfield code="r">John D. Szostak -- </subfield><subfield code="t">Documents Related to the Kokuga Sōsaku Kyōkai /</subfield><subfield code="r">John D. Szostak -- </subfield><subfield code="t">List of Characters /</subfield><subfield code="r">John D. Szostak -- </subfield><subfield code="t">Endnotes /</subfield><subfield code="r">John D. Szostak -- </subfield><subfield code="t">Bibliography /</subfield><subfield code="r">John D. Szostak -- </subfield><subfield code="t">Index /</subfield><subfield code="r">John D. Szostak.</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="588" ind1=" " ind2=" "><subfield code="a">Description based on print version record.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Painters</subfield><subfield code="z">Japan</subfield><subfield code="x">Social conditions</subfield><subfield code="y">20th century.</subfield></datafield><datafield tag="610" ind1="2" ind2="0"><subfield code="a">Kokuga Sōsaku Kyōkai (Japan)</subfield></datafield><datafield tag="600" ind1="1" ind2="0"><subfield code="a">Tsuchida, Bakusen,</subfield><subfield code="d">1887-1936</subfield><subfield code="x">Criticism and interpretation.</subfield></datafield><datafield tag="776" ind1=" " ind2=" "><subfield code="z">90-04-21672-3</subfield></datafield><datafield tag="880" ind1="1" ind2="4"><subfield code="6">600-01</subfield><subfield code="a">嶟田麦遷,</subfield><subfield code="d">1887-1936</subfield><subfield code="x">Criticism and interpretation.</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Japanese visual culture ;</subfield><subfield code="v">volume 11.</subfield></datafield><datafield tag="906" ind1=" " ind2=" "><subfield code="a">BOOK</subfield></datafield><datafield tag="ADM" ind1=" " ind2=" "><subfield code="b">2023-02-28 11:29:02 Europe/Vienna</subfield><subfield code="f">System</subfield><subfield code="c">marc21</subfield><subfield code="a">2017-01-15 09:15:08 Europe/Vienna</subfield><subfield code="g">false</subfield></datafield><datafield tag="AVE" ind1=" " ind2=" "><subfield code="i">Brill</subfield><subfield code="P">EBA Brill All</subfield><subfield code="x">https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&portfolio_pid=5343059580004498&Force_direct=true</subfield><subfield code="Z">5343059580004498</subfield><subfield code="b">Available</subfield><subfield code="8">5343059580004498</subfield></datafield></record></collection> |