Cartooning for a modern Egypt / / Keren Zdafee.

The Egyptian caricature is generally studied as part of Egyptian mass culture, and mainly discussed in the context of Egypt's anti-colonial resistance to British foreign rule, as part of the forging of a “national style". In Cartooning for a Modern Egypt, Keren Zdafee foregrounds the role...

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Bibliographic Details
Superior document:Arts and Archaeology of the Islamic World; volume13
VerfasserIn:
Place / Publishing House:Leiden Boston : : BRILL,, 2019.
Year of Publication:2019
Language:English
Series:Arts and Archaeology of the Islamic World; volume13.
Physical Description:1 online resource (262 pages).
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Other title:Front Matter -- Copyright Page -- Dedication -- Illustrations -- Acknowledgments -- On Translating Caricatures -- A Note on Transliterations -- Introduction -- Cairo’s Colonial Cosmopolitanism -- Journals, Images, Counter-Images, and Readers -- Caricature as Product -- The Average Egyptian; the Ideal Egyptian -- The Good, the Bad, and the Evil -- Images of the Other? -- Conclusion -- Back Matter -- Bibliography -- Index.
Summary:The Egyptian caricature is generally studied as part of Egyptian mass culture, and mainly discussed in the context of Egypt's anti-colonial resistance to British foreign rule, as part of the forging of a “national style". In Cartooning for a Modern Egypt, Keren Zdafee foregrounds the role that Egypt’s foreign-local entrepreneurs and caricaturists played in formulating and constructing the modern Egyptian caricature of the interwar years, that was designated for, and reflected, a colonial and cosmopolitan culture of a few. Keren Zdafee illustrates how Egyptian foreign-local caricaturists envisioned and evaluated the past, present, and future of Egyptian society, in the context of Cairo's colonial cosmopolitanism, by adopting a theoretical, semiotic, and historical approach.
Bibliography:Includes bibliographical references.
ISBN:9004410384
Hierarchical level:Monograph
Statement of Responsibility: Keren Zdafee.